The debut

The old idiom ‘don’t judge a book by its cover’ hit home for accomplished Gerroa author Lisa Darcy when her first book was published fifteen years ago.

Lisa sheepishly admits she cried when she first saw the cover image of her long-awaited novel; and they were not tears of joy. 

The cover, emailed to her by her publisher, looked nothing like she imagined while squeezing thousands of hours of blood, sweat and tears onto the 384 pages of her debut, ‘Lucy Springer Gets Even’. 

“Then I got over myself,” laughs Lisa. “I thought ‘okay this is what the marketing and publicity department has decided, I’ll just run with it’. Gratitude soon kicked in after the initial shock and, when Lisa saw her novel for the first time in a bookshop, she thought ‘wow, this is fantastic, I am an author’.”

That was back in January 2009 and Lisa’s debut novel was so successful, it was rebranded after her publisher admitted the original cover was a mistake. Sales spiked (with a new cover and title - ‘Lucy Bounces Back’) and the book was sold as a wrapped bundle alongside best-selling author Jodi Picoult. 

Lisa now has nine hit novels under her belt, yet she remains humble; self-deprecation is her default position. Perhaps because, like all good artists, the journey to becoming a published author was long, and not without rejection. 

Writing the Great Australian Novel

In a previous life Lisa was a journalist in Sydney, working for Australian Consolidated Press - Kerry Packer’s stable of magazines - on publications including ‘Bride To Be’ and ‘Practical Parenting.’ It was in 2000, after Lisa had just given birth to her daughter and had two sons aged two and four, that she decided to pursue every writer’s dream – create the Great Australian Novel. 

“I thought it would be the perfect time to quit my day job and write a book, I thought it would be easy, I was so naive!” laughs Lisa. 

The internet was fairly recent back then but there were plenty of tips on how to write a novel, so Lisa followed a formula, set out by the publisher of blockbuster ‘Mills & Boon’ novels, and wrote a 60,000-word bodice ripper set in Venice. 

She’d never been there but thought ‘hey, how hard can this be?’ After months of toil, she sent her manuscript to acquisitions teams in Vancouver, London and New York (Australia had none at that stage) and waited for the offers to come in.

“God, I was so arrogant - it got soundly rejected. The feedback was something like ‘great first line all downhill from there’,” says Lisa, who can laugh about it now that she is a successful author. At the time, it was a definitive blow to her ego during an already tough time in her life. 

Three lessons learned

She was a new mum, pumping out thousands of words each day, while also in the midst of breastfeeding and toilet training. Despite the rejection, Lisa got back on the proverbial horse - this time taking on the lessons she had learned - to be successful you need to write from the heart, about things you know, and for genres you love. 

“I had that naivety, to actually send it off and think that it would get a good reception,” admits Lisa. “But that initial manuscript was so clunky. I don't regret doing it. It showed me that I could actually write a story that stretched to manuscript length. I knew I could write, I knew I could put a story together and I knew I could complete a task. But what I had to do next was actually write about something I cared about.”

“So I went away and looked at my bookshelves and the novels I loved reading. It was the 2000s, so books like ‘Bridget Jones’ Diary’ (Helen Fielding) and ‘Watermelon’ (Marian Keyes). Those books are all written in first-person, they’re conversational, the author is talking to me as their best friend, confiding in me. When I looked at that first manuscript, it was in a third person point of view, distant. I was telling a story, but I wasn't involved in the story, so it wasn't coming from the heart.”

Lisa believes her latest novel - ‘The Pact’ - is one of her best, written from the heart about complex family relationships and the unbreakable bond between sisters. But it has been almost a decade in the making, and she had to fight hard to get it published.

Not a sports book, but one about families

Rewind to 2015. By this stage Lisa had published five books with Allen & Unwin (“the covers got progressively better”) before deciding to take a break from writing. Her kids were navigating the tricky teenage years and Lisa was the quintessential mother of adolescents; unpaid Uber driver, accidental counselor and round-the-clock chef. 

Once she had survived “teaching kids to drive,” Lisa rediscovered her love for writing and returned with a self-published book which “sold three copies on Amazon.” Unhappy with the final version, Lisa pulled it from the platform but knew that ‘the skeleton’ for a great story was there. “I just needed the heart and the muscle,” she says. “I really wanted to take my time with it and either self-publish again or find a publisher who actually believed in it.”

That book became her latest novel, ‘The Pact,’ a compassionate dissection of the love-hate relationship between two sisters, who lost their mother as teenagers. The book explores how this traumatic event impacted their lives, and loves as they climb their way up the ladder as doubles partners on the international tennis circuit. 

“Samantha and Annie are professional tennis players and while I’ve played social tennis; badly, I am by no means an expert on the subject,” says Lisa. “Publishers would say, ‘oh if it was cricket or swimming maybe … but not tennis. For me, it was never about writing a sports book, I wanted to write a book about sisters, families, mothers. Tennis was a good way to highlight sibling rivalry, but essentially, the book is about exploring the psychological impact of losing your mother at a young age, how this creates a fear of abandonment for Samantha and a need to be loved for Annie.”

Lisa threw herself into research for the book, reading biographies by Ash Barty, Andre Agassi, the Williams sisters, Rafael Nadal, Martina Navratilova and Chris Evert-Lloyd. But it is the human relationships and connections around her that she draws on for inspiration, admitting that her own relationship with her sister is the typical, love-hate, sibling rivalry archetype. But at the end of the day love wins out. 

“In most of my novels, but not this latest one, there's also the older mum, or grandmother, who is always based on my mother, but I don’t think she’s even read any of my books,” laughs Lisa. 

“And my kids have only just twigged to this, but for all their high school years I was forever just passing by their room when they had friends over, basically eavesdropping. I was absolutely stealing their conversations for material and I have no regrets!” 

“I don’t think my kids have read my books either, in my acknowledgments I always mention them. That was a little test to see if they came back to me. But I do know the boys have given copies to girlfriends, which they say they really enjoyed and laughed at, because they can see my sons in those stories. Without destroying any illusions, I think it's really important to talk about real life experiences, real relationships.” 

Becoming Lisa Darcy

Back in the early noughties rural romance was ‘going gangbusters’ off the back of shows like McLeod’s Daughters. Lisa’s publishers reached out to her saying, ‘this is going to be the next big thing, can you write something like that?’ 

“I said ‘well, I’m a suburban mother, living in Sydney, yes I’ve seen a sheep and I’ve patted a cow but there’s no way I can do that’,” she chuckles. But what she could do was write coastal romance, with Gerringong the setting for her 2021 novel ‘Lily’s Little Flower Shop..

“I’ve had a property in Gerroa for 25 years,” says Lisa. “I moved here permanently in 2021, when the kids had finished uni. I really should have written ‘Lily’s Little Flower Shop’ years earlier but when I finally started writing it, I knew I could do it justice because I know the fictional, but real, township I’m writing about.” 

The book has since been published in several languages, including French and Italian, and marked the beginning of Lisa’s success as a renowned international author when she signed with UK-based publisher Bloodhound Books in 2020. 

However, there was a catch. Her new publisher wanted to “completely rebrand” her. Lisa had always published her work under her maiden name, Heidke. By now Lisa knew the drill, publishers have the final say on covers, titles and even with authors’ names. 

“After I got over myself again, I thought okay I’m in charge here,” she says. She chose a name that she liked, one that resonated. Darcy was reminiscent of Jane Austen. Marketing research shows authors whose last names start with C or D do well in the line-up on bookshops shelves, explains Lisa. She wrote ‘Lily’s Little Flower Shop,’ ‘My Big Greek Holiday’ and ‘Should You Keep A Secret?’ under the pen name Lisa Darcy for Bloodhound Books.

“Other than when I am talking to my friends and family and I’m Lisa Heidke, I became Lisa Darcy on all my new novels and socials,” she says.’ Lily’s Little Flower Shop’ has a special palace in her heart and is one of her most beloved novels. But ‘The Pact’ is the one she is most proud of. She fought hard to have it published on her terms.

“This book has been so well-received by readers, and I’m really happy with the end result,” says Lisa. “And I love the cover!”