As we gear up for the 177th Kiama Show on 24th and 25th January, The Bugle is bringing you the stories of the people behind the scenes who make it all happen, and why the Show means so much to them.

But today, I’m taking a detour into something that’s always fascinated me: show jumping. It’s a part of the Kiama Show’s history that I’ve had a personal connection to. My own family, including the legendary “Sonny” and Bob Chittick, was part of this world, and as someone who rode the horse show circuit in the 60s and 70s, I had the chance to meet some of the legends you’ll read about here.

Women jumping side-saddle, men riding bareback and vaulting on and off their horses between jumps, it was thrilling, dangerous, and awe-inspiring. This isn’t just about nostalgia; it’s about a time when show jumping was a spectacle that left crowds holding their breath.

I hope you enjoy this glimpse into a piece of Kiama’s rich equestrian history.

The calibre of show jumping at the Kiama Show has long set it apart, drawing competitors of the highest order, including Olympians. In 1970, Kevin Bacon, one of Australia’s finest showjumpers, competed at the Show in an attempt to break the Kiama Show high-jump record of 2.19 metres (7 feet 2 inches). The crowd roared as Bacon and his trusted horse, Chichester, soared to 2.13 metres (7 feet), delivering an unforgettable moment of drama and skill.

Kevin Bacon and Chichester at the 1976 Montreal Olympics. Photo Credit: Hugo Czerny.

Bacon, a three-time Olympian from 1964 to 1976, competed with Chichester at two of those Games, forging a partnership that would become legendary in equestrian history. The bond between rider and horse went beyond competition.

After victories, Bacon often delighted spectators with a display of Chichester’s intelligence and loyalty. Bacon would leave Chichester outside the ring, hide behind an obstacle, and whistle. Without hesitation, Chichester would trot into the ring, searching for his rider to the delight of onlookers.

This extraordinary history is part of a rich equestrian tradition captured in Kiama on Show by Karen Beasley, a vital resource for understanding the Show’s heritage.

Kiama’s show jumping owes much to the traditions of England’s hunter trials. Riders faced fences of 1.2 to 1.37 metres (4 to 4.5 feet), often packed with brush, with the Australian addition of V-log jumps adding local ingenuity. Early competitions demanded hunting or steeplechase attire, with silk colours becoming a signature feature. Riders became recognised as much for their outfits as for their horses’ performances.

The Kiama Showground hosted its contests in a 440-yard (402-metre) arena with six 1.2-metre (4-foot) high jumps. Points were awarded based on pace, jumping ability, and breeding conformation, though the subjective nature of judging often led to spirited disputes that kept local audiences talking for weeks.

One of the most popular events was the "pairs of hunters" competition, which featured synchronised jumps by matched horses and riders.

The Charlie McGlinchey Memorial Grand Prix will be held on 25 January 2025 starting at 9 am

Equally demanding was tandem jumping, where riders guided one horse over jumps using long reins while riding another. Nelson "Sonny" Chittick became synonymous with this challenging event, a testament to his skill and his horses’ cooperation.

Other crowd favourites included the bareback hunt, where riders vaulted back onto their horses between jumps, and the sectional fours, where teams of four horses matched in colour cleared 1.07-metre (3-foot-6) jumps. Tragedy struck the sectional fours in 1959 when Bill Robertson, a member of the iconic Robertson Brothers of Wollongong, was killed during training.

The evolution of women’s participation was marked by significant change. Before 1910, women rode side-saddle, but as more began riding astride, they adopted divided skirts, marking a shift from tradition to practicality and reflecting broader societal changes in women’s roles.

The high jump became the centrepiece of Kiama’s equestrian events in the 1920s and 1930s. Starting at 1.68 metres (5 feet 6 inches), it often reached 2.13 metres (7 feet). In 1963, Johnson and Son's Puissance set a record of 2.27 metres (7 feet 5 inches), a feat that remains part of local lore.

By the 1960s, six-bar jumping added a new layer of excitement, with six progressive obstacles testing both horse and rider. Bacon’s 1970 attempt to surpass Eric Musgrove’s 2.19-metre (7-foot-2) record ended dramatically when both rider and horse fell, with Bacon sustaining a broken rib.

Example of a Six Bar Show Jumping Course Source

From daring bareback hunts to thrilling high jumps, the Kiama Show has built a legacy of equestrian excellence. While some traditions have faded, the Show endures as a celebration of skill, courage, and the enduring connection between horse and rider.

Credit: Information and photos sourced from Kiama on Show by Karen Beasley.