When Deidre Henham first put down a deposit on Cedar on Collins, she wasn’t entirely sure how things would unfold.Now, settled into the newly built retirement complex in Kiama, she couldn’t be happier with her decision. “It's wonderful,” she says. “The people here are just lovely, without exception.”Deidre’s journey to Kiama began with a different plan.She and her daughters had purchased a house in Bong Bong Street, intending to create a multi-generational home where they could live separately yet together. But the uncertainty surrounding the property’s potential heritage listing dragged on for years.This process took more than 3 years to confirm whether it would be heritage listed,” she explains. “By then, I had already started looking at Cedar on Collins.”What was once an uncertain step turned out to be a perfect fit. One of the first residents to move in, Deidre quickly took the initiative to build a sense of community.“At first, it was just me and one other gentleman. We decided to meet on Friday nights for drinks, and slowly, more people joined in.”Many of the residents are local, making it easier for newcomers like Deidre to settle in.“They already know all the best places,” she says. “The only downside is that when the bus trips are planned, they have already seen most of the sights.”Originally from the Riverina, Deidre spent years in Wagga Wagga before making the move to Kiama in late 2023.A former rice farmer, she speaks with pride about the industry’s evolution.“Farming teaches resilience. If you are married to a farmer, you learn to do everything, from driving between paddocks to helping with livestock,” she says.Her connection to rice farming runs deep, and she still holds shares in SunRice, a company she praises for its success and support of growers.For Deidre, Cedar on Collins is more than just a retirement complex. It is a new chapter filled with companionship and opportunity. “It feels like a hotel,” she laughs. “But you bring your own drinks.”As Kiama’s newest retirement community grows, stories like Deirdre’s highlight what makes it special, a place where people can feel at home, surrounded by friends, and supported in a way that makes ageing an exciting new stage of life.

If you have ever wandered past the windswept headland south of Kiama’s famous Little Blowhole and paused to admire the flowering natives, the gentle stone path or the bridge at the base of the slope, you are walking through Jan Bloomfield’s legacy.After years of tireless coordination, Jan is stepping down from her leadership role with the Little Blowhole Landcare Group.She leaves behind not just a beautifully restored coastal site, but a strong, connected and quietly determined group of volunteers who continue to transform this once-neglected patch into something extraordinary.Jan was there at the beginning. She was one of the original volunteers when Landcare began at Little Blowhole in 2009, tackling an area choked with noxious weeds on neglected dairy pasture. Two years later, when the founding coordinator left, Jan stepped in without hesitation. She never looked back.With a background in the National Parks and Wildlife Service, she brought deep ecological knowledge to a team of eager amateurs. But it was her grit, warmth and wry humour that kept the group grounded and growing.“She might be very little,” fellow volunteer Gail Evans said with a smile, “but Jan is very determined. Some say like a terrier with a bone.”Jan’s commitment extended far beyond weeding and planting. She liaised with Council, secured grants, organised working bees, wrangled scouts and school groups, built strong relationships with the local Wodi Wodi community, and gently but firmly navigated differences of opinion about Landcare’s role. Even the snakes, Gail quips, seemed to prefer Jan’s company.The Little Blowhole Landcare team shared their appreciation for Jan Bloomfield's 20 years of dedication Kiama Council has supported the group over the years in practical and ongoing ways. From removing weed-filled bags after working bees to constructing the stabilised path and small bridge that now provide safer access, Council’s partnership has helped bring Jan’s vision to life. Council officer Peter Gill provided technical guidance, while Council's consistent backing made a tough, salt-swept site more viable for restoration.The group meets monthly, usually around 10 hardy souls who get their hands dirty for a couple of hours before sharing a cuppa and some cake. The terrain is not easy. Loose rock lies just inches under the soil, and the salt spray from the blowhole can decimate fragile plantings. But with Jan’s guidance, they have transformed the site into a well-loved picnic and wedding spot rich in native biodiversity.“She really was the leading light,” says new coordinator Chris Powell. “She organised everything, even when her own health was faltering and while caring for her husband Hilton, especially after his surgery. And she always made sure we had what we needed, from plants and gloves to Council bags for weed removal.”Jan also worked closely with Landcare Illawarra’s regional coordinator, Meredith Hall, and was instrumental in securing grants like the recent one to tackle invasive Golden Goddess lily along the site’s natural boreline. Though Jan is stepping back, her influence remains stitched into every shrub and sandstone step.“We’ll miss her guidance, her smile, her common sense and the fact that snakes didn’t seem to bother her,” Gail said. “She made us all feel like this was our patch to care for.”The group will continue to meet on the first Saturday of each month at 9.30am. New volunteers, young or old, are always welcome. As one supporter said, Landcare might just be “the older generation’s playground.”And thanks to Jan, the gate is wide open.

When the 2019-20 bushfires tore through the South Coast, sending thousands fleeing north, Dr Neil Moss was heading in the opposite direction. Seconded by the Department of Primary Industries, he drove into the heart of the disaster in Bega, through thick smoke and chaos, to help dairy farmers whose livelihoods had been left in ruins.This week, the Kiama Heights resident's extraordinary service has been recognised with the National Emergency Medal.For two exhausting weeks, Dr Moss, senior consultant and co-director at Scibus worked up to 14-hour days, assessing the damage, ensuring farmers were safe and coordinating urgent supplies. Power was out, roads were blocked and cattle were stranded with no food or water. With the support of Local Land Services, DPI and agricultural industry bodies, he helped secure fuel, generators and fodder, ensuring every affected farm had feed within days. His work did not end there. Recognising that recovery needed structure, he brought together key agricultural groups, including the DPI, Dairy Australia, NSW Farmers, Local Land Services and Bega Cheese, to map out a long-term plan. By the time he left, industry and farmers had a clear path forward, knowing they were not alone in the struggle to rebuild. Even after the fires, Dr Moss continued his work, supporting flood-hit dairy farms in 2021 and 2022 and leading a major risk analysis project to help farmers prepare for future climate related disasters. Through it all, he has remained deeply aware of the emotional toll disasters take, urging people to listen to those who have lived through them. "You can see everything that needs to be done when you walk onto these farms," he said.“But the most important thing is to take the time to listen. Often, letting people tell their story is just as important as fixing the problem." The National Emergency Medal, established in 2011, honours Australians who have rendered significant service during times of crisis. Dr Moss joins a remarkable group of people who have stepped up in the darkest moments to help their communities.

It is impossible to meet David Butcher and not be completely enthralled. Here is a man who has spent his life working with animals, building institutions, and leading organisations, all while maintaining an unshakable sense of curiosity and ingenuity. And yet, when you ask him about the highlights, he shrugs.No big deal. Just built a zoo from scratch in the middle of nowhere, under budget and almost on time. Just fired the public works department when they became an obstacle. Just changed the way people think about conservation, animal welfare, and agriculture. Just.David Butcher and his partner Amanda Large are both heavily involved in their local community Born in New Zealand, David started his veterinary studies at Sydney University in the early 1960s. In those days, there was no veterinary course available in New Zealand, so students had to go abroad. He began his career in dairy practice in Taranaki at a time when the industry was shifting rapidly. The days of small family-run farms with 30 cows were disappearing, making way for larger-scale operations. New Zealand’s approach to pasture management was evolving, and David was in the thick of it, working with farmers as herd sizes grew into the hundreds.But his career wasn’t just about cows. After a stint working with thoroughbreds, he became disillusioned with the racing industry.What followed was a wildly varied career, each phase as remarkable as the last.Locum work at Taronga Zoo turned into a full-time offer to lead the establishment of what would become the Western Plains Zoo in Dubbo.In true David fashion, he took a haphazard, bureaucratic project and got it done. He became a quantity surveyor, a project manager, a civil engineer, and when needed, a demolitions expert.He worked with a crew of farmhands, bushies, and practical problem-solvers to build roads, enclosures, and entire animal habitats. And he did it all in 13 months, delivering the project for $2.7 million and $300,000 under budget.Transporting animals became one of the most fascinating parts of his career.Giraffes from Taronga had to be carefully lowered as trucks passed under low bridges. Elephants from England were transported on cargo ships, surrounded by stacked containers forming enclosures.Aboard planes, giraffes had to descend slowly to prevent fainting from air pressure changes. David worked with Qantas to fly animals across the globe, including the first koalas to Japan. Every transport was a logistical puzzle, requiring creative solutions and careful problem-solving.After eight years at Dubbo, he returned to Taronga Zoo, this time as Assistant Director. But the politics of big institutions never suited him. He soon moved on to run the RSPCA, where he worked to reform animal welfare enforcement and modernise the organisation.His career then took him to the World Wildlife Fund (WWF), where he spent a decade leading conservation efforts across Australia and the Asia-Pacific.Under his leadership, WWF tackled major environmental issues, including the preservation of marine habitats, reforestation projects, and climate change mitigation.His work with WWF took him to some of the most remote and fascinating places on the planet, collaborating with international organisations and governments to drive sustainable environmental policies. He played a key role in projects that addressed overgrazing in Tibet, the deforestation crisis affecting the Yangtze River, and sustainable farming practices that protected local ecosystems.Later, he led Greening Australia in New South Wales, pushing for streamlined national management in a sector that often tripped over its own bureaucratic complexity.Throughout these roles, David remained committed to veterinary practice.Except for his years at the zoo, he continued to work part-time as a vet at his practice until 2014 when Bankstown Veterinary Hospital was sold. His career also included a stint in North Yorkshire in mixed practice adjacent to that of Alf White, known as James Herriot. He still holds his veterinary registration, though today his continuing education is largely focused on wildlife issues.His stories are endless.Tales of solving a power crisis in Broken Hill by changing dairy cattle feed to disrupt a flock of 10,000 corellas. Of discovering an old army tip site by watching a bulldozer sink into the earth, spitting up army rations as it went.Of an elephant who, given medication disguised in a loaf of bread, promptly spat it out after rinsing her mouth with water.David’s approach to life is simple: trust people, empower them, and get the job done.And if something isn’t working he gets rid of the roadblocks and handles it himself.

Robyn Atkins never expected to start a revolution. But in just two years, she has helped grow Jamberoo’s Country Women’s Association (CWA) juniors from six members to a staggering 55.It all started with a realisation: there were no young people entering the CWA’s famous handcraft, cookery or cultural competitions.“I was sitting here with my sister Wendy and my friend Robin Alexander, and I said, ‘There’s no juniors! No one’s learning these skills anymore!’” Robyn recalls. “We have all these amazing women with so much knowledge to pass on – knitting, sewing, cooking – and no one to teach.”Determined to change that, Robyn started spreading the word. She rallied support, reached out to local families, and before she knew it, the idea had taken on a life of its own.“We started with six. Now, we have 55 kids, from five years old up to 18,” she says.The community has embraced the initiative wholeheartedly. Parents have signed up to help, local businesses have donated supplies, and even a generous benefactor stepped in to buy four brand new sewing machines and overlockers.“The kids are learning to sew, put in zippers, bake scones, and do all the traditional crafts,” Robyn says. “One of our ex-teachers even dresses up in her chef’s uniform to teach them baking.”The impact has been enormous, not just for the children, but for the older members of the CWA too.“It has brought new life into our group,” Robyn says. “The kids make us smile. They keep us on our toes. And it’s wonderful to see them so excited to learn.”With strong community backing and a secured junior Facebook group to keep families connected, the program continues to thrive.“The best part is the enthusiasm,” Robyn says. “Just yesterday, two little girls turned up with a crate full of competition entries. Not just one entry – a whole crate!”For Robyn, the mission is clear. “These kids might grow up and move on, but they’ll never forget the Country Women’s Association,” she says. “Just like I never did.”

Kiama’s champion indoor rower, Nardia Guillaumier, has done it again - winning her second consecutive gold medal at the 2025 World Rowing Indoor Championships.The Indoor Rowing Championships are held virtually, allowing participants from around the world to compete simultaneously. However, because the event is scheduled on European time, it meant that at 2:38 AM on Monday, 24 February, while most were asleep, Nardia was on her rower at her home in Kiama Downs, securing her second gold medal.“We didn’t know right away where I’d finished, so we went through the names, and my husband said I’d won in my age group. I didn’t believe him, so I asked him to check again. He told me, Actually, they’re all behind you!” Nardia recalls.“I covered my mouth, looked at Alan (Swan, her trainer), and yelled, We did it again! I was so surprised I let out a little celebratory squeal - hoping I didn’t wake the neighbours!”Nardia Guillaumier competing in the World Championship. Photos supplied.Nardia clinched the world gold medal in the 2000m row for the open weight division for 45-49 year-olds. Even more impressively, she achieved a personal best time of 7 minutes and 16 seconds, which was her true goal.“I was thrilled to set a personal best of 7:16 at 2:38 in the morning,” she says. “I trained so hard to improve my time, and that was my real focus - making myself faster as I get older. Winning the medals is just the icing on the cake.”In addition to her gold in the 2000m, Nardia also earned a bronze medal in the 500m row, which took place a week earlier. She was just 0.1 seconds shy of her personal best, finishing in 1 minute and 33 seconds.Nardia credits much of her success to her trainer, Alan Swan of Swan Athletics, who designed her rigorous training program and supported her throughout her journey to her second gold.“Alan creates fantastic training schedules for me,” Nardia says. “I row five times a week at night and also train six days a week with weights at Oxygen Fitness in Kiama. So, I'm training a minimum of 11 times a week to get into the condition needed to compete against some of the best rowers, many of whom have been rowing for years, since they were kids.”She adds, “I’m just a country girl who trains in a converted dairy shed in Jamberoo, and I’m holding my own against these seasoned competitors. I think I’m doing okay!”Nardia Guillaumier and Alan Swan after her win. Photos supplied.Nardia’s motivation to keep competing and pushing herself comes from a desire to stay fit and age well.“My primary goal is to be the fittest and strongest version of myself, no matter my age. I want to be able to sit and stand up from a chair or the toilet when I’m 90! It’s the old saying - if you don’t use it, you’ll lose it. That’s what keeps me going.”She encourages anyone looking for a low-impact fitness activity to consider indoor rowing.“I would highly recommend indoor rowing as a fitness activity that anyone, at any age, can do. It’s low-impact, great for cardio, and really, you’re only competing against yourself,” she says.The Bugle congratulates Nardia on this remarkable achievement and looks forward to seeing what she accomplishes next!

Dylan Longbottom has surfed massive 50-foot waves in Nazaré and 30-foot waves in Teahupo’o, but in the documentary film The Blind Sea, he faces his biggest challenge yet - making sure a blind surfer can safely tackle big waves and make it home to his wife and children.Longbottom, who spent part of his youth in Kiama and now owns a surfboard manufacturing business in the Illawarra, specialises in big-wave surfing. His team ensures that every wave is tackled safely, including designing and shaping boards to handle those massive swells.It was this expertise that led Matt Formston, a paralympian and four-time World Champion Blind Surfer, to approach Longbottom when he decided to take on big-wave surfing as his next challenge."Matt was a keen surfer even as a blind athlete, and he started getting into bigger waves. Since I’ve always been into big waves and shaping boards, one of the guys he worked with connected us about five years ago," says Longbottom."Over the years, I’ve worked on his boards and taken him surfing in Australia, Fiji, and Indonesia. We developed a strong relationship, and Matt just kept pushing for bigger waves."Kyle Richardson with Matt and Dylan behind the scenes of the film. Source: Bonsai FilmsLongbottom was determined to help Matt reach his goal and even tried surfing blind himself. "I tried surfing blind, and it was probably one of the scariest things I’ve ever done - more terrifying than surfing the waves in Nazaré or Teahupo’o. It was seriously intense," he says.After gaining some experience surfing big waves, the idea emerged to take Matt to Nazaré, and this would become the focal point of The Blind Sea."The producer of the film asked me, Do you think Matt could handle Nazaré? We’d considered other waves, but they were too close to rocks, and with Matt being blind, it was too dangerous," Longbottom recalls."But Nazaré is a massive beach break that comes out of the canyon, and everything there is beach break. It’s probably the heaviest wave in the world for hold downs, but I thought if any big wave could work, it would be that one."With Matt excited to take on the challenge, the movie centered around the tension of whether a blind surfer could manage the brutal conditions at Nazaré.The film's drama was amplified when Dylan had an incident while testing the waters at Nazaré before Matt’s turn. Although it was a real moment, it added enormous tension to the narrative."After that happened, Matt said to me, Oh my God, if that can happen to you with your experience, what’s going to happen to me?" Longbottom says.Longbottom admits that the responsibility he felt was immense. "I had a lot of pressure on me because I knew how much Matt’s family depended on him. I really felt the weight of bringing him home safe - making sure he didn’t get injured or worse. I was terrified; I had a lot on my shoulders," he says.A still from the film. Source: Bonsai Films.To find out whether Matt succeeded in his big-wave challenge, you’ll have to watch the film. But for those wondering why anyone would put themselves in such dangerous situations, Dylan says it’s all about facing your fears.“If you can get through your fear, you can achieve things that other people can’t. Pushing yourself to the limit is an incredible feeling. It’s dangerous, but we’re experienced, and we know what we’re doing to handle these situations," he says.Dylan in his surfboard workshop in Port Kembla.The Blind Sea was Longbottom’s second major film experience - his first being in the 2015 remake of the classic film Point Break, where he worked as a stuntman and shaped the boards used in the movie."That was unreal. When they asked me to be a stuntman for the remake, I couldn’t believe it. The original Point Break is one of my favorite movies, so working on a Warner Brothers film was one of the best experiences of my life," Dylan says."Hollywood stars, giant sets, we were filming in Tahiti - one of the heaviest waves in the world. They wanted me to do this crazy stunt, and they also asked me to shape all the boards for the surfers. It was one of the best jobs I’ve ever had. You can spot me in the film because of my surfing style - they put dots on my neck and face and matched them to the actor’s face."The Blind Sea is available on Netflix now, but the film’s sensational sound design and depiction of giant waves should be seen on the big screen. If anyone is interested in screening the film, you can contact Bonsai Films at [email protected].

At over 60 years old, Kiama local Tony Panecasio thought his cricketing dream was a thing of the past. Yet, in the last 18 months, he’s stunned both himself and the sporting world, winning a World Cup in India while also taking the most wickets in the tournament. To top it off, he’s won an Ashes series against England.“You always dream when you’re young that maybe you could be good enough, but then you realise it’s probably not going to happen. No way. But the last 12 to 18 months have been a blur,” says Panecasio. “If you’d told me 12 months ago that I’d be in India playing in a World Cup, I would’ve thought you were crazy. I’d have said, You need to see a doctor!”Panecasio moved to the South Coast 30 years ago with his family, and at one point had all but given up on cricket. But when his kids were a little older, he decided to join a local team with Lake Illawarra.“When I first came back to cricket, it was really just to get involved, have fun, and enjoy that team sport experience again. I missed that camaraderie. It was also a great way to meet new people since we’d just moved down,” Panecasio says.Initially, he wasn’t too serious about it, but that changed when Jamberoo local Ian Bradburn encouraged him to join the over-60s Veterans Southern Highlands team. Though Panecasio had played in a few veterans' tournaments in the over-50s and over-55s divisions, he hadn’t expected much. But when he gave it a go, it turned into something extraordinary.“I went to a state tournament with my club, Southern Highlands, and I was picked for the NSW side. We played in Western Australia and won. Then, six of us from the NSW team were selected for the Australian team, which went to the World Cup in India. I was lucky enough to be one of them. That was my first Australian trip,” says Panecasio.The World Cup took place in Chennai, and Panecasio recalls how special it was to finally receive a baggy green - something he had dreamed of since he was young.The Australian Veterans over 60s team who won the Grey Ashes. Source: Tony Panecasio.jpg“They do a cap presentation at the ground, and it's a proper baggy green that says ‘Veterans Australia’ instead of just ‘Australia.’ I’m not usually an emotional person, but I was really emotional when I received it. It was a dream come true. And then, immediately, I was terrified - what if I didn’t play well?”Fortunately, Panecasio had nothing to fear. His over-60s Australian team went on to win the tournament, with Panecasio taking a combined 10 wickets in the semi-final and final alone. He ended up winning the World Cup trophy for the most wickets overall.On top of his cricketing triumph, Panecasio got the chance to explore Chennai and experience the vibrant culture of India.“We would never have gone to India as a holiday destination, but thanks to cricket, I did. It was amazing - 30 million people, 24/7. One of our bus trips was only about 10 to 15 kilometres, but it took 90 minutes to get there. The driver missed the turn and just did a U-turn - on the wrong side of the highway. “There were cows on the road, bikes weaving everywhere. It was so in-your-face. You’d see extreme poverty next to areas of great wealth, but everyone seemed happy. It was an unforgettable experience.”Tony Panecasio with the Ashes urn. Source: Tony Panecasio.Another highlight of Panecasio’s career was winning the Grey Ashes against England in December 2024, earning a replica urn for his efforts. Looking ahead, Panecasio has once again been selected to represent Australia in the over-60s team for a tour to New Zealand. The tour includes three One Day Internationals against the New Zealand over-60s team, scheduled for 21, 22 and 24 March.The replica urn. Source: Tony Panecasio.Panecasio hopes his story will inspire older generations to give cricket a go through veterans’ programs.“We’ve got an Illawarra Veterans Group now, with teams in the over-40s, 50s, 55s, and 60s. We’re gradually expanding to include over-65s and 70s. It’s only once a fortnight, and players can choose when they want to play. The games are 40 overs, and batters retire at 30, so everyone gets a chance to bat. Bowlers only bowl a maximum of 7 overs, which means a lot more participation,” says Panecasio.If you’re interested in joining, find the Greater Illawarra Veterans Cricket Association (GIVCA) on Facebook and get in touch with them.The Bugle wishes Tony the best of luck for his upcoming tour to New Zealand this March!

Ollie, a much-loved local support dog, has been named a winner in the 2025 Royal Agricultural Society (RAS) Canine Hero Awards. This award recognises the exceptional acts of courage, devotion, and selflessness performed by dogs across New South Wales.Presented annually at the Sydney Royal Easter Show, the Canine Hero Awards celebrate dogs who make a significant impact on their communities.Ollie was recognised under the Companion Dog Award category, which honours dogs trained for support or assistance work, as well as pets who have demonstrated the canine-human bond in an extraordinary manner.Adding to this honour, Ollie and his handler, Judi, have also been recognised with a regional 2024 Volunteer of the Year AwardJudi spends her days as a therapy dog handler with her five-year-old Labrador, Ollie, visiting high schools, courts, libraries, police, and ambulance stations across the region.Their work provides much-needed smiles, support, and comfort to those who need it most, reminding us that sometimes, the simplest acts of kindness can have the most profound impact.“A Therapy Dog lets someone know that they are important and that they matter. A person may just need that touch and that presence of a dog for a small window of time that they spend with the dog.”Judi and Ollie also support Lifeline South Coast monthly, based in Wollongong, further extending their work in mental health and crisis support.Ollie has been a vital presence in schools, including Campbelltown Performing Arts High School and Warilla High School, where he provides emotional support and companionship to students and staff.Recently, she has been joined by Flint, a new addition to the Canine Court Program, expanding the reach of their work.Ollie (on couch) with Flint at Campbelltown Performing Arts High School. Ollie and Flint work together in the Canine Court Program Leah McKeown, pictured with Ollie and Flint, has been instrumental in facilitating their involvement in these initiatives.Jan Grant, who runs Stylish Dogs in Wagga Wagga, has generously contributed to the program by crafting working vests for assistance dogs, including training vests for Integra Dogs and support animals like Ollie.As part of this recognition, she gifted Ollie a new vest for the RAS Award, featuring the names of all the organisations where Ollie provides support.Sydney Royal Domestic Animals Chair, John Bryson, highlighted the importance of these awards in showcasing the invaluable contributions of assistance and service dogs.“The Canine Hero Awards provide a special opportunity for us to recognise the admirable deeds and range of services that dogs provide, and to share their wonderful stories with the wider community,” John Bryson said.Ollie will receive a $1500 cash prize, courtesy of the Australasian Animal Registry (AAR), and his story will be featured in Dog News Australia and the Dogs NSW Journal.She will also be honoured at the Sydney Royal Easter Show on Monday 21 April 2025, alongside the prestigious ‘Best in Show’ awards.With their comforting presence and well-earned reputations, Ollie and Flint continue to make a meaningful impact, proving that sometimes, the best support comes on four legs.

Hilton Bloomfield has spent years dedicated to helping children with mobility challenges, driven by a simple yet powerful belief that every child deserves the chance to stand, walk, and explore the world.Through the Kiama Lions Club, he and fellow member Jon Phipps have worked tirelessly to collect and auction stamps, alongside support from other Lions Clubs in the region, raising vital funds for the Australian Lions Children’s Mobility Foundation (ALCMF).Their efforts provide walkers and mobility aids for children who cannot walk unaided, giving them independence and new opportunities.Hilton’s journey into stamp collecting as a fundraising method began with a realisation: rather than focusing on individual used stamps, encouraging people to donate entire stamp albums would yield a greater impact."People save stamps in albums for decades, often with rare and valuable finds inside. By securing entire collections, we have been able to raise far more money than we could through individual stamps," Hilton explains.A generous donation from a local member of the Kiama community included a Penny Black, the world’s first adhesive postage stamp issued in 1840.Penny Black stamp donated local community memberThese stamps can fetch anywhere from a few hundred dollars to staggering sums. Some have sold internationally for millions, and Hilton remains hopeful that their upcoming auction could bring in a substantial amount for the foundation." Whatever we raise, it is all going towards helping children who need mobility aids."Hilton and Jon’s efforts have already contributed to an upcoming walker for a five year old child in Kiama Downs, with additional support from five other Lions Clubs in the local zone: Minnamurra, Gerringong, Shoalhaven Heads, Bomaderry Nowra, and Jervis Bay Lions Clubs.The cost of each walker is around $7,500, and with children quickly outgrowing their devices, there is always a need for more funding.While Hilton and Jon were recently honoured for his efforts, they are quick to deflect personal praise, instead using the recognition as an opportunity to raise awareness. "Awards like this are not about us. They provide a platform to talk about the cause, attract volunteers who share our vision, and highlight how something as simple as a postage stamp can transform a child’s life."The work of the Australian Lions Children’s Mobility Foundation has already funded over 2,500 mobility devices at a cost of nearly $14 million since 1999, offering life changing support to children with conditions such as cerebral palsy.Yet, there are still many more families in need. Hilton encourages the community to look beyond their own households: "If you know a child in need, let us know. Sometimes, families do not realise that support like this exists."Hilton’s personal resilience is equally inspiring. Despite facing serious health challenges, he remains deeply committed to his mission. His passion for helping children gain mobility is matched only by his dedication to the Lions Club and its ongoing initiatives.For those looking to contribute, donations of stamp collections are welcomed. Collection hubs are set up at RMB Lawyers and local pharmacies, or community members can contact the Lions Club directly."It is an easy way to make a difference," Hilton says. "A forgotten stamp album sitting in a drawer could change a child’s life."Hilton’s story is a testament to the power of community, compassion, and perseverance. His legacy, alongside Jon’s, is not just in the funds raised but in the lives transformed, one step at a time.Call to Action: Have an old stamp album? Consider donating it to the Lions Club to help children with mobility needs. To learn more or contribute, contact the Kiama Lions Club today.Contact Person: Club Secretary, Jim WebbContact Phone: 0419 639 037Contact Email: [email protected]

Darren Parlett is no stranger to the Kiama arts scene. Known for his evocative photography, he has a knack for freezing fleeting moments - whether it’s the golden hues of a sunrise over the Blowhole, the intricate textures of coastal rock formations, or the candid vibrancy of local life. His work transcends mere documentation, weaving narratives that resonate with the local scene. Parlett’s deep connection to Kiama shines through in every frame depicting a lens on Kiama’s soul. “I’ve always been drawn to the raw beauty of this place,” Parlett says. “Kiama has a way of speaking to you through its landscapes and its people. My goal is to share that conversation through my photography.”Cin Cin Wine Bar, nestled on Tingira Crescent, has quickly become a fixture in Kiama since its opening. More than just a spot for fine wines and intimate gatherings, Cin Cin has embraced its role as a supporter of local arts. Owners Michael and Melanie have made it a priority to transform their venue into a dynamic space where creativity thrives. From hosting live music to showcasing visual art, the wine bar has established itself as a cultural hub.The decision to feature Darren Parlett’s photography in a new display aligns perfectly with Cin Cin’s ethos. “We believe wine and art go hand in hand,” Michael explains. “Darren’s work captures the soul of Kiama in a way that complements the experience we want to offer our guests - a chance to slow down, savour the moment, and connect with something meaningful.”Incandescent Rock Pool - an example of one of the artworks on displayThe collaboration with the Expressive Art Trail elevates this project to new heights. The Expressive Art Trail, an initiative under the broader Expressive Art Experience, is dedicated to showcasing local talent across Kiama and the Illawarra region. By linking artists with venues like Cin Cin, the trail creates a network of accessible art experiences that invite the public to engage with creativity in everyday settings.Michelle Springett, the driving force behind Expressive Art Experience, describes the partnership as a natural evolution of their mission. “Darren’s photography brings a fresh perspective to the trail,” she says. “Pairing his work with Cin Cin’s ambiance allows us to reach people who might not typically visit a gallery. It’s about making art a part of life.”The trail has previously collaborated with Cin Cin for events like the “Corks & Canvases” series and exhibitions featuring artists such as Kathy Karas and Jennifer Porter. Parlett’s display continues this tradition, offering a visual journey that complements the venue’s intimate, welcoming vibe.Launched in March 2025, Darren Parlett’s new art display at Cin Cin Wine Bar features a curated selection of his photographs. The display focuses on Kiama’s coastal landscapes and subtle nods to its community spirit. Expect to see Parlett’s signature style - bold compositions, rich contrasts, and an almost painterly attention to light and shadow.To celebrate the launch, Cin Cin hosted an opening event on March 8, 2025. With a bubbles in hand and an opportunity to meet Parlett himself it was an occasion not to be missed. The event underscored the collaborative spirit of the project, bringing together art lovers, food and wine enthusiasts, and supporters of Kiama’s creative community.This collaboration between Darren Parlett, Cin Cin Wine Bar, and the Expressive Art Trail is more than just an art display - it’s a testament to the power of local synergy. In a world where digital screens often dominate, Parlett’s photography invites viewers to pause and reconnect with the tangible beauty of their surroundings. Cin Cin provides the perfect backdrop, blending sophistication with a down-to-earth charm, while the Expressive Art Trail ensures that this creativity reaches a wider audience.Sally Bursell - Destination Kiama- with photographer Darren Parlett at his exhibition at Cin Cin opening with Expressive Art Trail For Kiama, a town that thrives on its artistic heritage, this project reinforces its reputation as a destination where culture and community intertwine. Whether you’re a local sipping a glass of red or a visitor exploring Tingira Crescent, Parlett’s work offers a window into the heart of the region.The display is open to the public during Cin Cin Wine Bar’s regular hours, with no entry fee required. Located at 6/4 Tingira Crescent, Kiama, the venue is easily accessible and promises a warm welcome. For those interested in exploring more of the Expressive Art Trail, additional events and exhibitions are listed on their website, expressiveartexperience.com.Darren Parlett’s new art display is a must-see for anyone who cherishes the intersection of art, place, and community. As the sun sets over Kiama’s shores, his photographs at Cin Cin remind us that beauty is all around - if we only take the time to look.

Dr Christa Wood of Gerringong has been recognised as the 2025 Kiama Electorate Woman of the Year. Member for Kiama Gareth Ward announced the honour at the NSW Women of the Year Awards ceremony in Sydney.Dr Wood is well known for her contributions to the local community, particularly in supporting people living with dementia. In 2022, she founded the Alchemy Chorus South Coast, an inclusive choir welcoming those with dementia and their care partners. She also runs Dementia Inclusive Dancing at the Mayflower Retirement Village in Gerringong.Beyond her advocacy work, Dr Wood is actively involved in the Gerringong Rotary Club and Markets, the Berry Writers’ Festival, and Gerringong’s ‘Pics & Flicks’ film program.Mr Ward praised Dr Wood’s dedication, describing her as a “selfless community contributor” whose efforts have strengthened local connections and inclusivity.“Dr Wood embodies the spirit of service above self,” he said. “Her work has had a profound impact on the community, and this recognition is well deserved.”The announcement comes ahead of International Women’s Day, which will be celebrated on Saturday, 8 March 2025.

This article is based on an interview between Bernie Hems from Kiama Community Radio and The Greens candidate for Gilmore, Debbie Killian. Debbie Killian, Greens candidate for Gilmore, brings a lifetime of advocacy and a deep commitment to social justice to her campaign.Her journey has taken her from the youth sector to frontline disaster response and now, the political arena. Killian’s story begins in Sydney, where she was born, before moving to Perth as a child.Her father’s job transfer saw the family uprooted with just three weeks’ notice, a move that shaped her understanding of displacement and the importance of stability.Despite her mother’s struggle to settle in, Killian describes her childhood as relatively carefree, riding bikes, playing outdoors and growing up in a family where humanist values and political discussions were a constant. University was a turning point. Killian was the first in her family to attend, a beneficiary of Gough Whitlam’s free education reforms.She initially pursued psychology but soon found herself drawn to English, theatre arts and film.It was during these years that she began forming the strong social conscience that has guided her ever since. A job at Canley Vale High School, teaching young women from disadvantaged backgrounds, led Killian to Cabramatta Community Centre, where she worked as a youth worker with newly arrived refugees.Many of these young people had fled the horrors of war and genocide in Cambodia and Vietnam, and their resilience deeply affected her. "They had been through things we couldn't imagine," she recalled. "And yet, they were full of hope and gratitude." It was a time of both inspiration and heartbreak. She witnessed firsthand how media narratives about ‘dangerous street gangs’ drove already vulnerable boys further to the margins, limiting their chances for a better future.The experience cemented her belief in the power of grassroots community support and the need for systemic change. After years in Sydney, Killian eventually settled in Fisherman’s Paradise, drawn to its peace and natural beauty.Retirement in 2017 gave her a chance to pause, travel and immerse herself in her new community. But the Black Summer bushfires of 2019 and 2020 changed everything. On New Year’s Eve, as flames surrounded the village on three sides and the only road out was blocked by a fallen tree, Killian and many others feared they wouldn’t survive.With no power, no water and no phone service, they had no choice but to wait out the inferno. "I remember writing the number of people inside on the window, so they’d know what they’d find," she said. "That’s how scared we were." Though Fisherman’s Paradise was spared the devastation that wiped out nearby Conjola Park, the experience was life changing.The fires, followed by floods, solidified her belief that climate change is the defining crisis of our time. "I’ve always been passionate about social justice," she said. "But if we don’t look after the planet, nothing else matters." With decades of community work behind her, Killian found herself drawn to The Greens, a party that aligned with her long held values.She sees this election as a chance to fight for urgent climate action and social equity, believing that government must do more to protect both people and the environment. Despite the seriousness of her campaign, Killian brings warmth and humour to her interactions.She is a lover of reality TV competitions, an amateur mosaic artist and a lifelong dog owner.Her current rescue, Maya, is a "sweetheart" of a bull Arab mix. As for what’s next, her bucket list is short."I’m a fulfilled old lady," she laughs. "But I’d love to see Morocco one day. And, of course, winning Gilmore is on the list too."With The Bugle and Kiama Community Radio continuing to provide reliable coverage, the community remains informed and engaged in these vital discussions. Tune into Bernie Hems show at 9 am on Tuesdays on KCR. 

Dr Tony Gilmour has spent his career bridging the worlds of finance, housing policy and heritage conservation. Now retired in Kiama, he remains an active force in historical research and community advocacy, bringing his expertise to both local and national discussions.With a PhD in Urban Planning from the University of Sydney, a Master of Business Administration from the University of Manchester and a Bachelor and Master of Arts in History from Cambridge University, Tony Gilmour built a global career that included 20 years in investment banking.He later focused on not-for-profit community housing across Australia and New Zealand, helping to shape policies and support providers tackling housing affordability and social housing shortages.Despite his extensive experience, he sees himself first and foremost as a historian. “This is my passion now, writing histories and researching the stories that shaped our communities,” he says.His latest project is a detailed history of Kiama’s pubs, tracing the evolution of these social hubs and the characters who frequented them.Dr Gilmour’s approach to history is rigorous, drawing on original sources not just secondary accounts. “A lot of information out there has not been properly researched. As a trained historian, I go to the original sources such as newspaper articles on Trove, land titles, national archives and oral histories,” he explains.His upcoming book on Kiama’s hotels will launch on March 22, with two events marking the occasion:• A formal launch at the downstairs Kiama Library auditorium, hosted by the Kiama Historical Society at 2pm• A gathering at 5pm at the upstairs bar of The Kiama Inn Hotel, affectionately known to locals as ‘Torys’For Tony, the book is more than a history of pubs. “You cannot write about hotels without writing about the people, the changing economy and the way our community has evolved,” he says.Dr Gilmour’s passion for history led him to take on a leadership role in the Kiama Historical Society, where he serves as Vice President and Treasurer. Under his guidance, the society has embraced digital tools, grant funding and new exhibitions, including an initiative with Aunty Joyce Donovan to improve the representation of Aboriginal history at the Pilot’s Cottage Museum.“We have secured funding to develop displays that better tell the story of First Nations people in this area,” he says. “It is an important step in ensuring our local history is inclusive and properly documented.”While Tony insists, he is taking a break from writing large books, his passion for history continues. This year, he will focus on curating new museum displays and documenting the 50 year history of the Kiama Historical Society .For those wanting to explore local history, he encourages people to get involved. “Come to one of our monthly speaker events at Kiama Library, three dollars for members, five dollars for guests. You will hear fascinating talks, meet like minded people and enjoy tea and cake afterwards,” he says.Kiama is fortunate to have someone with Dr Gilmour’s depth of knowledge, not only shaping conversations about the past but also helping to navigate the challenges of the future. “We have incredible talent and expertise in this community, let’s find ways to use it,” he says.

Kate Dezarnaulds’ life story is a fascinating blend of creativity, community spirit, and fearless ambition.Sitting down for a conversation with Bernie Hems on KCR, (listen to the podcast here ) the Independent Candidate for Gilmore opened up about the experiences that have shaped her and the journey that has brought her to this pivotal moment.Born and raised in Castlecrag on Sydney’s Lower North Shore, Kate attended North Sydney Girls High before embarking on an extraordinary path that led her from the art world in London to the South Coast of New South Wales.Kate’s journey to the South Coast began with her marriage to Jacques, her high school sweetheart and a South Coast local.After outgrowing their Alexandria terrace house with three children under four, the couple sought a tree change.The South Coast called to them, a place to raise their children with a connection to nature, surrounded by a close-knit community.“Raising children somewhere they can have independence, animals, and a village around them is something really special,” Kate shared.Kate’s love for the arts led her to London, where she completed her Masters degree at the prestigious Sotheby’s Institute of Art.A scholarship student among aristocrats and shipping magnates, she learned to navigate social hierarchies and thrived under pressure.“The thing I learned most was that people are just people. That confidence of throwing myself into intimidating places stays with me,” she said. The rarefied world of London’s art market couldn’t compete with Kate’s passion for community.Returning to Australia, she reconnected with her entrepreneurial spirit, creating opportunities that fused her love of small business, creativity, and advocacy.The Black Summer bushfires deeply impacted her family, both personally and as part of a community navigating immense hardship.“I’ll never forget the practical courage that time demanded and the feeling of injustice for those who weren’t as lucky,” she reflected.That resilience saw her weather the additional storm of COVID-19, as she pivoted her co-working business and took on a role with the Foundation for Rural and Regional Renewal, helping fire-affected communities rebuild.Now, with her children older and a deep well of community experience behind her, Kate is stepping into the next chapter of her life as an Independent Candidate for Gilmore.“We need to do politics differently,” Kate said, driven by a desire to restore hope and trust in leadership.“Our communities are kind and resilient. If we let go of division, we can focus on caring for each other and building a future for our kids.”Kate’s ethos is grounded in listening to the community and putting people above party politics.“If it wasn’t going to be me, it would have to be someone else and I’d be right behind them. But it turns out, this is my turn to be brave.”Throughout the interview, Kate’s life story was intertwined with music that marked her most significant moments.From Nina Simone’s Here Comes the Sun, which comforted her mother as a young parent, to Fleetwood Mac’s Landslide, a reflection on life’s cycles, Kate shared the soundtrack of her journey.As Kate prepares to face the challenges of campaigning for Gilmore, one thing is certain.She is ready to meet the moment with courage, compassion and an unwavering commitment to her community.With The Bugle and Kiama Community Radio continuing to provide reliable coverage, the community remains informed and engaged in these vital discussions. Tune into Bernie Hems show at 9 am on Tuesdays on KCR.

Sitting across from Meryll Faulkner, I’m struck by her warmth and the sparkle in her eyes.Over coffee, she shares stories that reveal her remarkable journey as a makeup artist, entrepreneur, and community volunteer.Her mission is clear: to use her expertise to bring joy to others. Meryll founded Making Faces Makeup Studio in 1999 and moved her thriving business to Kiama in 2010.The studio offers makeup services for weddings, formal occasions, and media projects, teaches makeup to all ages, and sells professional products both in-person and online.“It’s all about making people feeling good about themselves,” she explains. “Sometimes it’s a touch of makeup, other times it’s more glamorous, but it’s always about bringing out their confidence.”Meryll’s expertise is international, having trained in Los Angeles with Hollywood makeup artist, Tina Earnshaw, whose credits include Titanic and Shakespeare in Love. She has also trained in New York, and Paris.She’s worked with the film industry, beauty salons, the Olympics and TV, contributing to projects like Channel 10’s long-running Mass for You at Home.Meryll Faulkner channelled early 80s New Romantic glam for John Stott's' dazzling 60th Retro Disco Party. Bold colours, dramatic eyes, and iconic nostalgia!Locally, she’s involved with Screen Illawarra, most notably on “Frances”, a multi award winning short film about a homeless academic living in her car, which has been shown, and won awards, at several major International Festivals, and will be at the Women' s Film Festival in Sydney in February. Yet, it’s Meryll’s commitment to giving back that sets her apart.When the Salvation Army identified a need for gifts for teenage girls, Meryll donated something truly special: a professional brush kit, and gift certificates for young women to learn how to apply makeup.“It’s not just about the makeup,” she explains. “It’s about giving them an experience they can share, building confidence, and creating a moment of joy.” Meryll has also volunteered to do makeup for several local and community events including, the Kiama Show Young Woman Competition, What Women Want event, and for the Salvation Army’s Women’s Refuge.Her kindness also shines through her teaching. “I recently worked with a 14 year old girl who just wanted to feel more confident,” she shares. “It’s not about transforming someone; it’s about enhancing what’s already there.”Meryll believes beauty has no age. She’s worked with clients as young as 14 and as old as 90.“I once did a makeup lesson for a lady in a nursing home, and we had the best time,” she recalls, laughing. “It’s amazing how a bit of makeup can brighten someone’s day and bring joy to an entire room.” Her advice to aspiring makeup artists or anyone looking to build confidence is simple but profound: build a relationship with your client and understand what’s important to them.“It’s not about imposing a look or style; it’s about listening and working together to bring out their confidence,” she says. “Makeup should enhance who they are and reflect what they value.”As I leave our conversation, I’m struck by the impact of her artistry - not just in the faces she transforms but in the lives she brightens.For Meryll Faulkner, beauty is a gift to be shared, one brushstroke at a time.You can contact Meryll at her Kiama Studio on 4232 2248 or visit www.makingfacesmakeup.com.au and www.makingfacesmakeuponline.com.au 

At just 12 years old, Kiama Public School student Leonardo Murray has won the prestigious 2024 Travel Photographer of the Year (TPOTY) Award in the category for photographers aged 14 and under.TPOTY is an international photography competition, run by photographers for photographers, and is open to both amateur and professional photographers worldwide. Leonardo is thrilled to have received this recognition.“I am very grateful and proud of myself,” says Leonardo. “This is such an amazing milestone, and I’m honoured to be recognised as one of the best travel photographers under 14 in the world.”The photos submitted for the competition were all taken during a trip Leonardo took with his father, Ignacio - also a professional photographer - to the Namib Desert in Africa.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.One of the judges for TPOTY, Jeremy Hoare, wrote of Leonardo’s images: “Beautiful landscapes capturing the majesty of the Namib Desert. For someone so young to see and capture the near abstract shapes and rhythms in this set shows a sense of image perception that is remarkable. At 12 years old, these show a good creative eye and use of light balancing the natural light and in-camera technique.”A standout image from Leonardo’s collection features a vast golden sand dune cutting diagonally through the frame, with a tiny human figure standing at the top.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.“We had to climb the highest sand dune in Namibia to capture the amazing view,” Leonardo recalls. “It wasn’t too difficult for my brother and me, but my dad, who was carrying the camera gear, didn’t think it was so easy!”Leonardo explains how one of his favourite photos came about: “I waited for my dad to catch up, but my brother went ahead. I took a photo of him in the distance - he’s the tiny figure on the dune.”Leonardo’s passion for landscape photography and his deep connection to the natural environment come through in his work.“Since I was little, my mum has taken me hiking and camping in remote places, so I’ve always loved being in nature. I feel really comfortable in the wild, and I want to show others how amazing these places are,” he says.In addition to photography, Leonardo has been developing his bush survival skills with the Kiama Scouts.While he’s passionate about photography, Leonardo keeps his future options open.“I’ve always loved creative arts and the outdoors. Sometimes I see something and just want to capture it. Photography will always be a hobby of mine, but I’m also interested in exploring other things,” he says.The Bugle congratulates Leonardo on his outstanding achievement and looks forward to seeing where his creativity takes him next! Hopefully we can feature some of his future local work.

 One of the standout features of this year’s Kiama Show was found downstairs in the Spinners & Weavers’ displays and hands-on demonstrations, where visitors had the chance to witness exceptional craftsmanship up close.Among the most remarkable entries were the hand knitted creations of Brian McCarthy, a fibre artist whose work is truly world class. His latest project, featuring 110 hand dyed, hand spun plant based yarns, captivated those who saw it. Each piece showcases meticulous dyeing, spinning, and knitting techniques, making them some of the finest textile works in the region.Brian McCarthy, a former foundation professor of French at Wollongong University, took up knitting after retiring in 2006. Initially focusing on hand knitting, he later became fascinated with spinning and natural dyeing, leading him to join the Kiama Spinners and Berry Spinners and Weavers. Over the past two decades, his work has evolved into a stunning fusion of artistry and technical precision.Brian’s approach to fibre arts is deeply experimental and rooted in nature. He sources dyes from native plants, fungi, and lichen, meticulously crafting unique colour palettes for each of his pieces. His attention to detail in dyeing, spinning, and knitting results in works that are both visually striking and texturally exquisite.For those who missed the display at the Kiama Show, there is hope for another opportunity. Discussions are underway to feature Brian’s extraordinary pieces in a future exhibition at Gerringong Library and Museum, as part of the Worldwide Knit in Public Day celebrations in June 2025.This year’s Kiama Show has once again proven that our region is home to exceptional talent, with artists like Brian pushing the boundaries of traditional fibre arts. 

Gerringong local Lauren Mahar and her husband, Jordon, are bringing Ulster American, a thought-provoking play by Irish playwright David Ireland, to the Wollongong Workshop Theatre from February 21 to March 8.Ulster American revolves around a tense conversation between three characters: an American actor, an English director, and a playwright from Northern Ireland, who are attempting to stage a new play. The play takes a dark turn as they quickly discover, each character has different intentions for the play.Lauren, who grew up in Gerringong, is producing the play, while Jordon makes his directorial debut with this production. The couple was inspired to bring the play to the Illawarra after seeing it performed in London.“We were fortunate enough to see Ulster American in London with a powerhouse cast featuring Louisa Harland, Woody Harrelson, and Andy Serkis,” says Jordon. “But beyond the incredible performances, it was our introduction to David Ireland’s work.”Ireland has become one of the most celebrated playwrights in recent years, with Ulster American garnering attention for its sharp, timely commentary on issues such as the importance of history, the significance of language, and the often-contentious debates we engage in today.“I think the two male characters in the play are trying to appear very woke and politically correct,” says Lauren. “But it’s through their actions that we see who they truly are, and that theme really comes through in the play.”The play also delves into the complex history of Ireland, particularly the identity struggle faced by those in Northern Ireland, who often decide to identify as British rather than Irish. This exploration of group identity was one of the aspects that first drew Jordon to the play.“One of the most fascinating elements of this play is the concept of group identity,” says Jordon. “The character from Northern Ireland is caught in this tension between her Irish heritage and the British culture she grew up with - learning British history, watching British television, and seeing herself as British.”“But then there’s the baggage that comes with that identity when we discuss the political and physical conflict between the UVF, the IRA, and the British Army. It raises the question: How far are you willing to go to defend the group identity you've chosen?”The promotional poster for Ulster American. Source: Wollongong Workshop Theatre.Ulster American is a play that forces its audience to reflect deeply, and both Jordon and Lauren believe in the transformative power of theatre to prompt self examination.“Theatre is important because it holds a mirror up to the audience,” says Jordon. “It gives us a chance to watch aspects of ourselves and people we know reflected on stage.”“It encourages us to really think about what we like or dislike about characters,” Lauren adds. “Why does a character rub us the wrong way? Why did something they said offend us? Theatre gives us the space to question our own beliefs and values.”The couple hopes to bring a taste of the theatre’s magic to the Illawarra, a region often far from major cultural hubs in New South Wales.“There’s no theatre in Kiama, so if you want to enjoy live theatre, you often have to travel to Wollongong,” says Jordon. “This is a chance to showcase local talent - Lauren grew up in Gerringong, and she’s passionate about bringing quality theatre to her community.”Ulster American opens on February 21 at the Wollongong Workshop Theatre. Tickets are available for purchase here.