The Sydney Film Festival, which went for 12 days, finished on Sunday 16 June and the Italian black and white comedy drama film, There’s Still Tomorrow, took out the prestigious Sydney Film Prize.Directed by Paola Cortellesi (her debut feature), the film is set in post-war Italy and follows a housewife who receives a mysterious letter which prompts her to face her abusive husband and hope for a better future.The Film Festival Jury said in a joint statement: “C’è ancora domani (There’s Still Tomorrow) deftly weaves humour, style, and pop music into a dazzling black-and-white cinematic event, then it delivers an ending that will take your breath away.”The film competed with 12 others for the prize, but overall there were 197 films from 69 countries including 28 World Premieres and 133 Australian Premieres, bringing together hundreds of new international and local stories.The Bugle attended some screenings (not all) of the festival, and these were the four standouts:I Saw the TV GlowTwo awkward and lonely teenagers, Owen (Justice Smith) and Maddy (Bridgette Lundy-Paine) bond with each other over a late night show to the point of obsession. And when it is canceled they start to question whether the things that happened in the show were fiction or reality.The film is beautifully constructed and shot by director Jane Schoenbrun with hues of pinks, purples, blues and greens invading every frame. And the performances from the two leads are both eerily affecting and devastating.The film also examines the sadness and depression which comes from the monotony of reality and the melancholy we feel when the life we are leading is not quite what we imagined as a child. The film is filled with a horrible sense of dread and anxiety and is quite scary at times. But ultimately it is a reminder of the dangers and importance of dreams and fiction.I Saw The TV Glow. Credit: A24.Kinds of KindnessAn anthology film by Poor Things director Yorgos Lanthimos about how far we would go for the people we love. The first chapter is about a man who is given a schedule by his boss each day which he mustn’t deviate from. The second is about a husband who is suspicious about the identity of his wife when she is found after being lost at sea. And the last is about a woman who has been given a mission to find a ‘special’ person by the cultish group she is involved with.Each chapter is filled with Lanthimos’ signature dry humour as well as his ridiculous and hopeless worldview. And each features the same actors; Jesse Plemons, Emma Stone, Willem Defoe, Hong Chau, Margaret Qulley, and others; performing different roles.  The film deals with individuals trying to make their way in the world through the connections they make with others. And it wonders what happens when these connections we rely upon so deeply are severed or tested. All chapters are shot sleekly, feature manic performances and have some spectacular needle drops. And they all induce a sort of discomfort inside you. As though the little things we use to survive reality are as fragile as glass.The BikeridersThe newest Austin Butler and Tom Hardy film follows the real Motorcycle club, Outlaws MC, which began as a social club and community for outsiders, but descended into violence.The film is told through the eyes of Jodie Comer’s character Kathy, who is the wife of Austin Butler’s Benny, as she recounts to a journalist (Mike Faist) what happened to the Outlaws. The film feels very inspired by mafia movies such as Goodfellas, but is also an ode to the 60’s and the motorcycle culture that blossomed in that time. The film is based on a book of photography of the same name written and photographed by Danny Lyon. Although the film is definitely an enjoyable watch, it lacks the cohesion and excitement of the films it seems to be inspired by. The characters are also a little undeveloped and as a result it is harder to be sucked into the emotional core of the movie. But the film's main theme does give it a point of difference. It seems to say that creation, after being given to the public, can morph into things that the creator did not intend it to. And this is definitely an interesting idea. A Different ManAn A24 film where Sebastian Stan plays a man with Neurofibromatosis who undergoes facial reconstructive surgery. When the surgery is successful he takes on a whole new identity only to meet a man, with the same condition he used to have, who is much more confident and happy then he is.It is a fascinating flip on the usual Beauty and the Beast type storyline. And it uses humour, meta commentary and actors to its advantage. The first third is a sad, almost meditative look at this man’s life with his condition. And then the last two thirds just observe him as he slowly descends into madness. And the film’s tone perfectly reflects these different stages. A Different Man. Credit: A24

Rebecca Collinson-Smith, a remarkably talented photographer and designer from Minnamurra, has captivated the American fashion industry with her latest runway show at Paraiso’s Miami Swim Week. Her swimwear collection, featuring stunning aerial images of Sydney captured by Rebecca herself, has left audiences in awe.Rebecca owns a boutique in The Rocks, Sydney, called Hunting Hue. The name reflects her unique approach to photography, where she never alters or enhances her images but instead seeks out the natural hues that inspire her. Her entrepreneurial acumen and keen eye for colour have resulted in a distinctive and eye-catching swimwear line that appeals to all ages.Proud mother Cheryl Collinson-Smith shared samples of Rebecca’s popular designs with The Bugle, showcasing clothing lines for both adults and children that blend fashion with functionality. Remarkably, Rebecca's current designs were created just two months ago. Within this short period, she designed the garments, produced samples, entered the fashion show, and travelled to America.Rebecca’s Miami Swim Week show opened with the debut of “Hunting Hue” and the innovative “Draw On Swimwear” line, featuring a charming cephalopod named DOS. This interactive swimwear allows children to draw their own designs onto the garments, providing an engaging fashion experience. Practice stencils and a variety of washable and permanent colours are included, allowing for endless creativity.Rebecca’s Instagram, @huntinghue, displays many of her stunning designs. Her collection, which includes complementary scarves, has been praised by American fashion journalists as “a kaleidoscope of style” and “a remarkable splash with its vibrant showcase.”"Hunting Hue's presentation at Miami Swim Week celebrated colour, family, and fashion," one journalist noted. "It set a new standard for summer wardrobes, offering a blend of high fashion and practicality. The collection inspires, warms, and delights those looking to elevate their beach or poolside attire."To capture the breathtaking aerial images featured on her swimwear, Rebecca rented a helicopter, photographing iconic Sydney landmarks such as the Harbour Bridge, Bondi Beach, and the Opera House from 500 feet above. She also flew over the Minnamurra River and Mystics Beach last year, capturing the local area for her picture book “Minnamurra,” which she wrote during the Covid lockdown. The book, now in its seventh reprint, has sold out entirely.Rebecca Collinson-Smith’s innovative and vibrant designs have made a significant impact on the fashion world, demonstrating her incredible talent and unique vision.

Rebecca Collinson-Smith, a remarkably talented photographer and designer from Minnamurra, has captivated the American fashion industry with her latest runway show at Paraiso’s Miami Swim Week. Her swimwear collection, featuring stunning aerial images of Sydney captured by Rebecca herself, has left audiences in awe.Rebecca owns a boutique in The Rocks, Sydney, called Hunting Hue. The name reflects her unique approach to photography, where she never alters or enhances her images but instead seeks out the natural hues that inspire her. Her entrepreneurial acumen and keen eye for colour have resulted in a distinctive and eye-catching swimwear line that appeals to all ages.Proud mother Cheryl Collinson-Smith shared samples of Rebecca’s popular designs with The Bugle, showcasing clothing lines for both adults and children that blend fashion with functionality. Remarkably, Rebecca's current designs were created just two months ago. Within this short period, she designed the garments, produced samples, entered the fashion show, and travelled to America.Rebecca’s Miami Swim Week show opened with the debut of “Hunting Hue” and the innovative “Draw On Swimwear” line, featuring a charming cephalopod named DOS. This interactive swimwear allows children to draw their own designs onto the garments, providing an engaging fashion experience. Practice stencils and a variety of washable and permanent colours are included, allowing for endless creativity.Rebecca’s Instagram, @huntinghue, displays many of her stunning designs. Her collection, which includes complementary scarves, has been praised by American fashion journalists as “a kaleidoscope of style” and “a remarkable splash with its vibrant showcase.”"Hunting Hue's presentation at Miami Swim Week celebrated colour, family, and fashion," one journalist noted. "It set a new standard for summer wardrobes, offering a blend of high fashion and practicality. The collection inspires, warms, and delights those looking to elevate their beach or poolside attire."To capture the breathtaking aerial images featured on her swimwear, Rebecca rented a helicopter, photographing iconic Sydney landmarks such as the Harbour Bridge, Bondi Beach, and the Opera House from 500 feet above. She also flew over the Minnamurra River and Mystics Beach last year, capturing the local area for her picture book “Minnamurra,” which she wrote during the Covid lockdown. The book, now in its seventh reprint, has sold out entirely.Rebecca Collinson-Smith’s innovative and vibrant designs have made a significant impact on the fashion world, demonstrating her incredible talent and unique vision.

By Barbara WylesThe Illawarra Feltmakers recently hosted their annual Exhibition and Sale at the Masonic Hall from June 8th to 10th, drawing a diverse crowd from local areas, across NSW, and even international visitors on holiday. The event showcased a wide array of felted creations available for viewing and purchase.Among the highlights were two members who have achieved notable success at prestigious Agricultural Shows like the Royal Easter Show and the Bendigo Sheep and Wool Show, consistently securing wins.The entrance of the Masonic Hall was adorned with a prominent painting of a sheep, complemented by smaller sheep motifs decorating the walls and a fence adorned with a felted vine. Attendees had the chance to win a book voucher, which was claimed by Paul Casey.Glenora Weaving and Wool set up shop at the event, offering a variety of wool supplies for weaving and knitting enthusiasts. Photographs from the exhibition depicted the journey from raw wool shearing to the intricate felt creations crafted by members, including demonstrations of needle felting and the creation of felt balls. Various items made by members were also showcased, highlighting the creativity and skill within the Illawarra Feltmakers community.

There is a wonderful new world of contemporary wallpaper. From the sublime to the bold, biophilic patterns to industrial motifs, as a decorator I can confidently suggest there is now something for everyone.  Wallpaper used to be an expected element in homes around the world. At some point it became so ubiquitous that one way or another, for example overwhelming boldness or inescapable use of the colour salmon, homeowners became quite nervous about using it at all. Indeed, I have had clients at my studio whisper their experience of being haunted by the colours and musty smells of wallpapers of the past.Nowadays, wallpaper is usually printed on non-woven substrates. This changes everything – wallpapers can now be easy to remove in one piece! and are made of breathable material with no more trapped moisture in the walls.  Add the crispness of laser printing and wallpaper has re-emerged as a contemporary product that can take the lead in an interior scheme. It can last for decades or be changed with ease; patterns and colourways are developed with a keen eye for trends whilst employing classic combinations.  Wallpaper can even be a way to include other trends not accessible to you, such as convincing representations of timber or brickwork that can redefine your space. In addition, we also now have removable wallpapers that sit as well on the walls as their pasted-on counterparts (read: they don’t look like stickers anymore) which can be especially practical for children’s rooms, renters, or commercials spaces.There is a world of wallpaper designs, each with an array of colourways to select from.  Patterns range from the earthy to the whimsical, simple to busy, monotone to multicoloured.  When I am sourcing wallpapers for my clients, I look for elegance and balance, which will help layer the wallpaper’s features into a home with harmony.For more information contact South Coast Colour at  www.southcoastcolour.com.au

Terralong Street retailers want the Council to start fining people who overstay in the one and two hour car parks, as they are driving customers away.Zink surf shop owner Darren Longbottom says there is no street parking policy and issues are managed ad hoc by the council compliance team.“I’ve been sending emails back and forth to the council for the last seven months and it has been a drama since Covid. They’ve stopped policing parking on Terralong Street,” Mr Longbottom says.“It’s not just me screaming about this. It’s the locals too. If we don’t have customers, stores close down and Kiama loses. You’ll have no stores in town because they don’t have the ability to trade. It’s killing small business.“I reckon we are losing up to 25 percent of our revenue because potential customers can’t find a park. That’s a significant number and one that puts us on the precipice.“Council needs to police the existing parking time limit, which has been in place for decades. We open our doors and pay the rent in this area as the parking rules were set and we have a fair and orderly flow of traffic.“I’m not asking for people to be fined, I’m asking for council to monitor the spaces to at least keep everyone, me included, honest.”Truck consuming four parking spaces outside Zink surf shop in Terralong Street Credit Darren LongbottomMark Foster, who owns Premier Barbers in Terralong Street, says he is being bombarded with texts from people who are going around and around the block, looking for a park.“I just had a chap in, who arrived late for his appointment. He had to go around the block 10 times to find a park. There was nowhere to park at 2.30pm on a Friday,” Mark says.“We are losing customers and money. Council must remember people come to Kiama to shop. Without small business, it’s just a suburb.”Kiama retailers are not immune from the cold recessionary winds blowing through the Australian economy.Recent Australian Bureau of Statistics data shows retail sales across Australia have flatlined since January.After declining by 0.4 per cent in March, retail trade figures showed spending rose by just 0.1 per cent in April – a sign that people are holding off on making non-essential purchases as cost of living pressures squeeze households.In March 2024, The Bugle reported developers Level 33 were going to build 344 basement car park spaces at the new Akuna street residence.Unfortunately, 163 of those parking spaces will be reserved for residents and another 181 will be set aside for supermarket and retail shoppers and workers.Council is aware of the impact the Akuna Street construction will have.“Council staff are working with Level 33 on options for parking, park and ride, and further solutions to minimise the impact on residents and businesses,” says Jessica Rippon, Director of Planning, Environment and Communities.Terralong street full of cars, credit Raine & HorneA recent Blow your Bugle opinion piece (May 15, 2024), recorded that the Akuna street car park was the last substantial parking facility in town.“With the proposed development taking over this space, we will have no parking-specific spaces left in the main CBD of town. There are approximately 60 businesses from Tory’s Corner to the Red Rooster corner. That’s 60 car spaces required for the workers at a minimum, without even considering our customers, clients, patients and tourists,” the writer said. “One significant option would be the construction of a large parking facility behind the old fire station and ambulance station. It’s reasonably flat, and would provide access to the new park, as well as many of our CBD businesses. I have approached the council in the past, with very little outcome.”Councillor Stuart Larkins and chair of the Local Traffic Committee, says parking issues are frequently raised by business owners and residents.“I know it can be frustrating for some during peak times,” Clr Larkins says.“Until such time that a Parking Management Strategy, and a Local Road Network Safety Plan are developed, a number of the issues raised by the community will be managed on a sporadic basis. We need to make sure we have the bigger picture in front of us.”Council employs one part time parking patrol officer and three compliance officers who cover all aspects of compliance, including car parking.Level 33 did not reply to questions by the deadline.

The Kiama Spinners and Weavers, also known as the Coach House Crafters, are welcoming new members to join their friendly group. They recently held their successful Biggest Morning Tea breakfast complete with a lovely array of cakes and quiche, and a raffle, donated by Blooms Chemist. Meeting each Tuesday at Kiama Art Society’s home base the Coach House, this friendly and lively group of ladies are passionate about their work and sharing it with others. With different crafts on the go, the group produces beautiful quilt work, knitting projects, crochet work and so forth.  The group is active in the community, with several members having won awards for their work at both the Kiama Show and the Sydney Royal Easter Show. Their community quilt hangs in the Coach House, a stunning depiction of life in Kiama and a wonderful testament to the talent and teamwork of the crafters.New members are always welcome, the group is particularly eager to attract younger crafters. One member highlights the therapeutic aspect of joining the group for crafts and a chat each week. Whether an experienced crafter or just starting out, the Spinners and Weavers of Kiama offer a welcoming space to learn, create, and connect. Drop by the Coach House any Tuesday morning from 9.30 am to join in on the fun. 

On Thursday, 6 June, Fern Street Gallery informed their following that they are making a significant transition and shifting their focus towards becoming a predominantly online gallery. The gallery will be offering viewing of artworks by appointment, either in your home with the selected pieces of interest or in their private studio in Kiama. It will also be, “curating exclusive regional pop-up exhibitions and participating in art fairs.”“Choosing art is personalised and effortless with us at Fern Street Gallery. My specialised in-home consultation process is created to improve your experience, increase your confidence and save you time and stress,” says director Kerry Bruce. Bruce assures, “we are not closing our doors; rather, we are reinventing our approach and redefining our accessibility.”Collectors and visitors can stay connected by signing up to the Fern Street Gallery newsletter, or to the exclusive VIP ART Lovers newsletter, which will inform subscribersabout their future endeavours.Bruce says, “While our physical location may be undergoing changes, we remain steadfast in representing a curated group of talented Artists whose art will be consistently available online. Keep an eye out for featured collections each month.”“Our time spent in Gerringong has been filled with fond memories, and we deeply appreciate the support from the local community and our collectors worldwide.”For the latest news regarding new artworks, exhibitions, pop-ups, and Art Fairs, go to: fernstreetgallery.com.au.Note: The current “June Stockroom Exhibition” remains open until June 30 from 10am – 4pm daily at 2/131 Fern Street, Gerringong.

Congratulations to Kiama artist Michelle Springett, who recently won the 'Ambience of Thirroul' Award at the Thirroul Seaside & Arts Festival.The winning artwork was entitled “Matilda Kookaburra.”“This is so amazing, and I'm still in shock,” Springett exclaimed.The art festival is made possible by the support of the Austinmer/Thirroul Lions Club Inc., the volunteers who provide their skills and time, and the generous sponsors who support with funding, facilities and equipment.Springett hung her largest-ever palette knife artwork at Batch10 Cafe in Albion Park’s new shopping complex. This long weekend, 8 and 9 June, Springett has two more exhibitions: one at Kiama Leagues Club and another one at the Imaginarium in Shellharbour Village.Springett, who runs Expressive Art Experience (EAE) has not only been busy with her personal artistic pursuits, but she and her team are actively engaged in numerous activities. “Right now, there’s a lot going on – in fact, a massive lineup of Art Experiences on offer for June,” Springett shared. Here’s a quick rundown:Saturday, 15 June: Painting ladies drinking ‘Tea time or Wine time’ – hosted by Shellharbour City Council.Tuesday, 18 June: A new 'Finish UNfinished Art' class on Tuesday mornings at their studio in Kiama Downs. Participants can bring their unfinished artworks and complete them with materials provided by EAE. Book for one session or for all three.Friday, 21 June: PAINT ‘N’ SIP,  the painting theme is ‘Winter Wonderland’ at Georgia Rose Shell Cove.Saturday, 22 June: ‘Paint and Sip’ palette knife painting of your choice at Wests Illawarra.July promises to be just as exciting! EAE will be at the Kiama Winter Street Festival on July 13- 14. They will be stationed at the Old Fire Station, inviting everyone to participate in painting Daisy the Cow and contributing to the Community Mural titled 'Winter in Kiama.'Have you tried the Expressive Art Experience?EAE made a vibrant debut on R U OK Day in August 2019. Since then, Springett and her team have embarked on an exhilarating journey, bringing EAE to the forefront of diverse events. Their mission: To ignite creativity and foster meaningful connections through artistic endeavours.EAE is committed to building a vibrant community and educating through their unique programs. Whether it's homeschooling, after-school activities, or the exciting buzz of school holidays, EAE aims to unlock the potential within each individual. Their blend of art and therapy creates lasting memories and enriching experiences.

Just in time for the World Environment Day on 5 June, Shellharbour City Council launches its annual “Wild About Shellharbour Nature Photography Competition.”This year’s theme, ‘Connecting with Country’ encourages participants to get outside and explore the beauty of Shellharbour’s abundant species. Open to Shellharbour City residents of all ages, the competition runs until Sunday, 14 July. Participants can enter the 17 years and under, or the 18 years and over, categories.Prizes up for grab include cash and professionally printed canvases of the winning images from local business PhotoMart.Chris Homer, the Shellharbour City Mayor, said that looking through a camera lens could encourage a sense of curiosity towards our natural world.“From lush green rainforests to a pristine coastline, our city has many diverse landscapes with an array of plants and wildlife ready to explore.”“It doesn’t matter whether you are an amateur or professional, all photography skill levels are welcomed and encouraged to have a go. You could even round up your family or friends andmake an adventure out of it,” he said.For an entry form and more information about the competition rules, visit Wild About Shellharbour 2024.

As a South Coast based interior decorator, I have always got my eyes open for new ways to bring the rich hues of the region’s colours into our homes. Enter ‘Colour Drenching’, a very 2024 term for painting all surfaces in a room the same colour.  I’m talking walls, skirting and frames, doors and woodwork, cornices and ceilings. The results are impactful and non-negotiable, but that doesn’t necessarily mean it feels like too much if you choose a colour you truly love. Take your cues from our area for a result that connects your home to its location. The emerald greens of Gerringong’s rolling hills or the bushy greens of Kangaroo Valley, the lavender haze of a distant mountain, blues of the ocean, golden sands of the coastline – you get the idea. There is no need to limit yourself to your street address, think about the colours of what you love across our whole region.Another element to consider is colour psychology. Theoretically at least, blues are calming and can carry away your worries. Reds are warm and can feel like a big hug. Neutrals rest the eyes. Yellows can make you feel happy (or ill, depending on your feelings about yellow).Be aware that the same colour applied throughout a room will still have variation, so it is rare that the effect will be box-like. Flat ceiling paint will absorb the light making it appear lighter, whilst low sheen and semi gloss paints can look darker depending on how much light they reflect. The easiest thing about colour drenching is that it is guaranteed the room will look fresh and contemporary, no matter which colour direction you choose. Asha ArdillSouth Coast ColourVisit the website here:https://www.southcoastcolour.com.au/Check out Asha's profile here:https://www.southcoastcolour.com.au/team-item/asha-ardill/

The GLaM Museum in Gerringong has recently closed its Scouts exhibition. However, don’t worry if you missed it, as the exhibition will now be on display in the main museum for the foreseeable future.The opening was a wonderful event, attended by many former Scouts, Cadets and Girl Scouts. One highlight was a Queen's Scout from 1963 to 1967, Marelyn Embry. She arrived in her original uniform and reminisced about her youth, including receiving a letter from the late Queen Elizabeth II.Artist Trudi Voorwinden, who has been painting since she was 10 years old, spent a week restoring a mural of the Scouts in Gerringong. She carefully preserved the original colours and vision of the artist. Many of the Scouts depicted in the mural have now been identified, and the mural can be seen at the GLaM Museum.Merelyn Emery in her old uniformPresident of the Gerringong and District Historical Society, Colleen Jauncey, expressed gratitude at the exhibition opening. "Thank you to the parents who kept uniforms, memorabilia, and badges. They have enabled us to put this exhibition together," she said.David Hindmarsh, an ex scout himself, also spoke, pondering why the Scouts struggle today. He questioned whether it’s due to the electronic age, a rise in self-interest, people leaving the area for work, or perhaps the popularity of surfing as a hobby. Trevor Nixon, Neil miller, David Hindmarsh, Gary Rodger’s, Ken Mitchell, all ex scoutsHe also noted the historical gender differences in Scout badges, with women's badges focusing on domestic skills including ‘Matron Housekeeper’ and men's on outdoor challenges. David, who joined the Scouts in 1954 at age nine, shared a humorous story about finding frozen uniforms after a soccer game. He laughed, saying he is still tying knots to this day.Despite these challenges, there is still a Scouts group active in the area. Reuben Frost, pictured with his Scout leader Debbie and friend Hugh, meets with the Kiama Scouts at Kiama Harbour on Tuesday afternoons. New members are encouraged to join.Reuben Frost (Gerringong Scouts), Hugh Hassall, Debbie Gibson.This exhibition preserves invaluable memories and history, thanks to the effort of everyone involved. Their work ensures these stories will be preserved for future generations. Thank you to all who contributed.

Shellharbour City Council’s Aboriginal interpretive play space, Yirran muru, wins two awards at the recent 30th annual National Trust Heritage Awards 2024.The annual awards ceremony celebrates outstanding practice and excellence in conservation of Aboriginal built, natural and cultural heritage.On 17 May, the play space won the Education and Interpretation Category, and Highly Commended in the Aboriginal Heritage Category.It is another milestone for Yirran muru, securing first place in a non-Aboriginal award category and seeking state recognition for its contribution to education and interpretation.With the addition of these two news awards, Yirran muru has received a total of four awards since it officially opened in April 2023.The Dharawal Language Wheel. Photo credit: Shellharbour Civic Centre.In April, the play space received the Diversity and Inclusion Award at the Institute of Public Works Engineering Australasia (IPWEA) Excellence Awards. It has also won the 2023 Landscape Excellence Awards.“The Aboriginal interpretive play space is an incredible addition to our city. To be recognised with four prestigious awards is absolutely wonderful,” says Shellharbour Mayor Chris Homer.“It is an amazing achievement and a credit to the collaboration between our local Aboriginal community and Council staff.”Yirran muru, which means ‘many pathways’ in Dharawal, is an authentic Aboriginal interpretive play space, which shares local Dharawal culture through Aboriginal methods of learning. It is located in the native gardens behind the Shellharbour Civic Centre.Encompassing landscapes from high in the escarpment to the sandy beaches of the Illawarra, it is designed to take people on a cultural journey following the historical seasonal movements of local Aboriginal people.“Yirran muru is a celebration of Dharawal culture, a unique space in which local Aboriginal culture is shared with the community through play and nature,” Mayor Homer says.“It’s a beautiful space. If you haven’t yet visited Yirran muru, please go and check it out.” 

A full moon guided visitors through The Enchanted Forest in Blackbutt Reserve on Thursday evening, 23 May 2024, as they were given a preview look. The event, which officially opens on Friday night (24 May), runs through to 16 June and promises to transport visitors to another world. Illuminated like never before, this year's theme Lost Astronaut captivates and beholds, thanks to a combined light- and soundscape that creates an ethereal, interactive cosmic universe here on earth. Visitors wander through the forest, following the lost astronaut’s journey to repair his spaceship, each section a brilliant display of lights, lasers and special effects. The immersive audio enhances the feeling of celestial surrealism, and each bend in the path reveals a new awe-inspiring surprise. Tickets are selling fast, with many people eager to discover this thrilling symbiosis of nature and technology. The Enchanted Forest offers a unique experience for these cold winter evenings for families, friends and space enthusiasts alike. Whether you’re a seasoned stargazer or simply looking for a magical night out, be sure not to miss The Enchanted Forest. Tickets are on sale at The Enchanted Forest. 

Sevenmarks Gallery in Kiama is gearing up to unveil a rare and captivating exhibition, From the Top Road from 1 June to 20 July. This exhibition promises to be a celebration of connection, culture and creativity, showcasing artworks from two neighbouring communities in Arnhem Land, Northern Territory. From the Top Road is more than just an exhibition, but takes the views on an immersive journey into the heart and soul of Indigenous Australia. The title itself comes from the primary route into Arnhem Land, granting access to the Bula’bula Arts Centre and the Maningrida Arts Centre, both vibrant hubs of creativity and cultural expression. Attendees will experience spirit forms, fibre works and intricate woven pieces created by local artists deeply connected to their land, their ancestors, and their traditions.  “Our culture lies in the ground… It lies in the earth, but we are bringing it out…where we can see it.” said Kuninjku artist Ivan Namirrkki.These artworks weave together stories of the natural environment, reflecting on the profound importance of ceremonies, songs, language and family in Indigenous culture, constructing a cultural journey and an open invitation to immerse yourself in the rich tapestry of Indigenous art and heritage. 

The captivating works of two local artists, Ross Meaker and David Graham, were displayed on walls of The Imaginarium in Shellharbour throughout the recent Mother’s Day weekend. David GrahamRoss has a longstanding passion for photography, only further invigorated by the introduction of digital photography and his retirement. His collection of landscape photography showcased the best from the snowy Jindabyne surrounds to the coastal sunrises of Narooma and Lake Conjola. With Ross’ eye for detail and texture in his work, his photographs transport views through a visual journey of nature’s wonders. This was Ross’ first exhibition, and he admitted eagerness at the idea of his work reaching a wider audience for the first time. Ross MeakerTeaming up with Ross was David, whose artistic journey began as a child drawing maps. With encouragement from his mother, Bronwyn, David’s passion transformed into a lifelong pursuit. David’s meticulously crafted pencil and ink drawings are a stunning display of historical preservation. The collaboration between the two artists proved to be a success, drawing praise from visitors who flocked to The Imaginarium. Joan and Rob from Kiama visit the exhibitionAs patrons explored the exhibition space, they were met with the diversity of styles and subjects on display, from the sweeping landscapes by Ross to the intricately drawn architectural pieces by David. Both artists respectively put on a stunning show of colour through sunsets and geometric patterns. 

Local artist, activist and original Freedom Rider, Machteld Hali, continues her tireless efforts in supporting her community and advocating for the rights and empowerment of First Nations people. With the launch of her latest art fundraiser at The Tempest Gallery on 17 May, Machteld hopes to raise the remaining funds for her phenomenal $20k contribution to education for First Nations people at the University of New England. Machteld is guided by a strong desire to help, grown from some of her own experiences of hatred and discrimination as an immigrant in this country. It began in 1965 when Machteld participated in the Charles Perkins Freedom Ride run by Sydney University. The Freedom Ride was a 15 day bus journey through regional NSW and has since become a defining moment in Australian activism, now taught about in schools. The Freedom Ride was intended to spread awareness for the poor conditions that indigenous people were living in NSW at the time. Machteld recounts the Freedom Ride and the things she saw during the journey from a time where indigenous people were excluded from movie theatres, swimming pools, RSL clubs, etc. Many were living in unsafe and unhealthy conditions in reserves and missions in ‘shanty towns’. The fundraiser is aptly named “No More Eggs and Tomatoes” as a nod to the events that occurred at the Moree swimming pool. Machteld and the group of Freedom Riders were run out of town by angry locals throwing eggs and rotten tomatoes, spitting and fighting the peaceful protestors. Culminating in their bus being run off the road and their bus driver abandoning the group, leaving them stranded in the middle of nowhere. The art fundraiser will feature a diverse selection of framed artworks generously donated by Hali herself, her students and a range of local artists. Notable contributions include pieces from acclaimed artists such as Pro Hart, Auguste Blackman, Robyn Sharp, Becky Guggisverg, and Kerrina Swords.  The evening will provide food, drink and entertainment and the opportunity to bid on the art in an auction. Currently Machteld has raised $16,125 for the scholarship administered by the University of New England, with the goal to hit $20k. Machteld has hosted at least 10 workshops, some free, encouraging students to donate their work to two previous exhibitions that have helped contribute to the funds.  In 2015, the University of Sydney hosted a reenactment of the Freedom Ride with 19 of the original members on board. The changes in the communities they visited were palpable and a complete turn around to the hostility the group had faced fifty years earlier. Healthy indigenous children lined the roads into town, and the townspeople welcomed the riders with appreciation for their past efforts. Despite progress, challenges still persist and many issues related to identity loss, intergenerational unemployment and substance abuse are still prevalent in regional towns like Moree. Machteld is motivated by these ongoing struggles and believes ‘education is the golden arrow’. Reflecting on the challenges addressed by the original Freedom Ride, Machteld emphasises the importance of acknowledging and rectifying past injustices. Those interested in attending the fundraiser or contributing to the cause are encouraged to contact Machteld by email at [email protected]. Details of the gallery open night can be found here. Through collective action and unwavering dedication, Machteld aims to make a meaningful difference in the lives of First Nations people, one brushstroke at a time. In a bid to continue the legacy of the historic Freedom Ride of 1965, the artist continues to be a voice for our indigenous people, reminding us all of the importance of shared community and culture.

“It’s finally my turn to shine,” laughs Foxground artist Robyn Sharp. “I’ve always been the director's wife, now I’m the star.”The director Robyn refers to is her husband Lindsay, the former head of Sydney’s Powerhouse Museum and world-renowned museologist. While her comments are tongue-in-cheek, the curation of this show, held in the Gerringong Art Gallery adjacent to the Gerringong Library and Museum (GlaM), is all Robyn’s with her husband happily following directions on where to hang her stunning artworks. Paintings and drawings which use a range of mediums, including pencil, acrylic and charcoal and capture the beauty of the Australian bush in all its variations; fire, flood and in full bloom.It is the elements that have inspired Robyn’s third show Dreaming of Dharawal Days. Much of her recent work focuses on the local landscape, at Bundanon, Jervis Bay, Moreton National Park, and of course her beloved Foxground - home to the hidden gem that is her Cedar Ridge Art Studio.It is where Robyn and Lindsay watched in terror as ash from the 2019 bushfires rained down on them, and a raging inferno edged ever-closer to their property. Thankfully their home and Robyn’s studio was spared.“But after the fires I had to create a lot of artwork to get it out of my system, I dealt with the trauma through art,” she explains, pointing to a detailed depiction of a grass tree.“This is one of my favourites. I painted it shortly after the fires when Lindsay and I went for a walk in the Moreton National Park. The bush was deathly silent, there were no birds, no animals but the grass trees were in full flower. It was so heartening to see such beautiful regeneration after the fires. It gave me hope.”Hope is something we could all use more of, given the extreme weather events that have lashed the coast in recent years.“With climate change comes more intensive weather systems and we get flooded in on our property at least once or twice a year now,” says Robyn. “When you live in a beautiful place you are often at the mercy of the elements.”But she wouldn’t trade her picturesque studio for any other in the world, and she has had a few; in the United States, Canada, England and a “little flat in Paris”.“One of the benefits of being the director’s wife is that I could go to art school in Chelsea (during Lindsay’s stint as the director of London’s National Science Museum in the early 2000s). I had some incredible teachers and mentors who shared their knowledge of figurative drawing and sculpture during that time,”But Robyn credits the free university scheme under Gough Whitlam’s government for kickstarting a long and illustrious career as an artist.“I won a scholarship to the National Art School in Sydney, under the then Whitlam Government’s free university education scheme. I had a living allowance of $10 a week for food and board, can you believe it,” she asks incredulously. It is this sense of wonder, of how far she has come as an artist, that endears the artist to members of the community who poke their head into the gallery as she sets up her Dreaming of Dharawal Days exhibition, the first show to be held in the Gerringong gallery space. A husband and wife offer to help Robyn hang one of her works and walk away with a breathtaking landscape before her show has officially opened. Dreaming of Dharawal Days will be on display at GLaM to April 24, before moving to Cin Cin’s Wine Bar May 7.

Entries are now open for the Kiama Art Society’s 45th Annual Art Exhibition, to be held at The Kiama Leagues Club in July. This is the Art Society’s major event, which draws entries each year from local artists, the South Coast, Metropolitan Sydney and beyond. Prize money this year is $10,000, with the major “Best in Exhibition” prize of $3,000. Prizes are awarded in Landscape/Seascape, Local area, Abstract, Still Life, Portraiture and Figurative. Works in these sections can be in any medium. There is also a special prize for watercolour. “The exhibition is a wonderful display of varied and interesting art, ranging from traditional to abstract and contemporary” said Helen Pain, art society president. “This is a great way for artists to have work hung in a professionally presented exhibition which will be viewed by hundreds of visitors and local art lovers. There is something for everyone across a wide price range, and each year many works find new homes.”The exhibition is sponsored by many local business, including major sponsors Kiama Leagues Club and Kiama Municipal Council. The exhibition Opening function will be on June 7th, Opening hours 10am to 5pm, June 8  to June 16th. Entries forms can be downloaded from the website kiamaartsociety.org.au. Entries close April 30th, 2024. For further information you can contact Helen Pain at 0432 232 054 or by email [email protected]