When Wolfgang Reinhard arrived in Australia in 1982, he was a fresh-faced German backpacker with no plans to stay. But fate had other ideas. Just three weeks after his arrival, he met Josephine, the woman who would become his wife. That meeting changed the course of his life. Now, 43 years later, Wolfgang has finally become an Australian citizen. But not in the way anyone expected.Wolfgang was supposed to attend his citizenship ceremony at Jamberoo on Australia Day, but instead found himself in the ICU at St Vincent's Hospital, battling a severe blood infection. Determined that Wolfgang would not miss this milestone, Josephine launched a behind-the-scenes campaign to move the ceremony to the hospital. With support from their doctor, Gilmour MP Fiona Phillips' office, Kiama Council, and hospital staff, the impossible became possible. On 23 January, just days before the official ceremony, Wolfgang was granted his Australian citizenship via a Zoom call from his hospital bed. The room was decorated with an Australian flag, and nurses celebrated with lamingtons, an unexpected but deeply moving moment for Wolfgang and everyone involved.Wolfgang was granted his Australian citizenship via a Zoom call from his hospital bed.Wolfgang's Australian journey began with adventure. Born in Munich, he grew up skiing and exploring the world. In the early 1980s, he embarked on a backpacking trip through Asia, with Australia as his final destination. He never intended to stay, but a job in a ski warehouse in Sydney changed everything.Josephine, his future wife, was his boss at the warehouse. In a clever bit of matchmaking, she placed him on the lunch roster with her and none of the other women. A romance blossomed, and the couple went on to build a life together, filled with travel, career success, and a deep love for Australia.Once Wolfgang decided to stay, he had to rebuild his career. With German qualifications that weren't immediately recognised in Australia, he took matters into his own hands. He went through the yellow pages, calling every German company in Australia until he landed a role at Krupp, a major engineering firm. From there, he quickly rose through the ranks, proving himself in the highly competitive field of mining and quarrying machinery.By the late 1990s, Wolfgang had built his own successful business Ground Tec Equipment, manufacturing specialised rock-cutting machines. He employed a diverse team, including refugees and workers from various cultural backgrounds, creating a workplace that was like “the United Nations.” His business thrived and three years ago, a French company made him an offer to buy it, the perfect timing for retirement.After years of city life, Wolfgang and Josephine moved to the South Coast, first to Berry and then to Kiama. They immersed themselves in the local community, working on bush regeneration projects and participating in the Royal Flying Doctor Service fundraising treks. Their love for Australia is evident in their extensive travels across the country, from the Kimberley to the Outback, long before these destinations became tourist hotspots.For Wolfgang, becoming an Australian citizen was about more than just paperwork. Despite his deep ties to Germany, he felt more Australian than German.The change in German laws allowing dual citizenship was the push he needed, but the decision was made from the heart. His story is one of love, perseverance, and the unwavering belief that home is not just where you were born, it's where you choose to belong.

In Kiama, a special group of men has been singing together, creating connections, and bringing enjoyment to audiences since 1987. Kiama Probus Men’s Choir led by conductor Wendy Leatheam and pianist Steve Leatheam, is more than just music – it's a community. Wendy and Steve, the heart of the choir, have witnessed its transformation over the years. “After COVID, like many organisations, we saw a big shift. From having 35–40 members, we’re now down to 25 active singers,” Wendy explains. “But we’re rebuilding, and that’s why we’re reaching out to let men know what we’re about.” The choir’s focus is on male voices, providing an opportunity for men to connect through music. Wendy emphasises this distinction, saying, “This has always been a male voice choir. People ask, ‘Why not include women?’ My answer is simple – it’s about preserving the beauty and camaraderie of male voices.”🎶 The Maestro and the Music Man 🎶 Wendy leads with flair, Steve plays with heart, and their teddy mascot keeps everyone in tune! The choir brings together retired men from diverse backgrounds. Singing during the day suits their lifestyle, offering both a creative outlet and a chance to perform. “We love singing for aged care residents and special schools like Peterborough School. Music is such a powerful way to connect with people, even those who can’t always express their reactions,” Wendy says, sharing moving stories of their performances bringing joy to audiences who otherwise have limited stimulation. Steve adds, “Music has this magical ability to reach people. We’ve seen dementia patients light up when we sing songs they remember. It’s incredibly rewarding to be part of that.” For men looking for something new in retirement, the choir offers an inclusive, relaxed environment. “We’re about more than just music,” Wendy says. “The friendships formed here are just as important. We have breakaway groups, social outings, and a lot of laughs at rehearsals. It’s a space for men to support each other.” Steve shares how music became a significant part of his life. “I didn’t enjoy piano as a child, but years later, I rediscovered it. Music has been my side hustle ever since, from weddings to playing in bands. Joining the choir was a natural fit, and it’s been wonderful working with this group.” The Kiama Probus Men’s Choir is exploring new ways to grow its numbers and build its legacy. Wendy hopes to one day open the choir to members of other Probus clubs in the area, although this idea is still under consideration. “It’s important to keep traditions alive while also adapting to modern times,” she says. For now, the choir remains a proud part of the Kiama Men's Probus Club, reflecting its heritage as a space for retired professionals to connect socially. “Our aim is to bring men together, create beautiful music, and give back to the community,” Wendy says. “There’s nothing like the sound of male voices in harmony.” Interested in joining the Kiama Probus Men’s ChoirRehearsals take place on Monday mornings at the Blue Haven Village Centre in Terralong St Kiama.The choir’s first practice for the year on Monday 3rd March 10 am to 12 pm .For more information, cotact Wendy or Steve Ph:42 360 089

The Kiama Show Society proudly presented the prestigious Agricultural Shows Award medal to John Downes, recognising his exceptional contributions to the Show movement and his tireless dedication to the community. The award was presented by John Bennett, President of the Royal Agricultural Society of NSW (RAS), during the 2025 Kiama Show, with Kiama Show Society President Guy Stearn joining the ceremony to honour John’s achievements.John Downes and with his RAS of NSW Medal The Agricultural Shows Award medal, introduced by the RAS, celebrates individuals who have made significant contributions to agricultural shows across NSW. Every show society is invited to nominate a worthy recipient each year, with the medal symbolising not only excellence in advancing agriculture but also in strengthening community connections. This year, the Kiama Show Society’s choice was clear: John Downes, whose lifetime of volunteering has left an indelible mark on the Show and the Kiama community.For John, the Kiama Show has been a central part of his life for over 50 years. He first became involved in the woodchopping competitions as a young man when there was a need for more support.“There was only one young bloke in the woodchopping back then,” John recalls. “So I put my hand up to help. Most of the others were in their seventies, so it just made sense to step in and support.”Since then, John’s role has grown significantly. He became a key figure in organising events, assisting spectators, and contributing to the smooth running of the Show. Whether answering questions from attendees or helping coordinate activities, John has been the friendly and reliable face of the Kiama Show for decades.His ability to connect with the community has been a hallmark of his service, making him a beloved figure among attendees and volunteers alike.John’s dedication doesn’t stop at the Show Society. A volunteer with the Rural Fire Service (RFS) for over 50 years, he has played a vital role in protecting the local area and fostering community resilience. His service to the RFS is widely admired, with many calling him a local legend for his unwavering commitment.The Kiama Show holds a special place in John’s heart, and his family shares his passion. Over the years, the Downes family has worked together to support the Show, from showing cattle to assisting with woodchopping events. “It’s seeing how things come together, how people rally around to make something happen,” John says about his love for volunteering.This recognition from the RAS and the Kiama Show Society is a testament to John’s incredible legacy. As he accepted the medal, surrounded by Show organisers, his family and supporters, it was clear that his contributions have shaped not only the Kiama Show but the spirit of the community itself.

For the Downes family, the Kiama Show is more than an annual event, it is a legacy of community involvement, hard work, and cherished memories passed down through generations.Father John Downes and son Matt Downes share a deep commitment to keeping the show’s woodchopping tradition alive, a passion that began decades ago and continues to thrive today.Now, with three generations of Downes working as stewards in the woodchopping events, the family’s connection to the show is stronger than ever.Matt, John and Craig DownesJohn Downes, now 80, first became involved in the Kiama Show more than 50 years ago.“There was only one young bloke in the woodchopping back then,” he recalls. “So I put my hand up to help. Most of the others were in their seventies, so it just made sense to step in and support.”His role quickly expanded, from assisting with organising events to being the friendly face talking to spectators during competitions.“It’s about keeping people engaged, answering their questions, and sharing the excitement of the sport,” John says. “Of course, there’s plenty of argy-bargy at the monthly meetings, but by the time show day comes around, everyone knows why they’re there, and it just works.”Matt Downes, following in his father’s footsteps, started helping at the show as a teenager. Now 45, he has spent 30 years volunteering as a steward for the woodchopping events. “It started as just helping Dad, but over time, it became part of our family tradition,”Matt shares. “Showtime comes around, and you just know you’re going to pitch in.”The Downes family’s dedication has been pivotal in securing and maintaining the prestigious Pat Gallagher Memorial Australian 325mm Underhand Championship at the Kiama Show.The event, which boasts a prize pool of over $6,000 and is sponsored by Pat Gallagher son Terry, is one of the highlights of the woodchopping calendar.“Once you’ve got a national title like this, you do everything you can to hold onto it,” Matt says. “It’s about funding and organisation, and we’re proud to have hosted it for the past three years.”The connection between the Downes family and the show goes beyond woodchopping. Growing up on a farm in Jamberoo, they were also involved in showing cattle.“Cattle on Friday, woodchopping on Saturday, that’s how we balanced it,” Matt laughs. “It was a family effort, and we always found a way to make it work.”John’s contributions to the community extend beyond the Kiama Show. A Rural Fire Service (RFS) volunteer for over 50 years, he is regarded as a local legend. “You can’t get rid of him,” Matt jokes. “Once he commits, he doesn’t stop.”For John, the rewards of volunteering are clear. “It’s seeing how things come together, how people rally around to make something happen,” he says.And while the work can be demanding, it is moments like sunny show days after weeks of rain that remind him why he keeps showing up.John Downes inspiring generations of woodchopping stewards. L to R Matt (son) Isla Downes (granddaughter) Jahmalia Downes (granddaughter) John (patriarch) Craig (son) Courtney Marsh (granddaughter) Ben King (nephew)The Downes family’s story is one of dedication, resilience, and a deep love for their community.As the next Kiama Show approaches, the woodchopping arena will once again be bustling with excitement, thanks in no small part to the efforts of this remarkable father-and-son duo, who, no doubt, will weather plenty of argy-bargy to get it all done.

Terry Gallagher’s connection to the Pat Gallagher Memorial Australian 325mm Underhand Championship runs deep, rooted in both family legacy and community pride. The event, which carries his late father’s name, honours Pat Gallagher’s significant contributions to the timber industry in the Illawarra region.Pat owned a timber yard in Bombo Quarry for over 30 years, supplying industrial timber to coal mines and the surrounding areas. After Pat’s passing in 1990, Terry wanted to ensure his father’s legacy lived on and decided to sponsor a woodchopping event in his honour.For years, Terry has supported the Pat Gallagher Memorial at the Kiama Show, pouring his passion into making it one of the standout events of the woodchopping calendar. His generous donation of $2,500 for first place (part of a total prize pool exceeding $6,000) not only elevates the competition but also secures its position as an Australian Championship event. By meeting the Axemen’s Association's funding requirements and consistent lobbying by event steward Matt Downes, Kiama has been able to host this national title every year since securing it, making it a cornerstone of the show’s woodchopping program.Terry’s sponsorship reflects his belief in preserving traditions and celebrating the skills of Australia’s best axemen. The event draws competitors from across the country, including high-profile names like Laurence O’Toole and Brad Delosa, and brings national attention to the Kiama Show.For Terry, it’s not just about prize money, it’s about fostering community spirit and ensuring that both the sport and his father’s memory remain part of the local fabric.In Terry’s own words, “This event is about honouring my father’s legacy and giving back to a community that meant so much to him. Seeing the calibre of competitors, we attract and the excitement it brings to the crowd, it’s something I’ll always be proud to support.”Thanks to Terry’s unwavering dedication, the Pat Gallagher Memorial Australian 325mm Underhand Championship has become a celebrated tradition, a testament to family, community, and the enduring power of legacy.

On 19 March, the Ulysses Club’s inaugural Ride for Rheumatoid will arrive in Kiama, and for two members from Gerringong, the ride is especially personal.  Seven years ago, Cheryl Mahedy was diagnosed with rheumatoid arthritis (RA), a chronic condition that affects 514,000 Australians each year. RA causes pain, swelling, and inflammation in the joints, as the immune system mistakenly attacks the tissues lining the joints.  “I actually broke my right knee in a skiing accident, had surgery, and was recovering. Not long after, my hands and feet became incredibly painful. I could hardly walk and couldn’t use my hands,” says Cheryl.  Fortunately, Cheryl was referred to a rheumatologist and began treatment with methotrexate, a drug that blocks antibodies from attacking healthy cells. However, Cheryl is aware that many others aren’t as lucky as she is.  “I've been very fortunate that the drug that I'm on works very well for me. I'm very fit and active. Three years ago I cycled in the Multiple Sclerosis Sydney to Gong ride on a pushbike. I'm very fortunate because a lot of rheumatoid sufferers end up in wheelchairs, and it's horrible, so it’s very personal to me to be doing this ride,” says Cheryl.  The Ulysses Club has supported RA since 1997, and their inaugural Ride for Rheumatoid aims to raise awareness for RA, as well as funds for research into new medications and a potential cure.  “They’re on the cusp of an amazing discovery - a researcher at The University of Queensland, Professor Ranjeny Thomas, is investigating a potential breakthrough for RA,” says Cheryl.  “As a result of this, other autoimmune diseases, such as lupus and type 1 diabetes, may also benefit from the research. It’s incredible.”  The complete ride begins in Melbourne and lasts for a week, but Cheryl and her husband, Patrick, will join the ride in Marulan and travel with the group into Kiama on 19 March, continuing on through Campbelltown, Singleton, Tamworth, and Armidale.  “All you need to do to participate is be a member of the Ulysses Club,” says Patrick. “There will be riders on bikes and people in cars, and everyone will wear an inaugural ride patch.”  “For a $20 donation, you can join the ride at any segment. You’ll receive a “Ride for Rheumatoid” patch, and 100% of the funds will go to the Ulysses Club Arthritis Research Fund (UCARF). We’ll stop in each town for a few minutes to raise awareness. The goal is not only to promote the Ulysses Club's work in this area and encourage donations, but also to raise general awareness of RA.”  While the ride is deeply personal for Cheryl and Patrick, they’re also excited to get back to the freeing feeling of riding. When Cheryl was first diagnosed with RA, she feared she might never ride again, and that thought was heartbreaking because riding is something she loves.  “I love the freedom of riding and doing something a little out of the ordinary. I’m 65 years old, and not many women in their 60s are riding. It gives me a bit of a buzz,” says Cheryl. Cheryl is incredibly thankful for the support she has received from both the Ulysses Club and her husband, Patrick, but she wants to emphasise that the ride is about much more than her personal journey.  “I’m happy to be the face of this, but it’s not about me. It’s about those suffering from RA and other autoimmune diseases that could benefit from this research and funding. That’s the message I want to get across,” she says.  Cheryl can be emailed directly if you wish to contact her regarding the ride at [email protected].  You can sponsor Cheryl by donating directly to the following account: Bank Account Name: UCARF BSB: 062 517 Account No: 1078 6075 Please Reference: Your Name/Business-Sponsoring Cheryl Mahedy 

A local brewery and artist have come together to create a unique collaboration that celebrates the beauty of Gerringong. Stoic Brewery, a family owned business, has partnered with renowned local artist Heather Philpott to produce a limited edition Pacific Golden Ale featuring Philpott's stunning artwork of Werri Beach.Sitting down with business owner Lisa Prosser, she admits her main role is looking after her six grandchildren (with another imminent), so that her family are free to task and run the establishment! Managed by son Andrew and aided by other family members, the Stoic Brewery has become firmly implanted in the Gerringong landscape with its ever evolving craft beer line in the past seven years.  The friendship between Lisa and Heather was brewed in the Anglican Church in Gerringong decades earlier and so the combination of their talents was inevitable.Lisa Prosser and Heather Philpott at Stoic BreweryHeather Philpott, who transitioned from teaching to become a full-time artist in 2018, is known for her captivating acrylic paintings that capture the essence of the ocean. Heather has a deep passion for capturing beautiful ocean moments in acrylic paintings. She loves to explore the wondrous, refreshing aquamarines of the ocean’s waters, greys of a stormy day, the secret gold and pinks of dawn, the soft hues of dusk and the incredible creatures of the underwater world.“In February 2018, surrounded by so much beautiful inspiration (in Gerringong) I finally found the courage to buy a handful of paint tubes and a few brushes and just have a go. I was overwhelmed by the encouragement and praise from my family, friends and local community and before I knew what was happening my art business was born. By June I was having my first exhibition. There began my wonderful adventure into the world of a professional artist. Sometimes dreams really do come true.” she said.The teamwork in this instance between the two businesses is the art of creation of both art and beer. “This is a celebration of Gerringong beer and it is a great collaboration between Heather Philpott Art and ourselves. Our aim is that this beer is distributed in Canberra and Sydney and all over the local area to celebrate Werri beach and all that our beautiful Gerringong has to offer. The beer is an easy drinking Pacific golden ale and the can art depicts North Werri Beach. In doing this project together we are building each other up and creating awareness of each other's businesses! It feels good to be proud of each other's local products.”This isn't the first time Stoic Brewery has embraced the local art scene. Last year, they collaborated with artist Holly Pinzone from Ellow Creative in Berry on a New Zealand Pilsner can, which has become a popular staple in their core range.Heather and Stoic launch their new beer at the brewery on Friday 24 January at 5 pm for those who are lucky enough to get a first taste.

Lochlainn’s story begins and stays close to home, reflecting his deep connection to the South Coast. Born and raised in Windang, he has dedicated his life to building a career in the kitchen, fuelled by a willingness to embrace challenges. Starting as a dishwasher at a local Mexican restaurant, Lochlainn climbed the ranks, eventually becoming a cook. “It wasn’t something I prepared for or planned,” he admits, recalling his days as a university student working in kitchens part time. It was the fast paced environment, the camaraderie, and the adrenaline rush of the kitchen that convinced him to take a break from university and pursue cooking full time.Lochlainn is currently completing his apprenticeship through TAFE and expects to graduate in June. His time as an apprentice has been transformative, exposing him to new culinary techniques and broadening his skills. Now working at Miss Arda in Kiama has also been a pivotal experience. “This restaurant is very different to anything I’ve done before, even in Sydney,” he says. “It’s share plates, time management, and a completely different mindset.”Recently, Lochlainn earned a place as a finalist in the Proud to Be a Chef competition, a prestigious developmental program designed for aspiring chefs. The competition will take him to Melbourne, where he will train with some of the best chefs in the world, participate in workshops, and showcase his skills in a final cooking challenge. “It’s more about growth than competing for me,” he explains. “I want to learn, network, and push myself out of my comfort zone.”For the competition, Lochlainn chose to create a dessert, an area he acknowledges isn’t his strongest but one he’s determined to master. “Desserts require precision and creativity, and I feel it’s beneficial to challenge myself in areas where I can fail and still learn.”Lochlainn’s time in the kitchen has also taught him the importance of teamwork. With a small crew of three, the relationships are close knit, and communication becomes second nature. “You build strong relationships, and we all understand our roles - it just works,” he says.Looking ahead, Lochlainn hopes to travel to Europe, particularly to immerse himself in specialist dessert courses and refine his craft. “That’s high on my list,” he shares. “I want to experience the culinary world and grow into a well-rounded chef.”While he spends most of his creative energy in the restaurant kitchen, Lochlainn also enjoys experimenting with seafood and desserts at home. “There’s something about the stainless steel in the workplace kitchen that switches my brain into creative mode,” he laughs.Lochlainn’s journey, from washing dishes to competing among Australia’s best young chefs, highlights his dedication to the craft and his unwavering passion for learning. As he continues to grow and refine his skills, the South Coast can be proud to have him among its culinary talents.

Michelle Brennan’s life has been a remarkable blend of diverse achievements and a passion for community. From riding at prestigious events like the Melbourne, Sydney, and Adelaide Royal Shows to winning a world championship in crosscut sawing in 1993. Now, as the volunteer coordinator for the Kiama Show, she plays a vital role in one of the region’s most cherished events.Growing up in Geelong, Michelle’s childhood revolved around horses and long trips to competitions. “My piggy bank was always for spending money at the Easter Show,” she fondly remembers.Michelle Brennan as a five year old in the Grand Parade at the Sydney Royal Easter Show Those long days on the road cemented her lifelong obsession with shows. In her early twenties, she shifted focus from horses to timber sports, excelling in crosscut sawing and axe throwing. This journey took her across Australia, Canada, and the United States, culminating in her 1993 world championship victory.In her early twenties, Michelle shifted focus from horses to timber sports, excelling in crosscut sawing and axe throwingToday, Michelle pours her boundless energy into the Kiama Show, orchestrating volunteers and juggling the many moving parts behind the scenes. Her knack for teamwork shines as she steers a committee spanning generations, from twenty-somethings to octogenarians. “It’s amazing how we all come together—it says so much about the spirit of the show,” she says with pride.But her passion doesn’t stop at Kiama. As a veteran horse steward at the Sydney Royal Easter Show, Michelle thrives on the sweat and camaraderie of agricultural events. “It’s gruelling, it’s exhausting, and I absolutely love it,” she says, laughing.When she’s not knee-deep in show preparations, Michelle wears many hats. She navigates the world of international compliance at Wollongong University by day and runs Stockyard Pearls, her pearl jewellery business, by night, a true reflection of her versatility.Even with such a packed schedule, Michelle’s heart is firmly with the show. “This isn’t just something I do; it’s who I am,” she says. “Bringing people together, watching it all come to life, it’s pure magic.”Visit the Kiama Show website here

Jamberoo’s Alan Swan never thought he’d be part of the gruelling George Bass Marathon, but the experience became a celebration of resilience, camaraderie, and shared effort, proving that teamwork truly makes the dream work.For Alan, the challenge wasn’t just physical, it was a test of mental grit. “I’m not exactly a sea creature,” he jokes. “I’m more comfortable on land. The deep-sea crew changeovers were especially daunting for me.”Yet, it was in those moments of discomfort that Alan discovered the power of his eight-member crew. “Rowing is all about working together,” he reflects. “It’s not about individual effort; it’s about rhythm, flow, and trusting your teammates.”Kiama Surf Life Saving Club George Bass Marathon Team proves teamwork makes the dream workThe George Bass Marathon is legendary for a reason. Over seven days, crews face relentless rotations, rowing in shifts that challenge their endurance and spirit. Long days mean swapping every 20 minutes, with equal rest, but shorter days are even more punishing, with six-person teams only getting 10 minute rest periods.“The short days were harder,” Alan says. “There’s barely any time to recover before you’re back in the boat.”Behind the scenes, the land support crews were equally critical. They moved boats, set up camp, and prepared meals, ensuring the rowers could focus on the water. “Our support team was incredible,” Alan says. “They took care of everything. It made all the difference.”The physical toll was immense, blistered hands, sore feet, blistered and bruised backsides from the unrelenting motion of the boat. But Alan’s good humour carried him through. “One guy told me to use a tub of Vaseline with a spatula,” he laughs. “That advice saved me!” Seven Days of Blood Sweat and Tears and BlistersAmidst the struggle, there were moments of magic. “One day, everything just clicked,” Alan recalls. “We found our rhythm, the boat was flying, and the coastline was stunning. I thought, how lucky am I to be part of this?”Support from sponsors like Ray White Real Estate, Kiama Lions Club, and Boab Marine was vital. “Boab Marine provided our support boat,” Alan shares, “and the funds helped us secure a new set of oars. For smaller clubs like Kiama, that’s huge.”The marathon’s 50th anniversary made the event even more special. “Rowers from the original race, now in their seventies, joined in,” Alan says. “Seeing them still out there was inspiring.”For Alan, the experience wasn’t just about personal achievement. “If one person wasn’t fully committed, it wouldn’t have worked,” he says. “It was all about everyone coming together.”The George Bass Marathon has left Alan with a new sense of confidence and possibility. “It’s the hardest thing I’ve done in a long time,” he says. “But it’s shown me that stepping out of your comfort zone is where you grow.”As he considers his next adventure, one thing is certain: Alan Swan is ready to keep testing his limits, proving that with teamwork and determination, anything is possible.

Meeting her for coffee at the Gerringong Co-op, where she runs operations, I expected a chat about the usual: roads, rates, and rubbish. Instead, Erica brought a quiet passion that made me sit up. This is a woman who has lived through loss and come out the other side with an unwavering determination to make Kiama better, not just for her, but for all of us.Erica’s story is rooted in Jamberoo, where her family ran local pubs and taught her the value of community. “Our hills, our villages, they’re not just beautiful; they’re part of who we are,” she says. But it was the passing of her husband, Chad, before the council election that forced Erica to pause and ask herself the tough questions. Could she take on the demands of council, her full-time job, and, most importantly, still be there for her teenage daughter Molly?She decided she could and should. For Erica, Kiama is worth fighting for. Preserving our green rolling hills is at the heart of her vision. “Those hills are why people come here,” she tells me. “They remind us what makes this place special.” But Erica isn’t stuck in a no-growth mindset. She gets that development is inevitable; she just wants it done in a way that respects what we love most about our region.She has big plans. Jerrara Dam, for instance. It’s personal for me. My grandfather’s dairy farm was resumed to build it. Erica shares my vision for transforming it into a wildlife sanctuary and educational hub. Her eyes light up as she talks about eco-tourism, birdwatchers, and students discovering the beauty of the area.Erica is also laser-focused on improving council culture. She doesn’t sugar-coat it: customer service needs to improve. “Council has to think like a business that serves its customers,” she says. And she’s not just talking. Her “Get it done” mantra drives her approach to solving long-standing issues, from fixing broken processes to making council-owned spaces, work for the community. And then there’s her big idea: a Winter Solstice Festival. Three months of music, arts, and events to inject life into the region during its quietest time. It’s ambitious, but Erica doesn’t seem fazed by that.Her leadership isn’t loud or flashy. It’s practical, thoughtful, and deeply connected to the community she serves. Erica Warren isn’t just a councillor. She’s one of us, working to make Kiama a place where we can all belong.

As part of The Bugle's support for the MV SIGNA making its way to Tasmania, we’re excited to bring you a weekly series of stories about the ship and its dedicated crew.You can pledge a donation to the Bugle through our phone number 0412415101 within our business hours which are 9am-5pm Monday to Friday. If no one is there to answer your call, leave a message and we will get back to you. The first series of stories will focus on the six crew members who are manning the ship as it embarks on a journey across the South Pacific Ocean and Tasman Sea to reach Tasmania for the International Timber Boat Festival.Rex Jones and John Hansen have worked together for 30 years, and after they retired they decided to restore an old boat - but surprisingly it wasn’t the SIGNA.“Way before the SIGNA, John moved down here and we were thinking about getting a boat and we also wanted a project. So we bought a boat called the Sarah Jane from Port Stephens and it was a wreck when we got it and it took us four years to do that,” says Rex.After spending some time on the water, fishing, Rex and John were ready for another challenge. And when the MV SIGNA became available, they couldn't resist.“The SIGNA became available and the motors were absolutely shot. And John said to me, We can get the motors reconditioned, and I replied, If we’re not putting new motors in it, I’m not in it. So he agreed to do that, we took the boat out of the water, and I’ve been involved with the painting and design right from the word go,” says Rex.After two years of hard work, the SIGNA was finally back in the water, and Rex says the feeling of seeing it restored was more than worth the effort.“We lifted it out and then put it back in. The two days, separated by so much hard work and love, felt incredible. When it went back in, looking like it does now, we couldn’t believe it. It was a project we thoroughly enjoyed doing. It kept us busy, and the camaraderie with the guys was fantastic,” says Rex.Now, the big question: would Rex take on a third project with John?“Most likely not,” says Rex with a laugh. “But John’s already looking for another project to tackle with me, and I’m praying it’s not another boat!”Rex and the MV SIGNA crew are still seeking fundraising support to help get their boat to Tasmania and they need the community’s help. If you’d like to pledge, call us on 0412415101 or email [email protected].

When Sue Cox’s husband Brian received the offer of a medical partnership in Kiama in 1980, they decided to trial it for six months. The idea was to test the waters and see if they liked the slower pace of coastal life. More than 40 years later, Sue has become an indispensable part of the Kiama Show, not just as the leader of its central Pavilion but as the heart of a tradition that keeps evolving with the community. “It’s not about me,” Sue insists. “It’s the team. Without them, none of this happens.” But even as she deflects attention, her energy and passion are evident. Sue has been a steward in the Pavilion since the 1980s and took over as Chief Pavilion steward during COVID-19, when many older stewards understandably stepped back. “I thought it was important to keep the show on the calendar. I think the show is a great event for our community, young and old,” Sue said. Sue’s own journey began with a knock on the door, metaphorically, anyway. A great networker recruited her, along with a group of friends, to become stewards at the Show. They were all young mothers, juggling the demands of toddlers and babies and they took turns minding each other’s children so they could volunteer. These young mums are now grandmothers (and still stewards!) and some have their daughters actively involved as stewards too. “Some families have been involved for seven generations - an amazing legacy. Looking to the future we are working to preserve that tradition, but we are very keen for newcomers and people in the community who may not have been involved before to come on board. We especially welcome younger people to become involved as it’s a great community event. The Pavilion is a star attraction at the Kiama Show, and with good reason. Compared to many regional shows, Kiama boasts a modern, air conditioned space where creativity and community come to life. But the Pavilion’s success is not just about its shiny exterior, it’s about how it adapts to the times.L to R Top Row James Carr, Therese Doran and Colleen Martin, Henry Bains and his prize winning Scarecrow. Bottom Row Jill Milburn and a very excited ( and adorable ) prize winner in the Kewpie Doll section  “We’re not afraid to try new things,” Sue says and we try to reflect the current interests in the community. We listen to feedback and have updated the Ceramic section, Art section and Pot plant sections The Pavilion’s new classes this year are a perfect example of how the Kiama Show Society embraces community interests. The junior section now provides scarecrow bases donated by the Men’s Shed for children from local schools to decorate as well as a lolly jewellery set category for under-fives. Junior ceramics have introduced a “wheel-thrown article” category, while the junior pot plant section features creative additions like “best-decorated grass head” and “tallest sunflower.” In Adult photography there is now a drone class and an Under 10 section for the very junior photographers Other highlights include the expanded honey section, which now boasts eight classes, reflecting the community’s growing interest in apiculture. The crochet section has introduced a granny square blanket category and several rug categories, baby, bed, and knee or travel rug, to acknowledge the contributions of Bonnie Maywald and her “Wrap with Love” . In crafts, new categories include macramé, diamond dots, and leatherwork, while the painting section now features modern abstract and fluid art.  One of the most exciting additions is the innovative Kia-Bald Prize, Kiama’s take on the iconic Archibald Prize. Open to artists 16 and over, this portrait competition invites entries featuring notable identities from the Kiama locality, from community leaders to sports stars.  “Personally, I’m really looking forward to the entries in this competition,” Sue says. “Seeing what the judge says and the announcement of the People’s Choice winner is going to be a highlight.” Walking through the Pavilion, you see more than exhibits. You see stories. There’s the elderly woman who spent hours admiring every display, quietly marvelling at the work of her community. There’s the boy who enters the scarecrow competition every year, with his grandfather’s expert help. “Not everyone has a grandfather who can build a scarecrow,” Sue laughs, “but he’d love some competition!” And then there are the moments that surprise even seasoned stewards. Some years, the youth entries in baking or crafts are so good, they outshine the adults. “We had to create a special certificate for one young baker because their sponge cake was better than anything the adults had submitted,” Sue recalls with a smile. Running the Pavilion is no small task. Sue and her team of more than 50 stewards and 30 judges start preparing weeks in advance, ensuring everything’s ready for the big day.  Technology has become a key part of the process, streamlining entries and judging. “It’s a reflection of the leadership committee, our president, secretary, and especially our junior vice president, who are always looking for ways to keep things running smoothly,” Sue says. But for all the logistics, it’s the people who matter most. Sue’s hope for the future is simple: to keep the Pavilion growing, to welcome even more participants, and to make sure every generation finds a place in its walls. “The Pavilion is for everyone,” she says. “Whether you’re entering roses, quilts, cakes, art or produce - there’s a space for you here.” As the Kiama Show approaches, Sue is ready for another year of chaos, creativity, and community. And for all her modesty, there’s no doubt the Pavilion will continue to flourish under her watchful eye. “At the end of the day, it’s about bringing people together,” she says. “That’s what makes it all worthwhile.”Visit the website to find out how to submit your entries for the Kiama Show Friday on 24th & Saturday 25th January 2025 

Wait one more minute, take one more step. This is the message Kiama’s Alex Glover is spruiking as he walks across Australia to raise awareness for men’s mental health and suicide prevention. Alex began his epic journey in January last year, setting off solo with just a tent and air mattress (he’s now onto number six). A year into his walk he has covered almost 15,000km - walking an average of 14 hours a day - eaten more than a thousand bananas and worn through seven pairs of sneakers.Alex Glover arrived in South Australia in early December“The scorching weather in the Top End and across the tip of Western Australia made the bitumen so hot it melted the soles of three pairs of shoes,” says Alex’s partner Sally who has joined him on various legs of his journey.Along with searing heat, Alex has faced rat plagues, relentless rain and uncertainty around his next meal and water source, all while maintaining an incredible daily pace of 50km on average. Alex is not only battling the physical impact of traversing a harsh and unforgiving landscape, he also faces the daily struggle within his own mind, and has had to dig deep to find the resilience and strength needed to keep putting one foot in front of the other.Alex walks into Western AustraliaIt’s the people he meets along the way and the lives he’s touched that keep him going. Alex’s mantra ‘wait one more minute, take one more step’ resonates deeply, reminding people that persistence can lead to unexpected possibilities.“Roadside conversations have become powerful moments,” Alex explains. “It’s often easier for people to open up to a stranger because they can share without the fear of judgment. My journey isn’t just about covering physical kilometres, it’s about creating connections and showing that even in difficult times you can achieve incredible things.” Some stretches have taken him through vast, remote landscapes where it was up to 20 days between towns. Each day he must find food, water and adequate shelter. To avoid the blistering daytime heat Alex walks when the sun goes down, but darkness brings other hazards; snakes, dingoes and bitterly cold desert nights.“Alex has to stay vigilant with every step at night,” says Sally. “During one particularly desperate moment he had to urinate on his feet to warm them up.” Alex & CAtherine at the WA border.It’s a stark reminder of life on the road. Basic comforts, like a shower, became a luxury.Alex expects to clock up close to 17,000km once he returns to Kiama in April.His aim is to encourage those at their lowest point to hold on and seek help, as well as sparking a national conversation about men’s mental health and suicide prevention. “Alex’s journey is a powerful reminder of the strength and resilience needed to face mental health challenges,” says his proud mum Catherine, who has joined him in South Australia. “I am amazed by his determination, his resilience, his problem-solving and how he can just keep going day in and day out.“I’m actually in awe of him, to see how much he’s grown on this journey, the wisdom he’s gained. When he started I don't think I gave him enough credit. I thought he would maybe do the East Coast but that determination is so strong. Sometimes when I'm having a bad day I think of what he must be going through. It makes me realise my problems pale into insignificance.”Alex has not only learned self reliance, but the power of being present. He says the key to rising to the many challenges he has faced is setting himself small daily goals to achieve. “You can only face the hurdles in front of you right now,” says Alex. “One foot in front of the other, making grassroots connections to people from all walks of life.“I’ve been overwhelmed with the kindness that people have showed me along the way. Complete strangers just willing to open their homes for a night, or buy me something to eat, give me water.“That human connection and compassion is what has kept me going.”Alex’s epic journey is a powerful reminder of the importance of supporting one another and the resilience of the human spirit. “Even in our darkest moments there is hope,” says Alex. “Sometimes all it takes is one more step.”You can follow Alex on Facebook: @stridesagainstsuicide and Instagram: @Alex__glover. Alex continues to raise money for suicide prevention through his GoFundMe page which has raised nearly $12,000 to date. You can sponsor him here: https://www.gofundme.com/f/strides-against-suicide

When I was in primary school, I auditioned for the school choir every single year. For five long years, I stood in front of Mr Russell, the choir teacher, nervously giving him my best version of whatever song he asked for. Each year, I was passed over. It took me those five years to realise Mr Russell was never going to select me, no matter how hard I tried.That’s why it was such a delight to sit down for tea with Antoinette Raynal, a legend in our community and someone who passionately believes that everyone can sing. Antoinette’s philosophy flies in the face of the choir rejections I grew up with. In her world, voices are not just accepted but nurtured and celebrated, given the chance to grow and belong.Antoinette greeted me warmly, her cup of tea in hand, and from the moment she began to speak, it was clear that music was more than a career or a hobby for her. It’s her essence. Our conversation unfolded like a melody, and every so often, she would illustrate her thoughts by breaking into song, her voice a mix of joy, warmth, and passion. It was impossible not to smile.Antoinette’s story is extraordinary. After moving to the South Coast without knowing many people, she decided to hold a vocal workshop. That single event blossomed into the Katandra Women’s A Cappella Choir. The name “Katandra” itself is deeply meaningful, originating from a Gurangai word meaning song of the birds. It reflects the harmony and connection that music brings, something Antoinette has infused into every aspect of her choir."Everyone can sing," she told me, her conviction unwavering. "Singing is a skill, not a secret. Once people understand how their voice works, they can take charge of their improvement and confidence builds naturally."Katandra have initiated many major musical community events - The Big Swing, a dance and song evening, South Coast Sings a collaborative choir performance and workshop experience, Songs of Joy, carols events. All proceeds from each Katandra event are donated to local charities. “It’s our way of supporting and appreciating the community we live in.” she says.Over tea, Antoinette shared anecdotes of flash mob performances in museums and restaurants, where her choir spontaneously broke into song. "We’ve sung to waiters at restaurants, in galleries, and even in places like the Australian Art Gallery’s Sky Dome . It’s about bringing joy into unexpected spaces," she said with a twinkle in her eye.But the Katandra choir is about so much more than music. Under Antoinette’s guidance, it has become a thriving community. Members have formed sub-groups like book clubs, walking collectives, and veggie gardening teams. "The choir is a springboard for connection. It’s so rewarding to see friendships blossom and people find their place."She spoke about Kalia, a young woman who joined under the free student sponsorship programme at just 16. Musically inexperienced and unsure of herself, Kalia blossomed under Antoinette’s mentorship and the choir’s encouragement, eventually leading the junior choirs at her own school and gaining early entry into university to study music education. "Seeing her grow into her own voice—it’s so satisfying, her achievement reminds me of the richness music gives to a person on so many levels!” Antoinette said.At one point, I asked her what makes the choir work? She paused thoughtfully before replying, "The music is there, but what makes it work is the sum of us. It’s the trust, the camaraderie, and the generosity we bring to each other. I always remind the choir: I’d be lonely standing up here by myself. This is the power of collaboration."As the interview wrapped up, I reflected on the stark contrast between Antoinette and Mr Russell. Where he dismissed and discouraged, Antoinette inspires and uplifts. She gives everyone who crosses her path hope that their voice matters, that they belong, and that they are capable of more than they ever believed.I may never fully get over Mr Russell and his insistence that I couldn’t sing. That little girl’s hurt will always linger. But spending time with Antoinette gave me something else, a glimpse of what the world could look like if we all had someone like her in our corner. A world where kindness and belief could lift even the most timid of voices. A world where everyone, whether they can sing or not, feels like they belong.

They say you should never go into business with family, but Peter Brown has spent a lifetime proving otherwise. Graduating from Sydney University in the 1960s, with a degree in agricultural science, Peter became a farm management consultant, quickly discovering that before solving on-farm issues, you needed to address family dynamics. “Farming isn’t just about soil and livestock,” Peter explains. “It’s about relationships. If the family isn’t working together, the farm won’t either.”Peter’s cleverest tool was the aerial farm map – a game-changer that got families talking. “When you’ve got a map on the table, you’re not just discussing paddocks, you’re planning your future,” he says. The maps became a way to unite farming families, opening up vital conversations about water, soil, and succession planning in a non-threatening way.Peter’s career soared globally when he joined Hassall and Associates in 1970, managing $80 million projects across Southeast Asia while training local advisors. Yet, his heart has always been with the farming communities of Australia.Peter’s work extended to major projects like the Murray-Darling Basin. Over a decade, he supported sustainable water management and helped balance the needs of farmers, the environment, and policymakers. His approach - listening first, listening second and listening until pragmatism prevails and then acting - earned him the trust of communities navigating complex challenges.In semi-retirement, Peter turned his attention to helping farmers negotiate fair compensation when their land was resumed for infrastructure projects. “I’ve seen too many farmers have their properties undervalued because they relied on hearsay from the pub rather than seek reliable information,” he says. His work ensured families got a fair deal in the face of rapid change.Now retired in Jamberoo, Peter is a well known local figure. Whether sharing wisdom about the Murray-Darling Basin, family relationships or the value of a good map, his advice remains timeless.  “Retirement is just another chapter. I’m still learning, just at a slower pace,” he grins. 

Tucked away in the heart of Minnamurra is a creative walk that invites visitors to switch off and discover hidden treasures. The ‘discovery trail’ as it has been coined, is a labour of love created by local resident Bob Sinclair, and offers a fresh perspective on a familiar Minnamurra street through Bob’s exceptional creativity and ambition. Frank the EmuThe short walk can be found on the northern end of Railway Avenue, where a stretch of land has been transformed into the lively garden trail, full of charm, humour, and native greenery. “It’s not like it’s a long walk, but there’s a lot of enjoyment that you can get out of there when you look into the garden,” says Bob. The discovery trail has not been an overnight creation, Bob originally started it about 40 years ago when the trees were cleared and the land became scrappy with vegetation. The Council cleared the land and from then on Bob has “slowly been building gardens”, with neighbours joining in over time, creating a community driven display. Rust in piece“With time, I've just developed the garden, and the beauty of it is that the neighbours around me have decided to do up their little area as well,” says Bob.Bob’s section of the trail is anything but ordinary, it’s full of quirks, like Frank, the emu sculpture made from trampoline legs, a baby bath, and palm tree leaves. Or the section with several old surfboards which Bob cheekily calls “the board room”. “I enjoy doing it but it gives a lot of enjoyment to other people as well, that’s the best part,” Bob says.“It’s got to the stage now that people actually drive here, walk through the gardens and they get in their car and drive away.” Thong tree Even fallen trees get a second life here, Bob mentions his ‘one shoe tree’ adorned with a single horse shoe, which fell over and now lies as if it was perfectly placed.“If you tried to cut it down or push it down, you could not land it as well as it did,” says Bob. The trail's charm isn’t just in the gardens but in Bob who created it, the people who have contributed, the community surrounding it, and the visitors who keep the joy alive. Bob credits his neighbours and Kiama Council for their support in keeping the gardens going. The council supplies mulch, which Bob uses to keep the garden tidy, he explains it’s a 'two-way street.'”Thanks to Bob’s dedication, the trail has become a vibrant outdoor walk, with thriving plants like fragrant rock orchids and hidden avocado and mulberry trees. The Minnamurra discovery trail is more than just a garden walk, it’s an invitation to reconnect with community and nature. Bob’s playful take on life shines through with every quirky detail, making the trail an explorative experience for all who wander through it.Next time you’re in Minnamurra, take a detour down Railway Avenue, and enjoy the beauty, heart, and humour of Bob Sinclair’s backyard masterpiece. 

As we gear up for the 177th Kiama Show on 24th and 25th January, The Bugle is bringing you the stories of the people behind the scenes who make it all happen, and why the Show means so much to them.But today, I’m taking a detour into something that’s always fascinated me: show jumping. It’s a part of the Kiama Show’s history that I’ve had a personal connection to. My own family, including the legendary “Sonny” and Bob Chittick, was part of this world, and as someone who rode the horse show circuit in the 60s and 70s, I had the chance to meet some of the legends you’ll read about here.Women jumping side-saddle, men riding bareback and vaulting on and off their horses between jumps, it was thrilling, dangerous, and awe-inspiring. This isn’t just about nostalgia; it’s about a time when show jumping was a spectacle that left crowds holding their breath.I hope you enjoy this glimpse into a piece of Kiama’s rich equestrian history.The calibre of show jumping at the Kiama Show has long set it apart, drawing competitors of the highest order, including Olympians. In 1970, Kevin Bacon, one of Australia’s finest showjumpers, competed at the Show in an attempt to break the Kiama Show high-jump record of 2.19 metres (7 feet 2 inches). The crowd roared as Bacon and his trusted horse, Chichester, soared to 2.13 metres (7 feet), delivering an unforgettable moment of drama and skill.Kevin Bacon and Chichester at the 1976 Montreal Olympics. Photo Credit: Hugo Czerny.Bacon, a three-time Olympian from 1964 to 1976, competed with Chichester at two of those Games, forging a partnership that would become legendary in equestrian history. The bond between rider and horse went beyond competition.After victories, Bacon often delighted spectators with a display of Chichester’s intelligence and loyalty. Bacon would leave Chichester outside the ring, hide behind an obstacle, and whistle. Without hesitation, Chichester would trot into the ring, searching for his rider to the delight of onlookers.This extraordinary history is part of a rich equestrian tradition captured in Kiama on Show by Karen Beasley, a vital resource for understanding the Show’s heritage.Kiama’s show jumping owes much to the traditions of England’s hunter trials. Riders faced fences of 1.2 to 1.37 metres (4 to 4.5 feet), often packed with brush, with the Australian addition of V-log jumps adding local ingenuity. Early competitions demanded hunting or steeplechase attire, with silk colours becoming a signature feature. Riders became recognised as much for their outfits as for their horses’ performances.The Kiama Showground hosted its contests in a 440-yard (402-metre) arena with six 1.2-metre (4-foot) high jumps. Points were awarded based on pace, jumping ability, and breeding conformation, though the subjective nature of judging often led to spirited disputes that kept local audiences talking for weeks.One of the most popular events was the "pairs of hunters" competition, which featured synchronised jumps by matched horses and riders.The Charlie McGlinchey Memorial Grand Prix will be held on 25 January 2025 starting at 9 am Equally demanding was tandem jumping, where riders guided one horse over jumps using long reins while riding another. Nelson "Sonny" Chittick became synonymous with this challenging event, a testament to his skill and his horses’ cooperation.Other crowd favourites included the bareback hunt, where riders vaulted back onto their horses between jumps, and the sectional fours, where teams of four horses matched in colour cleared 1.07-metre (3-foot-6) jumps. Tragedy struck the sectional fours in 1959 when Bill Robertson, a member of the iconic Robertson Brothers of Wollongong, was killed during training.The evolution of women’s participation was marked by significant change. Before 1910, women rode side-saddle, but as more began riding astride, they adopted divided skirts, marking a shift from tradition to practicality and reflecting broader societal changes in women’s roles.The high jump became the centrepiece of Kiama’s equestrian events in the 1920s and 1930s. Starting at 1.68 metres (5 feet 6 inches), it often reached 2.13 metres (7 feet). In 1963, Johnson and Son's Puissance set a record of 2.27 metres (7 feet 5 inches), a feat that remains part of local lore.By the 1960s, six-bar jumping added a new layer of excitement, with six progressive obstacles testing both horse and rider. Bacon’s 1970 attempt to surpass Eric Musgrove’s 2.19-metre (7-foot-2) record ended dramatically when both rider and horse fell, with Bacon sustaining a broken rib.Example of a Six Bar Show Jumping Course Source From daring bareback hunts to thrilling high jumps, the Kiama Show has built a legacy of equestrian excellence. While some traditions have faded, the Show endures as a celebration of skill, courage, and the enduring connection between horse and rider.Credit: Information and photos sourced from Kiama on Show by Karen Beasley.

This series aims to document the memories of Kevin Richardson, a man whose life is intertwined with the history of Jamberoo. Kevin's recollections not only preserve the vibrant character of the Jamberoo Dairy Factory and its people but also offer a glimpse into a time when community spirit and innovation shaped the town’s identity.These narratives build upon the earlier story published in The Bugle titled Kevin Richardson and Geoff Boxsell changed the way we spread. Kevin Richardson began his journey at the Jamberoo Dairy Factory as a 15-year-old and quickly rose to manage the laboratory. Now, in his eighties, he reflects on a career steeped in innovation, community, and determination. From helping the factory win accolades for the best dairy product in Australia, to co-inventing spreadable butter in the 1970s, Kevin’s stories are woven with the fabric of a once-thriving dairy industry and its unique characters."Looking back now, it was a different world," Kevin reminisces, gazing across the swamp where abandoned dairies tell stories of a bygone era. “Regulations and modern expectations would never allow some of what we did, like kids joining the milk tanker drivers on their milk collection runs.The dairies on the Terragong Swamp have long been abandoned. Photographer Linda FaiersBack then navigating the floods on the swamp to pick up the milk took a lot of local knowledge and community. Local knowledge included being aware that if you couldn’t see the white guide posts on the side of the road, then it was time to turn back,” he laughs.The factory wasn’t just a workplace but a hub of activity for families. During school holidays, children would tag along with their parents, learning firsthand about the workplace that sustained their community. Kevin’s pride in those days is palpable, especially when recounting how the factory was the heart of Jamberoo life.Although the number of dairies in the region has declined from 96 to 21, Kevin emphasises that the industry is still thriving. He acknowledges the challenges posed by urbanisation and notes that much of the land used by dairy farmers is owned by land bankers. Despite these pressures, the determination of local farmers ensures that milk production remains a vital part of Jamberoo’s identity.Among the tales of camaraderie Kevin shares anecdotes of the colourful personalities who brought the town to life.One such character was Reggie “Wildcat” Jones with a penchant for mischief. Known for bringing his bull to the pub and mowing lawns in unconventional ways, Wildcat’s antics are legendary. Kevin recalls, “He once started a mower and stormed through the Jamberoo Pub bar, scattering patrons onto the counters. He then just turned it off and walked away like nothing happened.”Ellis Cady and Reg (Wildcat) Jones with Reg's Prize Bull who often graced the bar at the Jamberoo Hotel Then there was “Doc” Tate, a towering figure with a knack of keeping the schoolchildren on their toes as he rode his tiny piebald pony up Churchill Street past the school, cracking his whip. Though his real name remains a mystery, Kevin speculates, “He might’ve been called ‘Doc’ because of his skill with horses. He commanded so much respect, or maybe fear, that no one dared question him.” Doc’s whip and imposing presence ensured he left a lasting impression on everyone in the valley.In the words of local historian Clive Emery “Doc was a man as long as an oak tree, whose feet were inches from the ground when mounted on his taffy pony. His whip was carried over his right shoulder at all times, and he wore a large, wide-brimmed hat. It is said these were the first things he put on each morning and the last things removed before bed! “      Gypsy Jack was another notable character. He lived in a small shack behind Mrs. Jones’s house and worked as the local gravedigger. Reg Jones, (“Wildcat”), also lived with Lily Jones, making her home a gathering place for Jamberoo’s most colourful personalities. Patrons at the pub could look out the window and watch Mrs. Jones helping Gypsy remove his Wellington boots. Kevin vividly remembers, "She’d tug on the boots, tumble backward, and get right back up to try again. It was hilarious to watch."Kevin has many more great stories to tell, each one a vivid window into Jamberoo's rich history.Lily Jones house of colourful characters adjoined Jamberoo Hotel Watch this space for more of Kevin’s incredible memories and anecdotes.