I’ve always been a rugby league player. I loved the game from a young age and became obsessed with every part of it - whether it was playing, supporting, or any other way I could engage. But I’ve never felt like I truly fit in with the culture that surrounds it.When you think of a rugby league player, a very specific image comes to mind - and no matter how much I’ve tried, I’ve never quite matched that.In Head South, the new film from New Zealand director Jonathan Ogilvie - based on his own life - we follow Angus (Ed Oxenbould), a teenager in 1979 Christchurch, who also hasn’t found his people yet.The film opens in a small, boxy 4:3 aspect ratio (think old TVs), but as soon as Angus listens to his first post-punk record, the film visually and sonically transforms.“The screen becomes wider, the sound expands - it goes into surround sound - and the colour grade is slightly different. The world becomes more colourful from that point. It's a much greyer, greener tone before, and when it opens up it introduces more oranges and reds - it’s a brighter world,” Ogilvie said.Angus with his Dad, played by Márton Csókás. Photo: Dougal Holmes“Suddenly you discover this possibility of music, which I dare say is like a gateway drug to the world of ideas. Music can be so immediate, but it also leads you to investigate literature and art and the whole world of ideas.”From that moment, Angus becomes obsessed with post-punk - changing his clothes, haircut, even his attitude, and trying to embed himself in this new scene. But it’s clearly a mask. His real self keeps peeking through.He claps after a song at a gig. He doesn’t know the names of bands he’s “supposed” to. And most telling is his big, goofy smile - breaking through the emotionless post-punk front he tries to wear.There’s a quote early in the film that sums up the heart of his struggle. Angus’ dad tells him: “A pilot lost his bearings - he confused true south with magnetic south. "You’d be surprised how much that happens: confusing the magnetic with the true - getting lost.”Ogilvie adds: “The theme for Angus is the difference between the magnetic and the true. He's attracted to Holly - an incredibly glamorous young girl with a Cockney accent who fits perfectly into that world.Angus with Holly, played by Roxie Mohebbi. Photo: Dougal Holmes“And the antagonist, Malcolm, is the most extremely magnetic - to the point of being nasty and horrible to people - because in his mind, that’s what punk rock is. "So there’s that journey of trying to fit in, while also figuring out who is magnetic and who is true.”This all builds to the main tension: Angus has made up a band and is now pressured into performing with them - despite not having anything ready. With just a week to pull something together, he’s scrambling to avoid completely embarrassing himself.And when his band finally performs, it’s a standout scene. The walls around the punk scene - the egos, the coolness, the posing - are all broken down. For one beautiful moment, the music is just ... fun. Shared joy. What it should be.Ogilvie says there was pressure to end the film there - but doing so wouldn’t have been honest to his story.“If it was a Disney film, that’s where you’d end it. But it’s a coming-of-age, and those stories are about learning. And this is a hard lesson.“Because it’s based on true events, I was never going to let go of that fourth act. We needed it. I think it comes like a punch in the stomach - but in a good way.”Head South is a relatable, energetic, and entertaining coming-of-age film that takes you back to the time when your passions were everything - when music, or sport, or whatever it was, felt like your whole world.And while the whole cast is strong (Márton Csókás, Stella Bennett, Roxie Mohebbi), it’s Ed Oxenbould who shines. He’s in nearly every frame, and his childlike sincerity - the way his real self shines through the punk façade - makes him impossible not to root for.Head South is playing exclusively at Dendy Cinemas in Newtown. It’s well worth the trip.