Darren Parlett is no stranger to the Kiama arts scene. Known for his evocative photography, he has a knack for freezing fleeting moments - whether it’s the golden hues of a sunrise over the Blowhole, the intricate textures of coastal rock formations, or the candid vibrancy of local life. His work transcends mere documentation, weaving narratives that resonate with the local scene. Parlett’s deep connection to Kiama shines through in every frame depicting a lens on Kiama’s soul. “I’ve always been drawn to the raw beauty of this place,” Parlett says. “Kiama has a way of speaking to you through its landscapes and its people. My goal is to share that conversation through my photography.”Cin Cin Wine Bar, nestled on Tingira Crescent, has quickly become a fixture in Kiama since its opening. More than just a spot for fine wines and intimate gatherings, Cin Cin has embraced its role as a supporter of local arts. Owners Michael and Melanie have made it a priority to transform their venue into a dynamic space where creativity thrives. From hosting live music to showcasing visual art, the wine bar has established itself as a cultural hub.The decision to feature Darren Parlett’s photography in a new display aligns perfectly with Cin Cin’s ethos. “We believe wine and art go hand in hand,” Michael explains. “Darren’s work captures the soul of Kiama in a way that complements the experience we want to offer our guests - a chance to slow down, savour the moment, and connect with something meaningful.”Incandescent Rock Pool - an example of one of the artworks on displayThe collaboration with the Expressive Art Trail elevates this project to new heights. The Expressive Art Trail, an initiative under the broader Expressive Art Experience, is dedicated to showcasing local talent across Kiama and the Illawarra region. By linking artists with venues like Cin Cin, the trail creates a network of accessible art experiences that invite the public to engage with creativity in everyday settings.Michelle Springett, the driving force behind Expressive Art Experience, describes the partnership as a natural evolution of their mission. “Darren’s photography brings a fresh perspective to the trail,” she says. “Pairing his work with Cin Cin’s ambiance allows us to reach people who might not typically visit a gallery. It’s about making art a part of life.”The trail has previously collaborated with Cin Cin for events like the “Corks & Canvases” series and exhibitions featuring artists such as Kathy Karas and Jennifer Porter. Parlett’s display continues this tradition, offering a visual journey that complements the venue’s intimate, welcoming vibe.Launched in March 2025, Darren Parlett’s new art display at Cin Cin Wine Bar features a curated selection of his photographs. The display focuses on Kiama’s coastal landscapes and subtle nods to its community spirit. Expect to see Parlett’s signature style - bold compositions, rich contrasts, and an almost painterly attention to light and shadow.To celebrate the launch, Cin Cin hosted an opening event on March 8, 2025. With a bubbles in hand and an opportunity to meet Parlett himself it was an occasion not to be missed. The event underscored the collaborative spirit of the project, bringing together art lovers, food and wine enthusiasts, and supporters of Kiama’s creative community.This collaboration between Darren Parlett, Cin Cin Wine Bar, and the Expressive Art Trail is more than just an art display - it’s a testament to the power of local synergy. In a world where digital screens often dominate, Parlett’s photography invites viewers to pause and reconnect with the tangible beauty of their surroundings. Cin Cin provides the perfect backdrop, blending sophistication with a down-to-earth charm, while the Expressive Art Trail ensures that this creativity reaches a wider audience.Sally Bursell - Destination Kiama- with photographer Darren Parlett at his exhibition at Cin Cin opening with Expressive Art Trail For Kiama, a town that thrives on its artistic heritage, this project reinforces its reputation as a destination where culture and community intertwine. Whether you’re a local sipping a glass of red or a visitor exploring Tingira Crescent, Parlett’s work offers a window into the heart of the region.The display is open to the public during Cin Cin Wine Bar’s regular hours, with no entry fee required. Located at 6/4 Tingira Crescent, Kiama, the venue is easily accessible and promises a warm welcome. For those interested in exploring more of the Expressive Art Trail, additional events and exhibitions are listed on their website, expressiveartexperience.com.Darren Parlett’s new art display is a must-see for anyone who cherishes the intersection of art, place, and community. As the sun sets over Kiama’s shores, his photographs at Cin Cin remind us that beauty is all around - if we only take the time to look.

Kiama photographer Linda Fury has achieved significant success with her photos of Bombo Quarry, earning a top 10 entry in Australian Photography Magazine’s Best Landscape 2024 competition.Linda’s striking photos of Bombo Quarry, edited in monochromatic black and white, make the familiar Kiama landmark appear otherworldly. She believes it’s the power of the landmark itself that made the photos so successful.“They were just so raw, and that, combined with the power of the sea, really pushed them across the line, I think. There’s a certain force in those photos. They're all black-and-white, all monochrome, and they’ve got that moody look,” says Linda.Linda entered several photos taken at the same landmark into the competition. While they were all shot at the same place, each one conveys something unique - a dynamic she particularly enjoys about landscape photography.“I do all sorts of photography, but landscape is my passion,” Linda says. “Every day is different. We can go to the same location day in and day out, and you’ll always get a different photo.”One of Linda's photos of Bombo Quarry entered into the competition. Photos supplied.One of Linda’s photos, titled Full Surge, won first place and a perfect score in the Landscape/Seascape category at the 20th Pakenham National Photographic Exhibition 2024. It also earned a Top 5 Placement at the Mosman Photography Awards and was awarded Best Monochrome Image of the Year at the Kiama-Shellharbour Camera Club’s end-of-year awards.“Every now and then, you fluke a really good photo, and it does really well no matter what competition you put it in. But other times, you think you’ve got a great shot, and it doesn’t perform as well as you thought. This one has been really amazing,” says Linda.Linda has been passionate about photography for as long as she can remember. Beyond capturing images, she also enjoys the journeys she takes to get the perfect shot.“I’ve been fortunate enough to travel around the world on photography trips. It gets you out there, seeing different parts of the world - places you probably would never have visited otherwise. You can discover these places and end up with some really amazing images that people haven’t seen before. I try to go off the beaten path to find something unique,” she says.For Linda, being recognised in a nationally read magazine was a true honour. “It is so nice to open up a magazine and see your work printed in a nationwide publication. It’s something a lot of photographers dream of, and I’m so happy it has happened,” says Linda.Another one of Linda's photos of Bombo Quarry entered into the competition. Photos supplied.Linda is also the president of the Kiama/Shellharbour Camera Club and encourages anyone interested in photography who wants to improve their skills to join.“It’s a great community because you meet like-minded people. A lot of them are on the older side of retirement, but we still get out and have a great time,” says Linda. “It’s also really helpful. I know it’s helped my own photography journey - meeting like-minded people who mentor you and help you with your photography.”“It puts you in a good position. They give you tips and tricks, and I’m always open to any of our members reaching out to me for feedback on their photos or asking how they can improve. It’s a great way to enhance your photography skills if you’re interested.”If you are interested in joining the Kiama/Shellharbour Camera Club, visit their website and get in touch with Linda.

Kiama Council is injecting over $55,000 into the local community through Round 2 of its Destination Event Funding Program, supporting a vibrant lineup of events set to enhance the region’s cultural, social, and economic landscape. The initiative, which allocates $130,000 annually across two rounds, underscores the council’s commitment to fostering tourism and enriching the visitor economy.The latest recipients, announced this week, showcase a diverse mix of activities spanning sports, arts, music, and multicultural celebrations. From beachside competitions to immersive exhibitions, these events promise to draw crowds and spotlight Kiama’s unique charm.Among the funded events are:Kiama Beach Tag at Kendalls Beach on Saturday, 1 March, receiving $8,000 to bring high-energy coastal fun.THAT. SKATE PARK, a DJ-led event at Kiama Skate Park in October, awarded $5,000 to amplify youth culture.Kiama Triathlon in Minnamurra on 10 May, bolstered by $10,000 for its athletic showcase.Distilled at The Coop Gerringong from 8 to 9 June, granted $5,220 for a spirited community gathering.The Orry Kelly Gala: Dressing Hollywood, spanning various Kiama locations from 25 to 27 July, with $6,000 to celebrate cinematic history.Going to the Southeast Saltwater exhibition at Seven Marks Gallery, running 6 September to 11 October, supported by $4,220 for its artistic exploration.Folk by the Sea 2025 at The Pavilion, Kiama, from 12 to 14 September, receiving $6,000 for its musical tradition.Spanish & Latin American Outdoor Fiesta at Hindmarsh Park on 11 October, backed by $10,000 to ignite cultural festivities.These events are expected to attract visitors from near and far, boosting local businesses and reinforcing Kiama’s reputation as a dynamic destination. The funding program aims to strike a balance between economic growth and community enrichment, offering residents and tourists alike a calendar brimming with memorable experiences.For more details on the Destination Event Funding Program and its recipients, visit [www.kiama.nsw.gov.au/Services/People-and-community/Grants/Destination-Event-Funding-Program](www.kiama.nsw.gov.au).As the countdown begins for these exciting events, Kiama is gearing up to welcome all who come to enjoy the bubbles of creativity, competition, and celebration blowing through town.

Australian director Charles Williams, who won the Short Film Palme d'Or in 2018 for his film All These Creatures at the Cannes Film Festival, returns with Inside, a new prison drama starring Guy Pearce.All These Creatures tells the story of a young boy watching his father’s mental health unravel. A central theme of the short film is the notion that the father has no control over his condition - he has no free will. Born with a mental illness, he is trapped in his suffering and inevitably makes others suffer as well.Nearly seven years later, Williams’ Inside expands on many of these themes, delving into the question: If someone is born with a mental illness or grows up in a traumatic environment and commits a crime, how should they be held accountable?“Should people be punished for what they’ve done wrong? Can we really hold someone accountable when, in some sense, they may have been unlucky to be born the way they are? For example, a psychopath doesn’t choose to be born that way, but if a psychopath causes severe harm, you don’t want to be around them,” says Williams.“But do we really need to punish them? Will it help them? Will it help anyone? These are complex questions, and I’m not advocating for any particular answer. I just think they’re worth wrestling with.”Inside stars Vincent Miller as Mel Blight, a young man recently transferred from juvenile to adult prison; Guy Pearce as Warren Murfett, an older man who has spent years behind bars and has become estranged from his son; and Cosmo Jarvis as Mark Shepherd, a notorious criminal who, incarcerated since his youth, has turned to Christianity to atone for his sins.Guy Pearce and Charles Williams on the set of Inside. Source: Bonsai Films.Each of these characters have committed terrible acts and are struggling to live with their past. In one early scene, Mel attends a parole meeting, but in a moment of frustration, he picks up a chair and throws it at the window repeatedly.At first, it’s unclear why he does this, but as the film unfolds, we realise that Mel is more terrified of being released than staying locked up. He doesn’t believe he deserves parole or that he has been punished enough. But what, then, constitutes just punishment?The film explores these questions as each character grapples with their past and their future. Williams highlights the moral complexity of the dilemma: “At what age do you hold someone accountable? If a five-year-old shoots a gun, do they understand the consequences? What about a 15-year-old with the mental capacity of a five-year-old due to severe abuse or fetal alcohol syndrome?”“There’s a complicated scale here, and all of these factors feed into the characters. Each character tries to change in their own way,” Williams explains. “Guy’s character, Warren, is pragmatic and existential. He wants to repair his relationship with his son and takes self-help courses. Meanwhile, Cosmo’s character, Mark, seeks redemption through spirituality, trying to leave behind his past self.”The tension and drama intensify when Pearce’s character, Warren, tells Mel to murder Mark. This moment sends ripples through the narrative, presenting alternate histories for each character based on the outcome of the planned murder.Williams masterfully weaves these intricate character arcs into a gripping prison drama. He spent extensive time researching Victorian prisons, even enlisting real prison security guards and former inmates as extras to lend authenticity to the setting.“One of my favorite things about movies is when you’re immersed in a world where the people involved truly know it,” says Williams. “It helps the audience believe in the reality of the film. I spent four years researching Victorian prisons because each state in Australia has slightly different rules.”“I also enjoy working with non-professional actors. They’ve been living their roles their entire lives. There’s an authenticity you can’t get from trained actors. I encourage them to tell me if something doesn’t feel real, and we’ll adjust.”Inside is worth watching just for the three stellar performances - Pearce and newcomer Vincent Miller are perfectly matched to their roles. But it’s Cosmo Jarvis’ performance as Mark that truly stands out. Jarvis transforms into his character, a complex, guilt-ridden man who desperately wants to be good but just can’t seem to get there, communicated expertly through Jarvis’ eyes and his subtle shifts in facial expression.A still from Inside with Cosmo Jarvis (top) and Vincent Miller (bottom). Source: Bonsai Films.Beyond the performances, Inside features an entertaining script, stunning cinematography, and raises many questions. What is a just punishment for a criminal? Can someone truly change? And if so, does the guilt of their past actions ever fade?“These are fascinating questions,” Williams says. “They branch out into broader themes about how we deal with the people we become. We all wrestle with behaviors we’re not proud of. Why can’t we change those things? And when we do, we often wonder: What changed? Did I change, or was this always going to happen? These questions lead to interesting human behaviour, and that’s where great characters come from.”Inside is now in cinemas. Click here for showtimes.

In the lead-up to the Kiama Icons and Artists’ Orry-Kelly-themed event scheduled for July 26, 2025, The Bugle is planning a series of articles to share the story of Orry-Kelly and his impact on the world. If you missed the first article, you can find it here.There’s no mention of the first time Kiama costume designer Orry-Kelly met Bette Davis in his memoir Women I’ve Undressed, which makes it seem as if they’d known each other forever, a great indication of their relationship.The first mention in his memoir is a throwaway sentence where Orry writes, “Warners wanted to get the clothes underway for her forthcoming picture The Rich Are Always With Us, which would also feature an up and coming actress called Bette Davis.”The Rich Are Always With Us was one of Orry’s first jobs as a costume designer at Warner Brothers Studios, and it was only a year later that he became head of the wardrobe department. But it was the 1938 film Jezebel, which led to Davis’s first Oscar, that truly marked the start of their winning combination.In Jezebel, Davis, as Julie Marsden, wears a striking red gown designed by Orry to a ball, shocking the other attendees in an era when women were expected to wear only white.Since the film was shot in black and white, Orry had to create the gown in grey so that it would appear red on screen. This early example shows how Orry’s designs were to become pivotal plot points in major Hollywood films.The two worked together on over 30 films, but the one most people, including Kelly, believe is their best work together is the 1942 classic Now, Voyager, in which Bette Davis plays a repressed woman who gains independence.Bette Davis in Now, Voyager. Source: Women I've Undressed.Lesley Chow writes in a CNN article, “Kelly’s gowns are key to this dramatic transformation, as Davis appears in a series of stunning, minimalist black outfits which showcase her newfound elegance and strength.”“A master of silhouette, Kelly preferred a lean, linear shape to the frills and puff-ball sleeves popular at MGM, and he knew how to give Davis’s figure the illusion of length.”Even though the film was a success, Kelly recalls how Davis was in a foul mood during the fittings for the film. But on the final day, she suddenly came out of it.“When the fitting was over, she turned to me and said, Kelly, I’ve been a devil this last week, haven’t I? I’ve been almost out of my mind; my sister Barbara has been terribly ill,” writes Kelly.“That’s the way Bette was with everyone. It made up for everything. It didn’t matter if I’d jumped in my sleep all week, or that I was hitting the bottle,I didn’t need an excuse for that. In the end, she was always so fair and considerate.”In 1944, Kelly left Warner Brothers, but Bette Davis still tried to get the studio to hire him exclusively for her films. She had grown so attached to him.Costume designer Deborah Nadoolman Landis, as reported in the Sydney Morning Herald, once said, “Personalities are created in the fitting room. Icons are created in the fitting room. That’s a relationship from the knickers outward. From the inside out, Orry-Kelly helped Bette Davis create her people.”Another photo of Bette Davis in Now, Voyager. Source: Women I've Undressed.Beyond their professional partnership, Kelly and Davis were also good friends and remained close even after he left the studio.Kiama Historical Society president Sue Eggins, a researcher on Orry-Kelly’s life, says, “They had a very good relationship. He dressed her for 20 years, even after he left the studio, Warner Bros. Bette had it written into her contract.”It seems as though they were almost two peas in a pod: Bette, a woman trying to make it in Hollywood, and Orry, a gay man navigating the same industry. They both had to be passionate, stubborn, and brave.Orry says of Bette, “She was a loyal friend and a really nice person. Often I jumped in my sleep. And I saw little men jump on the set, and others drop their hammers from catwalks during a battle between Bette and her director. But she had a right. If it weren’t for her, this man who was once a dialogue director might have remained a dialogue director!”For those eager to get involved or stay updated on the event, the Kiama Icons and Artists group is active on Facebook.

At just 12 years old, Kiama Public School student Leonardo Murray has won the prestigious 2024 Travel Photographer of the Year (TPOTY) Award in the category for photographers aged 14 and under.TPOTY is an international photography competition, run by photographers for photographers, and is open to both amateur and professional photographers worldwide. Leonardo is thrilled to have received this recognition.“I am very grateful and proud of myself,” says Leonardo. “This is such an amazing milestone, and I’m honoured to be recognised as one of the best travel photographers under 14 in the world.”The photos submitted for the competition were all taken during a trip Leonardo took with his father, Ignacio - also a professional photographer - to the Namib Desert in Africa.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.One of the judges for TPOTY, Jeremy Hoare, wrote of Leonardo’s images: “Beautiful landscapes capturing the majesty of the Namib Desert. For someone so young to see and capture the near abstract shapes and rhythms in this set shows a sense of image perception that is remarkable. At 12 years old, these show a good creative eye and use of light balancing the natural light and in-camera technique.”A standout image from Leonardo’s collection features a vast golden sand dune cutting diagonally through the frame, with a tiny human figure standing at the top.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.“We had to climb the highest sand dune in Namibia to capture the amazing view,” Leonardo recalls. “It wasn’t too difficult for my brother and me, but my dad, who was carrying the camera gear, didn’t think it was so easy!”Leonardo explains how one of his favourite photos came about: “I waited for my dad to catch up, but my brother went ahead. I took a photo of him in the distance - he’s the tiny figure on the dune.”Leonardo’s passion for landscape photography and his deep connection to the natural environment come through in his work.“Since I was little, my mum has taken me hiking and camping in remote places, so I’ve always loved being in nature. I feel really comfortable in the wild, and I want to show others how amazing these places are,” he says.In addition to photography, Leonardo has been developing his bush survival skills with the Kiama Scouts.While he’s passionate about photography, Leonardo keeps his future options open.“I’ve always loved creative arts and the outdoors. Sometimes I see something and just want to capture it. Photography will always be a hobby of mine, but I’m also interested in exploring other things,” he says.The Bugle congratulates Leonardo on his outstanding achievement and looks forward to seeing where his creativity takes him next! Hopefully we can feature some of his future local work.

Gerringong local Lauren Mahar and her husband, Jordon, are bringing Ulster American, a thought-provoking play by Irish playwright David Ireland, to the Wollongong Workshop Theatre from February 21 to March 8.Ulster American revolves around a tense conversation between three characters: an American actor, an English director, and a playwright from Northern Ireland, who are attempting to stage a new play. The play takes a dark turn as they quickly discover, each character has different intentions for the play.Lauren, who grew up in Gerringong, is producing the play, while Jordon makes his directorial debut with this production. The couple was inspired to bring the play to the Illawarra after seeing it performed in London.“We were fortunate enough to see Ulster American in London with a powerhouse cast featuring Louisa Harland, Woody Harrelson, and Andy Serkis,” says Jordon. “But beyond the incredible performances, it was our introduction to David Ireland’s work.”Ireland has become one of the most celebrated playwrights in recent years, with Ulster American garnering attention for its sharp, timely commentary on issues such as the importance of history, the significance of language, and the often-contentious debates we engage in today.“I think the two male characters in the play are trying to appear very woke and politically correct,” says Lauren. “But it’s through their actions that we see who they truly are, and that theme really comes through in the play.”The play also delves into the complex history of Ireland, particularly the identity struggle faced by those in Northern Ireland, who often decide to identify as British rather than Irish. This exploration of group identity was one of the aspects that first drew Jordon to the play.“One of the most fascinating elements of this play is the concept of group identity,” says Jordon. “The character from Northern Ireland is caught in this tension between her Irish heritage and the British culture she grew up with - learning British history, watching British television, and seeing herself as British.”“But then there’s the baggage that comes with that identity when we discuss the political and physical conflict between the UVF, the IRA, and the British Army. It raises the question: How far are you willing to go to defend the group identity you've chosen?”The promotional poster for Ulster American. Source: Wollongong Workshop Theatre.Ulster American is a play that forces its audience to reflect deeply, and both Jordon and Lauren believe in the transformative power of theatre to prompt self examination.“Theatre is important because it holds a mirror up to the audience,” says Jordon. “It gives us a chance to watch aspects of ourselves and people we know reflected on stage.”“It encourages us to really think about what we like or dislike about characters,” Lauren adds. “Why does a character rub us the wrong way? Why did something they said offend us? Theatre gives us the space to question our own beliefs and values.”The couple hopes to bring a taste of the theatre’s magic to the Illawarra, a region often far from major cultural hubs in New South Wales.“There’s no theatre in Kiama, so if you want to enjoy live theatre, you often have to travel to Wollongong,” says Jordon. “This is a chance to showcase local talent - Lauren grew up in Gerringong, and she’s passionate about bringing quality theatre to her community.”Ulster American opens on February 21 at the Wollongong Workshop Theatre. Tickets are available for purchase here.

Gerringong based landscape photographer Nathan Miller will present Eternal Moments, his new photography exhibition, at the Old Fire Station from February 20 to 26.A dairy farmer by trade, Miller explains that the name of the exhibition was inspired by one of the core reasons he began taking photos in the first place.“What inspired me to become a photographer were the unseen moments I’d experience while milking early in the morning- those crisp, clear mornings when the sky is breathtakingly beautiful. I felt compelled to capture those moments,” says Miller.“The name Eternal Moments reflects this: it’s about capturing a fleeting moment that few people witness and preserving it forever.”One of Nathan Millers wonderful photos. Photos Supplied.Miller, who has been taking photos for 20 years, took on a personal challenge in 2024 to take a photo every day for an entire year. He has a particular passion for capturing the natural landscape, hoping his work will remind people of the everyday beauty we often overlook.“I enjoy showcasing the beauty of our local landscape. We don’t always take the time to appreciate it, and I hope that through my photography, people will not only reflect on its beauty but also think about the importance of protecting it,” says Miller.As you view Miller’s stunning landscapes - each one a snapshot of beauty that might otherwise have passed unnoticed - you’ll likely notice they are all taken in Kiama and its surroundings.“Kiama is my home. I grew up here and have spent my life surrounded by these landscapes. They’re so unique, not just to Australia, but to the world. There’s really nowhere else like it,” says Miller.One of Nathan Millers wonderful photos. Photos Supplied.The Eternal Moments exhibition marks Miller’s 12th solo exhibition at the Old Fire Station. He says what he enjoys most about his work is hearing the personal stories it evokes in others.“I love meeting people and hearing their stories, especially when they share how my photography makes them feel about a place. Everyone’s experience is different, and it’s fascinating to see how people connect with the work,” says Miller.Eternal Moments opens on February 20, so be sure to head down and experience the beauty of Kiama through Nathan’s eyes. And while you're there, take the opportunity to chat with Nathan about any stories his photographs inspire.

SevenMarks Gallery came alive on February 8 as art lovers gathered for the opening night of Framing Space, the latest exhibition by renowned Australian sculptor Philip Spelman.Spelman’s bold and vibrant sculptures filled the gallery, transforming the space with geometric forms and striking compositions of positive and negative space. Guests explored his unique approach to abstraction, where familiar objects—tables, vases, and chairs—are reimagined into dynamic three-dimensional works.“There’s internal space—negative spaces captured within the work—and then there are the positive elements within those spaces,” Spelman shared, reflecting on his creative process.Attendees engaged in lively discussions about the interpretations of his pieces, a testament to the thought-provoking nature of his work.SevenMarks Gallery praised Spelman’s ability to reshape the gallery landscape, stating: “Phil’s vibrant sculptures engage with both natural and defined spaces, balancing, tumbling, and floating to create dynamic compositions.”Framing Space runs until March 15—don’t miss the chance to experience it firsthand.

Alana Valentine’s new play Nucleus is all about the nuclear energy debate, which is quite timely considering what is going on in the country at the moment. But when she began working on it six years ago, she had no idea the debate would resurface.“I was working on this for about six years,” says Valentine. “In fact, I had a public reading at the Shoalhaven Art Centre in 2022 which some of your readers might've come to. It wasn't the same play but it was based on some of that research I'd done.“I put all that in an archive box and wrote a different play which became Nucleus but in truth I've been working on it for years and I didn't know that they were going to revive the nuclear power debate, but in the end I like that theatre can have its finger on the zeitgeist.”Nucleus follows the lives of a man and a woman on opposite sides of the nuclear debate, exploring their lives over nearly 30 years. The play is inspired by the real-life story of the proposed nuclear power plant in Jervis Bay.“I have a deep passion for Australian history,” says Valentine. “I really believe that if we understand our past, we can better shape our future. I’m a resident of Jervis Bay, so I’ve swum at Murray’s Beach many times. I knew that the car park there had been the site of a failed attempt to build a nuclear power station on the headland in 1969.“I started talking to activists who had been involved during that time - not just with the Jervis Bay project. I met some amazing people in the Shoalhaven area who made the kind of life that we live now possible.”Nucleus Promotional Poster. Source: Griffin Theatre Company.Valentine has been a playwright for many years, often focusing on verbatim theatre, where scripts are based on real people's words. Her most famous works include Paramatta Girls, which explores the experiences of three Indigenous women in a Parramatta Girls Home, and Run Rabbit Run, which focuses on the South Sydney Rabbitohs.However, Nucleus is fictional - though rooted in extensive research and interviews about nuclear energy activists on both sides - because Valentine wanted the creative freedom to tell a richer story.“When I work with real people and their lives, I want to portray them with integrity, making sure they feel they’ve been represented properly,” she says. “Similarly, I wanted to depict both sides of the nuclear energy debate with integrity. But Nucleus is also a deeply personal story. “The nuclear debate serves as a metaphor, pushing these two characters to confront the legacy of their relationship. The play unfolds in a series of reveals, and fiction allowed me to give more depth to the characters and make the story more engaging, as it’s just the two of them talking.”While Valentine aims to fairly represent both sides of the debate, she makes it clear that the play isn’t going to make your mind up for you.“My whole life has been based on the idea that people have their own opinions and that they have their own brains and what the theatre should do is complicate the issue and present the human face of this story,” says Valentine.The play is structured to draw you into the debate through the relationship between the two characters. As their lives become increasingly intertwined, the debate falls away and you’re left with a complex, but human, relationship between two people.It is refreshing to see at a time when heated debates online often obscure the human side of things, Nucleus reminds us that it’s possible to disagree respectfully, without compromising your beliefs.“You can disagree with someone and still be civil. It doesn’t mean abandoning your opinions; it just means listening and explaining why you believe what you do,” Valentine says.Nucleus opens at the Griffin Theatre Company in Darlinghurst on 14 February and runs until 15 March and you can buy tickets here: https://welcome.griffintheatre.com.au/overview/4505.

The Shoalhaven Entertainment Centre has unveiled its highly anticipated 2025 season, promising a dynamic mix of theatre, music, dance, and family-friendly performances. The lineup showcases a diverse array of world-class productions, ensuring something for every arts enthusiast.Among the theatre highlights is Macbeth by Sport for Jove, a bold adaptation of Shakespeare’s classic tragedy, and 1984 by Shake & Stir Theatre Company, an immersive retelling of George Orwell’s dystopian masterpiece. The director is a Kiama local, George Banders, so one not to be missed!  Other must-see productions include Shore Break, a moving solo performance by Chris Pitman, and A Place in the Sultan’s Kitchen, an innovative theatrical experience blending storytelling and live cooking.Music lovers will be treated to performances by the Sydney Symphony Orchestra, presenting works by Beethoven and Schubert, as well as an intimate solo concert by ARIA Award-winning artist Lior. Dance enthusiasts can look forward to the Victorian State Ballet’s enchanting production of The Nutcracker.For families, Josephine Wants to Dance, based on the well received children’s book, will delight young audiences, while The Alphabet of Awesome Science promises an interactive and educational spectacle. A special highlight is A Boy Called Sailboat, featuring a screening of the film with live music by the Grigoryan Brothers.Acting Venue Manager Shane Spencer expressed enthusiasm for the upcoming season, emphasising the venue’s dedication to delivering exceptional cultural experiences. “The Shoalhaven Entertainment Centre’s 2025 Season continues our commitment to quality, offering something for all tastes and ages,” he said.Tickets and full program details are available via the Shoalhaven Entertainment Centre website or at the Box Office. Don’t miss out on a year of extraordinary entertainment in the heart of Nowra!

Greg Martin Vale, a well-known local artist, has been exhibiting at The Old Fire Station in Kiama, showcasing his latest works.Recently, Greg won the Jean Hanson Memorial Award at the Kiama Show, along with “one or two” first prizes. However, he insists the real value of the show isn’t the awards but the exposure and connections it brings. One such example is a customer who, after seeing his work at the show four years ago, recently reached out to purchase a canvas print.Greg also made an impact in an unexpected category at the Kiama Show - cleaning up in the plant section!Every February and October (usually over the long weekend), Greg holds an exhibition at The Old Fire Station. Again, for him, it’s about visibility and reaching a wider audience.But beyond his own work, Greg is passionate about the broader arts scene in Kiama. He believes the town desperately needs a designated year-round art gallery to boost tourism and support local creatives. He noted that Mayor Neil Reilly has shown interest in making a dedicated space at the council chambers, - which never came to fruition. Maybe in the future developments!"Tourism in Kiama is lopsided," Greg said. "Creatives need to be celebrated, and artists need spaces that attract visitors." He also highlighted the strong local arts community, praising initiatives like the Kiama Arts Society’s exhibition at Kiama Leagues Club in July.Greg also stressed the need for a theatre or multi-purpose creative space, where artists across disciplines could come together, collaborate, and showcase their talents. Kiama Arts Society has an exhibition at Kiama Leagues Club in July which is great for creatives and for the community.For now, visitors can enjoy his and other artists work revolving throughout the year at The Old Fire Station, gaining a glimpse into Kiama’s thriving creative scene.

On Wednesday, 12 February, Jervis Bay writer Kell Woods, author of the Sunday Times bestseller After the Forest, will launch her new novel Upon a Starlit Tide in Huskisson.Kell’s debut novel, After the Forest, was a gritty reimagining of Hansel and Gretel set in Germany's Black Forest in 1650. Now, with her highly anticipated follow-up she transports readers to a new historical setting and reimagines not one, but two classic fairytales.Upon a Starlit Tide weaves together the tales of The Little Mermaid and Cinderella, set in Saint-Malo, Brittany, in 1758.The story follows Lucinde "Luce" Leon, the youngest daughter of one of Saint-Malo’s wealthiest shipowners. While Luce dreams of escaping her privileged yet stifling life to join a ship’s crew, her plans are derailed when she rescues a near-drowned man from the sea.Kell was offered a two-book deal with US publishers TOR Books who released her debut in 2023. She was then given 18 months to write her follow-up."Writing went from being my weird little hobby that no one cared about to suddenly being my job. It was incredibly exciting and wonderful, but at the same time, it was terrifying and filled with self-doubt," says Kell. "I thought, They’re going to realise they've chosen the wrong person. I had to work through all the impostor syndrome and second-book anxiety. It was just a matter of putting your bum on the seat and chipping away at it until something came."The first piece of the Upon a Starlit Tide was found when Kell felt drawn to reimagining The Little Mermaid. But as she delved deeper into the story, she realised it needed something else to balance the original tale’s dark themes - and that’s when she found the next piece."The Little Mermaid is a really dark, sad story," says Kell. "She dies in the end, turns into foam, the Prince chooses someone else, and her tongue is cut out - it’s grim. I realised I wanted to weave in another story with more lightness and beauty, so I chose Cinderella."It was this fusion of fairytales that ultimately shaped the novel. In finding Cinderella, Kell also discovered the setting for her story - Saint-Malo, a city with a rich history and a backdrop of both opulence and darkness."Because I was doing Cinderella, I thought, I could set this in France. From there, I began researching the French coastline and different historical periods, eventually settling on Saint-Malo," says Kell.Saint-Malo, a walled city on the English Channel, is both beautiful and steeped in maritime history. The 18th century, when the novel is set, was also an era of decadent masked balls for the French aristocracy - making it an ideal setting for two contrasting fairytales to coexist.Through the intersection of fantasy and historical reality, Kell aims to immerse readers in a world where the fantastical feels just as real as the tangible."I do as much research as a historical fiction writer would," says Kell. "I want readers to feel like the place is real, that everything makes sense, and that it feels familiar. From there, I launch into magic, witchcraft, mermaids, and other fantastical elements."Kell believes that blending these elements with historical reality is important because, in those times, people genuinely believed in mythical creatures and folklore."People back then actually believed in this stuff, and that’s probably the main reason I’m drawn to it," says Kell. "They believed it was real, so I can dig into their beliefs and make it feel as authentic to readers as it did to them."Saint-Malo’s folklore is rich with tales of fairies living in rocks and caves, as well as stories of mermaids and magic - elements that greatly influenced Kell’s storytelling.Upon a Starlit Tide will be released by HarperCollins Australia on Wednesday, 12 February. Kell will be celebrating the launch with friends, family, and book lovers at back-to-back events at BooBook on Owen and Jervis Bay Coffee in Huskisson.After that she will be having a book tour, and all dates and locations can be found on her website: https://www.kellwoods.com.au/news.

Applications are now open for the Indigenous Storytellers Scholarship, supporting emergingcreatives passionate about sharing their unique stories.The scholarship, dedicated to fostering creativity, is an initiative from Façon Australia and Greater Bank, with $10,000 in funding for one exceptional recipient to pursue their creative aspirations.For the first time, the Greater Bank will also award $1000 to eight finalists. Creative categories include writing, fashion design, accessory design, painting, music, dance, digital art, film, and photography and all finalists will be mentored by industry leaders.The Scholarship is open to Indigenous applicants aged 18 and over, living in NSW. Applications close on May 1, with the successful recipient announced at a special NAIDOC Week event on July 10. Visit Façon Magazine www.faconaustralia.com/apply/ or Greater Bank www.greater.com.au/ 

One of Australia’s leading abstract sculptors, Philip Spelman, will present an exhibition at SevenMarks Gallery from February 8 to March 15.Spelman, whose work has featured at the Australian National University, Canberra Museum and Art Gallery as well as many other spaces across Australia, New Zealand and the USA, will present his exhibition titled Framing Space.“There’s internal space - negative spaces captured within the work - and then there are the positive elements within those spaces,” says Spelman, explaining his creative process.“I've taken this framing space idea and created works from it. Some sculptures have a geometric framework, and I've worked inside those frameworks. They’re not literal picture frames, but they represent spaces that are contained."Spelman’s work often incorporates geometric shapes, which he combines to transform familiar objects - such as tables, chairs, and vases - into something uniquely abstract. "I look at still life paintings and recreate the objects from those works in my style,” says Spelman. “I take vases and tables and, rather than replicate them directly, I translate them into three-dimensional sculptures.”One way Spelman does this is to blend different geometric shapes which combine to create new forms. Relying on intuition, he arranges these shapes until the composition feels right. “I fabricate elements and laser-cut or water-jet cut them to suit the sculptures. I might make hundreds of elements, then experiment with them, placing them in various ways to see if the composition works,” he explains.This abstract approach encourages viewers to use their imagination, prompting different interpretations of the sculptures. "I’ve placed abstract works in regional and rural communities before, and in public spaces, which can be challenging for some people,” he says. “But it’s always interesting to hear the different comments and interpretations. People bring their own ideas to the work, and it’s fascinating to see how they respond.”He is particularly excited about this exhibition at SevenMarks Gallery due to its location and the space itself. "I’m really excited about this regional exhibition,” says Spelman. “It’s important to me, especially since many galleries are closing or moving to online platforms. To see a new gallery opening is fantastic. The space is beautiful and large, which makes it ideal for my work.”SevenMarks Gallery says of the exhibition: “Phil’s vibrant sculptures engage with both natural and defined spaces, reshaping the gallery landscape through their luminosity, depth, and bold silhouettes. These abstract constructions balance, tumble, and float, creating dynamic compositions of positive and negative space.”Don’t miss Philip Spelman’s Framing Space exhibition at SevenMarks Gallery, opening on February 8.

Kevin Sullivan and the Sulli-Vans had an unforgettable few days in Tamworth during the Tamworth Country Music Festival. They performed the National Anthem to a packed stadium crowd and took home the award for Best Independent Country Band at the Independent Country Music Association Awards.The family band, made up of Kevin, his wife Belinda (their road manager), and their children KJ, Jet, and Cha-Cha, were thrilled to receive the award. “It was amazing. It was the first time we’d won an award as a band. They even gave each of us a trophy with the Sulli-Vans and our individual names engraved on it. Our son Jett, who’s 9, was so excited,” says Kevin. “Recognition like this is really rewarding. We put in so many miles and so much hard work, so to be acknowledged in the industry means a lot.”During their nearly two week stay in Tamworth, the band performed at a variety of events, including a sold out show called Music for McGrath at Tamworth Town Hall, which supported the McGrath Foundation.However, the most memorable performance came at the Australian Bushmen’s Campdraft and Rodeo Association (ABCRA) National Rodeo Finals. “We got to sing a few songs, and the National Anthem, on the back of a truck, right in the middle of this massive stadium. It was a first for us, and it was awesome!” Kevin says.Kevin also released his new album, Threeways, on June 28, 2024. The album spent 10 weeks in the top 10 of the ARIA Country Albums chart and ended up in 9th place overall for 2024. “When we got to Tamworth, I did a radio interview, and someone in the industry told me my album was in the top 10 best-selling country albums for 2024. It was the first time I’d heard that, because they only publicised the top 5. My album was ranked 8th,” Kevin explains.He continues, “I asked if there was anyone ahead of us I’d know, and he said, Probably not - have you heard of a guy named Keith Urban? Keith Urban was in front of us, and I thought, to be in the top 10 as a small independent artist from Gerringong is just amazing.”Adding to the excitement, Kevin won a Brumby Award at Tamworth for High Country Snows, a song from Threeways that he co-wrote with Bill Chambers, the father of country music legend Kasey Chambers. The song earned the award for Best Collaboration of the Year.Although their schedule was packed with performances, Kevin says their road manager makes sure they carve out time for fun. “No matter where we are, she always makes sure we have at least one day to see the sights or participate in something fun in the town. We make sure to have a little downtime,” he says.And the fun doesn’t stop there. The Sullivan family’s next stops include Queensland for another show, followed by Tasmania for more performances and some recording sessions.The Sulli-Vans singing the National Anthem. Source: Kevin Sullivan

Like My Brother, the new film from Sal Balharrie and Danielle MacLean, is a sports documentary that doesn’t neatly fit the typical mold of its genre.While many sports documentaries follow a familiar trajectory - following a young athlete chasing a dream, showing their rise to success, and ending with a triumphant moment - Like My Brother takes a different, more nuanced approach. It’s a film about sport, yes, but also about women in sport, cultural identity, defining success on your own terms, and much more.The documentary follows four women from the Tiwi Islands - Rina, Freda, Julianna, and Jess - as they journey to Melbourne, hoping to make a name for themselves in the Australian Football League Women’s (AFLW).(From left) Freda, Rina and Jess from Like My Brother. Source: Mushroom StudiosThe idea for the film sparked for co-director Sal Balharrie when her son asked her to take him to an AFLW game.“On February 6, 2017, my son came home and asked me to drive him across town to the very first AFLW game. It was a stinking hot day, and we lived about an hour away, so I said no. He responded, Oh, that’s so disappointing. You raised me to be a feminist,” Sal says. “And he pressed the perfect button, so off we went.”At the game, Sal saw the excitement and skill on the field, with her son and his friends appreciating the athletes' talents without focusing on their gender. But as she sat there, she was struck by the overwhelming "whiteness" of the game.“I knew about the Tiwi Islands and their strong football heritage, with players like Michael Long and the Rioli brothers. But I wondered: What would it take for a young woman from the Tiwi to make it here? And that’s when the idea for the film came to me.”A still from Like My Brother. Source: Mushroom StudiosThe film, which took seven years to make, evolved in ways Sal never anticipated. “At the start, I thought I’d be finished in 18 months with a girl holding a trophy at the end. I honestly thought it would be that simple. In hindsight, I’m embarrassed to say that, because it was naive,” Sal admits.“I think the film is richer for having followed the girls over such a long period. As you see, the obstacles unfold over time, and while I never expected to feel grateful for COVID, it did force us all to slow down and reassess. It gave the film a gentler, more reflective pace.”While Like My Brother begins as a sports documentary, it quickly becomes something far more complex. The film explores how these women define success. Is it worth pursuing a career in AFL if it means constant separation from family and community? In Western culture, chasing the big stage is often seen as the ultimate achievement, but for these women - family, culture, and community hold equal, if not greater, significance.The women from the Tiwi Islands have their own set of values - values that make them question whether fame and glory are worth leaving behind the bonds of their tight-knit community. And the film explores this tension between different cultural definitions of success, as the women are forced to decide what truly matters to them.Sal discusses one of the women in the film, Reena, saying: “She is one of the greatest footballers you’ll ever see. But did she want it badly enough? Not if it meant turning her back on her community. It’s such a big question - how do we define success for ourselves? What does failure mean? How many dollars do we need in the bank to be happy?”This shift in focus - from the sport itself to the broader cultural and personal dilemmas facing these women - sets Like My Brother apart. It not only highlights a lesser-known football culture in the Tiwi Islands but also delves into the importance of community, ceremony, and cultural connection. The film suggests that the emotional and spiritual fulfilment these women gain from their culture might be more rewarding than the accolades of an AFL career.In the end, Like My Brother is a layered, complex sports documentary. It’s not just about sport. It’s about the lives of these women, the challenges they face, and how they navigate competing ideas of success, limited opportunities in sport, the weight of cultural identity, and the personal choices that define us.The film will have its first screening at Huskisson Pictures on February 9, at 2 p.m., as part of the Shoalhaven First Nations Film Festival.Poster for Like My Brother. Source: Mushroom Studios

What do you do with the leaves that fall from your gum trees? Sweep them up and add them to your compost? Leave them to return to the earth naturally?Have you ever considered using them as a painting canvas? That’s exactly what I love to do - if I can find the right size and shape - ever since discovering a Painted Gum Leaf Exhibition at Mount White several years ago. I was fascinated by how different artists transformed leaves into intricate works of art.Gum leaf painting has a rich history in Australia, dating back to the late 19th century. Victorian artist Alfred William Eustace painted landscapes on gum leaves at Black Dog Creek, inspiring others like the Beckett sisters, Frederick McCubbin, and more. During World War I, painted gum leaves were often sent by sweethearts and mothers to soldiers overseas as sentimental reminders of home.Recently, I was thrilled to come across some large gum leaves on a property in Jamberoo. The owner, Barry Ahrens, kindly donated them for my creative projects. Using water-based oil paints and fine brushes, I’ve created my own landscapes in the tradition of this uniquely Australian art form. Here are a few examples.If you’d like to learn more about gum leaf painting, feel free to contact me at [email protected].

Kiama Municipal Council is taking steps that will allow it to apply for a NSW Government grant to explore the creation of a Special Entertainment Precinct (SEP).“If we are able to secure a grant, Council is committed to working with community members and local businesses to ensure mutually beneficial outcomes,” said a Council spokesperson.This could be a prime opportunity to enhance Kiama’s appeal as a destination for performing arts, culture, and community engagement. "We want to create something truly special for Kiama," said Mayor Cameron McDonald. "This is about putting the foundations in place, so we can begin to develop a thriving cultural precinct that benefits everyone – residents, visitors and businesses."The SEP initiative is designed to bring vibrant live music and entertainment to the forefront, fostering growth for local businesses while enriching the cultural life of the region.This exciting proposal starts with a recommendation for the Council to review its current Tourism and Events Strategic Plan and convert it into a comprehensive Visitor Economy Strategy. This new strategy will incorporate key findings and recommendations from:The Kiama Major Events Impact Review and Recommendations Report,The Kiama Regional Economic Development Strategy,The Tourism & Events Service Review,The NSW Vibrancy Reforms.Council is also proposing to consult with the Kiama Special Entertainment Precinct working group and licensed venue operators to define an appropriate boundary for the potential SEP precinct. Having a defined SEP boundary is a mandatory condition to apply for the SEP Kickstart Grant Program being offered by Create NSW, which provides between $50,000 to $200,000 to develop a special entertainment precinct. Special Entertainment Precincts are a relatively new initiative, reducing regulatory barriers for live music venues and creating hubs of cultural activity. For Kiama, the precinct aligns with Council’s draft Cultural Plan vision to “nurture a vibrant, inclusive, and dynamic cultural ecosystem that celebrates diversity, creativity, and community engagement”. "This initiative isn’t just about entertainment; it’s about fostering a sense of community, supporting local businesses, and enhancing Kiama’s reputation as a vibrant, welcoming destination," said Mayor McDonald.Councillors are set to vote on a recommendation to take the following actions:1. Review the existing Tourism and Events Strategic Plan and transition it into a Visitor Economy Strategy, incorporating relevant findings from the identified reports and reviews.2. Consult with the working group and licensed venue operators to finalise a proposed boundary for the Special Entertainment Precinct.3. Deliver a report at the February 2025 Council meeting confirming an appropriate boundary for the precinct.