Kiama landscape artist Andrew McPhail didn’t exactly get off to a flying start in the art world. In fact, a disappointing mark in Year 12 art left him thinking he simply wasn’t very good at it. A few decades later - and thanks in part to the COVID-19 pandemic - McPhail now has a solo exhibition at the Shoalhaven Anglican College (SHAC) Gallery, running from 27 March to 21 April.Before the 2020 pandemic, McPhail had only ever staged one exhibition - in Vancouver in 1992 - and had spent most of his working life as a teacher.McPhail's painting of Black Beach Rockpool. Source: Andrew McPhail“When COVID hit, I was leading the primary school at Shellharbour Anglican College, and it was a really busy time,” McPhail said.“I think a lot of people asked themselves during that time: what am I doing for myself? "How am I looking after my own interests? So, I thought I'd pick up the brushes again.”McPhail’s youngest son, James, had started surf photography at the age of 12, and his striking images became the inspiration for his return to painting.“I thought, I love the ocean, I love waves, I love surfing and fishing - why not paint a couple of his photos? And I did, and it was a lot of fun.”Art became a place of refuge and escape in the stressful months of the COVID pandemic.Low tide Crooked River entrance, Gerroa. Source: Andrew McPhail“You know that feeling when you're in your happy place and time just flows? "There are a few things that do that for me - spending time with family, grabbing a coffee with my wife - but also picking up a brush, sketching, capturing a beautiful scene, and seeing it through to a finished work. I just love that,” he said.Wanting to improve, McPhail reached out to Shellharbour Anglican College’s then-art teacher, Melinda Giblett, a talented landscape artist in her own right.“She gave me some great advice - the first thing she said was 'get an Instagram account'. I thought, here we go,” McPhail laughs. “So I posted four or five pictures, and one Christmas holiday, a woman named Kerry Bruce from Fern Street Gallery contacted me and said, I want to talk to you.”Thinking it was a mistake, McPhail nearly brushed it off.“I was like, No, I think you’ve got the wrong person - I’m just a nobody. But she mentored me throughout that first year and being part of the team at Fern Street Gallery really helped my work improve.”Since 2021, McPhail has been a resident artist at Fern Street Gallery, exhibiting regularly. He says sharing his love of the local landscape has brought a new level of meaning to his art.“For me, there’s so much beauty in our local area - in Kiama - and I’m really grateful for it. I want to share that. The satisfaction comes from interpreting that beauty through my art.”Country road, Sutton Forest. Source: Andrew McPhailHe often includes familiar elements in his work like beach tracks, headlands and surf breaks - details that resonate with locals and visitors alike.“People see a painting and say, Oh, I want to walk there, or I have walked there. "I want it to bring back that memory - sunlight glinting off the waves, sparkling on the sand - small specific details that bring you back to a place and time,” he says.His SHAC exhibition, From Coast to Country, showcases a range of works, including small acrylics, watercolours, and large oil paintings.Looking back on his artistic journey, McPhail credits others for helping him along the way.“I just want to acknowledge all the people who’ve contributed - the mentors, the artists who gave advice, and those who offered kind but critical feedback to help me grow,” he says.“I think one of the signs of a healthy community is its commitment to expressive art, whether it’s music, fine art, writing. Kiama has a really healthy art community, and I want to thank everyone involved.”Andrew McPhail’s work is on display at the SHAC Gallery until 21 April. Don’t miss the chance to see how far someone’s passion can take them.

Collective 25, a group of five local photographers and artists, has launched a new exhibition entitled Retrospective, showcasing the diverse works of Kiama residents Rowan Hollingworth and Olga Baldock, Wollongong-based artists Geraldine and Brian Lefoe, and Kiama photographer Diane Goodman.The works are on display at The Old Fire Station in Kiama until April 9. The exhibition spans a range of styles, from traditional photography to more contemporary, abstract, and emotive works. Each artist brings a unique approach to the medium, using photography to go beyond the typical "record shot" and instead creating expressive and interpretative images.The artists presenting their work at the Old Fire Station.Olga Baldock's innovative use of in-camera multiple exposure techniques results in one-of-a-kind images that blend creativity and technical skill. She has recently expanded her practice to include multimedia works, such as collage and gelli pad printing.Rowan Hollingworth, known for his flower photography, also explores landscapes and natural subjects around Kiama. His works combine surreal and abstract images, often enhanced through Photoshop compositions.Some of the work on display.Geraldine Lefoe captures the magic of Wollongong’s beaches using natural light and Intentional Camera Movement (ICM) techniques. Her work reflects an expressionistic style, focusing on the relationship between people and nature.Brian Lefoe’s striking black-and-white landscapes are complemented by vibrant colour works that often lean towards abstraction. His photographs take viewers from the waterfalls of Tasmania to the deserts of Morocco.Diane Goodman, with over 30 years of experience, blends photography with traditional media like watercolour and acrylics. Her work explores the intersection of digital and traditional practices, reflecting on nature, memory, and emotional connections.Retrospective offers an intimate look at the creative practices of these local artists and is open daily from 10 AM to 4 PM at The Old Fire Station, Kiama.Exhibition Details:Dates: 4th - 9th April 2025Location: The Old Fire Station, KiamaTime: 10 AM - 4 PM dailyDon't miss this opportunity to experience the diverse and thought-provoking works of these talented local photographers.

If you've recently been down Terralong Street, you may have spotted new artwork on local bins. The photos, taken by local photographer Rowan Hollingworth, show his stunning nature inspired work.Throughout his life, visual arts - especially abstract art, Asian art and ceramics - have piqued Hollingworth's interest. A Kiama local since 2006, Hollingworth took up photography as a new hobby, building on his years of artistic experience. His photos are now on display on bins along Allowrie Street and Terralong Street until June.Hollingworth draws inspiration from Kiama’s natural surroundings, particularly the lichens and rocks near the famous blowhole. "I like the idea of sort of abstract in nature's patterns," he said, evident in his photos of leaf veins, seafoam bubbles, and lichens stretching over rocks.His work has received a positive response from locals, both online and in person. The eye-catching artwork.While driving down Terralong Street, a woman noticed the artwork on the bins and told Hollingworth: "I really like seeing that as I drive past." He responded, "I hadn't thought about, you know, people driving past and seeing it ... it's very well placed, I think."He extends a special thank you to Kiama Council for funding this initiative to support local artists and photographers. "It gives the photographers a little boost and makes the place look a bit more interesting," he said. "I hope they'll do it again next year."If you've enjoyed seeing his photography, you can purchase it - from April 4-9, Hollingworth and his photography group will host an exhibition at the Old Fire Station in Kiama. Featured pieces, such as his photo of yellow lichens on display outside the Kiama Presbyterian Church, and his image of leaves on a pink background shown in Jamberoo, will be available for sale during the exhibition. 

Jaz Corr, an Aboriginal artist and educator based on the South Coast, is ready to unveil her latest exhibition which is complex, interactive, and deeply rooted in the real and ongoing issues of Australia's past and present.Entitled Wounds, her new exhibition will be on display at the SEVENMARKS Gallery in Kiama from March 29 to May 10.This ambitious exhibition will span the two rooms of the stunning gallery, with each room exploring distinct themes and ideas surrounding the Indigenous Australian experience.Through the exhibition, Jaz aims to uplift and represent her people from the Yuin and Dharawal communities.The first room features a sculptural installation titled Isolated Ruins, Middens, which consists of 564 painted abalone shells, each collected from the Aboriginal community.“The meaning in this work is layered,” Jaz says. “I've used shells to pay my respects to the Aboriginal artists of the South Coast. “Shells hold a deep historical significance in our culture, and I’m honouring that legacy while bringing it into the present. I’m asking the audience to consider the number of shells and reflect on how it makes them feel.”The 564 shells represent the 564 Indigenous deaths in custody, painted black to symbolise the ongoing desecration of Country and the lack of access to clean drinking water in local Aboriginal communities.“As a society, we often treat deaths in custody as isolated incidents, but the reality is much broader. I'm urging the audience to look deeper and reflect on the meaning of 564 in a room,” Jaz says.“The abalone shells are painted black because my community, where my aunt and uncle live, can’t drink the water from their taps. This is just 70km away from Kiama, and yet little is said or known about it. It’s always treated as an isolated issue rather than a widespread crisis.”This piece is further enriched by a poignant inscription on the wall: Not for sale. Pay the rent.“The community is not for sale. Our culture is not for sale. These issues can't be bought or ignored. It's easy for artists to raise their prices, but I know where I come from. I’m part of a community I won’t leave behind,” says Jaz. “With these opportunities, my cultural duty is to ensure I’m not the only Black person in the room - that my mob comes with me.”In the second room, Jaz presents Land Wounds, The First Iteration, a nuanced piece comprising 450 individual 15x15cm canvases. Each one represents a parcel of land, and between these canvases are six spears created by Uncle Richard Campbell of Gumaraa. These spears commemorate the six Aboriginal people massacred at Minnamurra River in 1818.The work also incorporates an interactive element: “When an audience member purchases one of the small paintings, it’s immediately replaced with another,” says Jaz.“The piece starts with a green composition. When one is purchased, it’s replaced with earth ochre, and with the third purchase, it becomes rust. The transformation of the work depends entirely on the audience’s participation, and it evolves throughout the exhibition.“This is a reflection of the ongoing trauma of land dispossession and the commodification of land. It’s about how we consume land and the way that is reflected through art.”Each canvas is worth $150, and Jaz admits she won’t make much profit due to the cost of materials, paint and time. “But that’s the point. Land, like art, is not accessible to everyone, and the price of it is a significant barrier,” she says.The paintings also become a symbol of reclamation. Over 15,000 Indigenous artefacts were destroyed in the Dunmore sandmine and, through this artwork, Jaz hopes to symbolically replace those lost treasures.“By purchasing a piece, the audience helps to restore what was lost. The art becomes a symbol of reconciliation, acknowledging our collective responsibility toward the land, our mother. This is more than just a lovely painting - it’s an act of activism that invites the audience to participate in,” Jaz explains.Through her deep passion for her community and her belief in art’s power to express emotion and history, Jaz is telling profound stories that invite reflection, engagement and conversation.

Kiama Art Workshops presented their first group exhibition at the Kiama Fire Station over the past week with a collaboration of work from class, workshop participants and facilitators.The group exhibition showed work by artists who had never shown their work before, and some who are new to painting or their exhibited style.Olivia Deans, owner of Kiama Art Workshops, said these exhibitions provide valuable experience for artists in understanding what it takes to hold a show.“It’s been a great learning experience. Some of the artists have learned how to manage and run an exhibition, interact with the community, and connect through art,” Deans said. “It’s about building confidence, learning to answer questions about their work, and getting comfortable displaying and selling their art publicly.”One of the featured artists, Faith Cunningham, sold four pieces of her work in a single day at the exhibition.“I did a workshop with Sharon Blair, who’s also part of Kiama Art Workshops. My four main pieces are already sold - a guy took them, so how good is that?” she said.“I really enjoy doing it with other artists. It’s a lot of work to set up an exhibition, and it can take hours to hang everything. But when you’re in a group, the load is shared, and it’s much more manageable.”To learn more about Kiama Art Workshops, visit their website.Sandra Kay infront of ‘African Princess’. Source Olivia Deans.

Say My Name is an uncomfortable film to watch. It is beautiful and emotional and human and inspirational, but it’s also profoundly upsetting because of how real and raw it is.And that discomfort is something we should embrace. That tingling feeling of unease triggers something inside us, sparking reflection, and maybe even action. Isn't that the essence of art?Say My Name is an Australian short film based on Mel Baker’s memoir, Sleeping Under the Bridge. The film has earned over 90 international film awards.It follows Mel’s journey as a young girl, enduring abuse and exploitation by her father and his friends, before being abandoned on the streets of Sydney as a vulnerable teenager. Despite the darkness of her past, Mel’s strength, courage, and resilience shine through as she finds hope - even as her traumatic history threatens to resurface.The film aims to ignite conversations on critical issues like child sexual abuse, domestic violence, homelessness, teenage suicide, and mental health.A still from Say My Name. Photos supplied.Baker shares how writing her memoir and working on the film helped her heal. “I feel healing through writing it because I'm a strong visual person. I visualise myself back in that situation, especially when writing about my childhood, and I feel everything I felt as a child,” she says.“I put myself right back in that space. And it’s harrowing and repulsive what I went through, but I find healing in getting through that and reflecting on how I survived through different traumas. It’s a therapeutic process.”However, Baker’s primary motivation for revisiting these painful memories is to help others who’ve gone through similar experiences.“For me, it’s about other people more than myself. I felt like the film could embrace these themes and show people who have lived through it that there’s hope - there’s a way to live life again, to find yourself, transform, and get through these really difficult things,” says Baker.“And people can latch onto whatever part resonates with their own lives, whether it was domestic violence, violence on the streets, or something else.”Baker is the co-writer and producer of the film, which is directed by Rhoyce Nova, with cinematography by Zachary Peel-Mcgregor. The film does an excellent job of conveying intense, impactful emotions without words. It handles confronting subject matter while also offering a sense of hope for those going through similar struggles.Set around the city of Sydney, the film was a personal challenge for Baker, as revisiting the locations tied to her traumatic past was emotionally difficult.Baker with the composer (who also plays her in the film). Photos supplied.“The hardest thing for me was going back to those same locations. I’ve made peace with the Sydney Harbour Bridge because it’s changed so much since I slept under it. But Kings Cross was tough - I hadn’t been back there, and filming a night scene there was really hard,” Baker says.“Even though it’s been cleaned up so much and is different from the ‘80s, there were still some of the same shops and pubs. It was confronting, and I had to push through because I was also a counsellor on set, making sure the cast and crew were okay with the heavy themes we were dealing with.”There’s also a particularly disturbing scene involving a roulette wheel, which Baker found difficult to be near.“That roulette wheel prop stayed in my car for months. I couldn’t throw it out or donate it to charity. I just couldn’t touch it. I couldn’t even look at my car boot. It was so hard to get it out of there,” says Baker.“Plus, I still had the bloodied shirt and some clothing the actress wore, who played me as Mel. It felt like Mel from the past was living in my car for months.”Say My Name is now available to watch for free on Vimeo. Despite its unsettling subject matter, stories like these need to be shared and embraced because they are real. The first step in addressing a problem is acknowledging its existence - saying its name.

Did you snap a cracking shot at this year’s Kiama Show? A golden sunset over the showground, fireworks lighting up the sky, or maybe just a perfect moment that sums up the magic of show day? Well, don’t let it gather digital dust, enter it in the March 2025 Photo Competition!Each month’s winner gets their photo featured in the 2026 calendar.Imagine flicking through and spotting your shot, immortalised for all to see.It’s easy to enter, so why not give it a go? We can’t wait to see Kiama through your lens! 📸✨

Darren Parlett is no stranger to the Kiama arts scene. Known for his evocative photography, he has a knack for freezing fleeting moments - whether it’s the golden hues of a sunrise over the Blowhole, the intricate textures of coastal rock formations, or the candid vibrancy of local life. His work transcends mere documentation, weaving narratives that resonate with the local scene. Parlett’s deep connection to Kiama shines through in every frame depicting a lens on Kiama’s soul. “I’ve always been drawn to the raw beauty of this place,” Parlett says. “Kiama has a way of speaking to you through its landscapes and its people. My goal is to share that conversation through my photography.”Cin Cin Wine Bar, nestled on Tingira Crescent, has quickly become a fixture in Kiama since its opening. More than just a spot for fine wines and intimate gatherings, Cin Cin has embraced its role as a supporter of local arts. Owners Michael and Melanie have made it a priority to transform their venue into a dynamic space where creativity thrives. From hosting live music to showcasing visual art, the wine bar has established itself as a cultural hub.The decision to feature Darren Parlett’s photography in a new display aligns perfectly with Cin Cin’s ethos. “We believe wine and art go hand in hand,” Michael explains. “Darren’s work captures the soul of Kiama in a way that complements the experience we want to offer our guests - a chance to slow down, savour the moment, and connect with something meaningful.”Incandescent Rock Pool - an example of one of the artworks on displayThe collaboration with the Expressive Art Trail elevates this project to new heights. The Expressive Art Trail, an initiative under the broader Expressive Art Experience, is dedicated to showcasing local talent across Kiama and the Illawarra region. By linking artists with venues like Cin Cin, the trail creates a network of accessible art experiences that invite the public to engage with creativity in everyday settings.Michelle Springett, the driving force behind Expressive Art Experience, describes the partnership as a natural evolution of their mission. “Darren’s photography brings a fresh perspective to the trail,” she says. “Pairing his work with Cin Cin’s ambiance allows us to reach people who might not typically visit a gallery. It’s about making art a part of life.”The trail has previously collaborated with Cin Cin for events like the “Corks & Canvases” series and exhibitions featuring artists such as Kathy Karas and Jennifer Porter. Parlett’s display continues this tradition, offering a visual journey that complements the venue’s intimate, welcoming vibe.Launched in March 2025, Darren Parlett’s new art display at Cin Cin Wine Bar features a curated selection of his photographs. The display focuses on Kiama’s coastal landscapes and subtle nods to its community spirit. Expect to see Parlett’s signature style - bold compositions, rich contrasts, and an almost painterly attention to light and shadow.To celebrate the launch, Cin Cin hosted an opening event on March 8, 2025. With a bubbles in hand and an opportunity to meet Parlett himself it was an occasion not to be missed. The event underscored the collaborative spirit of the project, bringing together art lovers, food and wine enthusiasts, and supporters of Kiama’s creative community.This collaboration between Darren Parlett, Cin Cin Wine Bar, and the Expressive Art Trail is more than just an art display - it’s a testament to the power of local synergy. In a world where digital screens often dominate, Parlett’s photography invites viewers to pause and reconnect with the tangible beauty of their surroundings. Cin Cin provides the perfect backdrop, blending sophistication with a down-to-earth charm, while the Expressive Art Trail ensures that this creativity reaches a wider audience.Sally Bursell - Destination Kiama- with photographer Darren Parlett at his exhibition at Cin Cin opening with Expressive Art Trail For Kiama, a town that thrives on its artistic heritage, this project reinforces its reputation as a destination where culture and community intertwine. Whether you’re a local sipping a glass of red or a visitor exploring Tingira Crescent, Parlett’s work offers a window into the heart of the region.The display is open to the public during Cin Cin Wine Bar’s regular hours, with no entry fee required. Located at 6/4 Tingira Crescent, Kiama, the venue is easily accessible and promises a warm welcome. For those interested in exploring more of the Expressive Art Trail, additional events and exhibitions are listed on their website, expressiveartexperience.com.Darren Parlett’s new art display is a must-see for anyone who cherishes the intersection of art, place, and community. As the sun sets over Kiama’s shores, his photographs at Cin Cin remind us that beauty is all around - if we only take the time to look.

Kiama photographer Linda Fury has achieved significant success with her photos of Bombo Quarry, earning a top 10 entry in Australian Photography Magazine’s Best Landscape 2024 competition.Linda’s striking photos of Bombo Quarry, edited in monochromatic black and white, make the familiar Kiama landmark appear otherworldly. She believes it’s the power of the landmark itself that made the photos so successful.“They were just so raw, and that, combined with the power of the sea, really pushed them across the line, I think. There’s a certain force in those photos. They're all black-and-white, all monochrome, and they’ve got that moody look,” says Linda.Linda entered several photos taken at the same landmark into the competition. While they were all shot at the same place, each one conveys something unique - a dynamic she particularly enjoys about landscape photography.“I do all sorts of photography, but landscape is my passion,” Linda says. “Every day is different. We can go to the same location day in and day out, and you’ll always get a different photo.”One of Linda's photos of Bombo Quarry entered into the competition. Photos supplied.One of Linda’s photos, titled Full Surge, won first place and a perfect score in the Landscape/Seascape category at the 20th Pakenham National Photographic Exhibition 2024. It also earned a Top 5 Placement at the Mosman Photography Awards and was awarded Best Monochrome Image of the Year at the Kiama-Shellharbour Camera Club’s end-of-year awards.“Every now and then, you fluke a really good photo, and it does really well no matter what competition you put it in. But other times, you think you’ve got a great shot, and it doesn’t perform as well as you thought. This one has been really amazing,” says Linda.Linda has been passionate about photography for as long as she can remember. Beyond capturing images, she also enjoys the journeys she takes to get the perfect shot.“I’ve been fortunate enough to travel around the world on photography trips. It gets you out there, seeing different parts of the world - places you probably would never have visited otherwise. You can discover these places and end up with some really amazing images that people haven’t seen before. I try to go off the beaten path to find something unique,” she says.For Linda, being recognised in a nationally read magazine was a true honour. “It is so nice to open up a magazine and see your work printed in a nationwide publication. It’s something a lot of photographers dream of, and I’m so happy it has happened,” says Linda.Another one of Linda's photos of Bombo Quarry entered into the competition. Photos supplied.Linda is also the president of the Kiama/Shellharbour Camera Club and encourages anyone interested in photography who wants to improve their skills to join.“It’s a great community because you meet like-minded people. A lot of them are on the older side of retirement, but we still get out and have a great time,” says Linda. “It’s also really helpful. I know it’s helped my own photography journey - meeting like-minded people who mentor you and help you with your photography.”“It puts you in a good position. They give you tips and tricks, and I’m always open to any of our members reaching out to me for feedback on their photos or asking how they can improve. It’s a great way to enhance your photography skills if you’re interested.”If you are interested in joining the Kiama/Shellharbour Camera Club, visit their website and get in touch with Linda.

Kiama Council is injecting over $55,000 into the local community through Round 2 of its Destination Event Funding Program, supporting a vibrant lineup of events set to enhance the region’s cultural, social, and economic landscape. The initiative, which allocates $130,000 annually across two rounds, underscores the council’s commitment to fostering tourism and enriching the visitor economy.The latest recipients, announced this week, showcase a diverse mix of activities spanning sports, arts, music, and multicultural celebrations. From beachside competitions to immersive exhibitions, these events promise to draw crowds and spotlight Kiama’s unique charm.Among the funded events are:Kiama Beach Tag at Kendalls Beach on Saturday, 1 March, receiving $8,000 to bring high-energy coastal fun.THAT. SKATE PARK, a DJ-led event at Kiama Skate Park in October, awarded $5,000 to amplify youth culture.Kiama Triathlon in Minnamurra on 10 May, bolstered by $10,000 for its athletic showcase.Distilled at The Coop Gerringong from 8 to 9 June, granted $5,220 for a spirited community gathering.The Orry Kelly Gala: Dressing Hollywood, spanning various Kiama locations from 25 to 27 July, with $6,000 to celebrate cinematic history.Going to the Southeast Saltwater exhibition at Seven Marks Gallery, running 6 September to 11 October, supported by $4,220 for its artistic exploration.Folk by the Sea 2025 at The Pavilion, Kiama, from 12 to 14 September, receiving $6,000 for its musical tradition.Spanish & Latin American Outdoor Fiesta at Hindmarsh Park on 11 October, backed by $10,000 to ignite cultural festivities.These events are expected to attract visitors from near and far, boosting local businesses and reinforcing Kiama’s reputation as a dynamic destination. The funding program aims to strike a balance between economic growth and community enrichment, offering residents and tourists alike a calendar brimming with memorable experiences.For more details on the Destination Event Funding Program and its recipients, visit [www.kiama.nsw.gov.au/Services/People-and-community/Grants/Destination-Event-Funding-Program](www.kiama.nsw.gov.au).As the countdown begins for these exciting events, Kiama is gearing up to welcome all who come to enjoy the bubbles of creativity, competition, and celebration blowing through town.

Australian director Charles Williams, who won the Short Film Palme d'Or in 2018 for his film All These Creatures at the Cannes Film Festival, returns with Inside, a new prison drama starring Guy Pearce.All These Creatures tells the story of a young boy watching his father’s mental health unravel. A central theme of the short film is the notion that the father has no control over his condition - he has no free will. Born with a mental illness, he is trapped in his suffering and inevitably makes others suffer as well.Nearly seven years later, Williams’ Inside expands on many of these themes, delving into the question: If someone is born with a mental illness or grows up in a traumatic environment and commits a crime, how should they be held accountable?“Should people be punished for what they’ve done wrong? Can we really hold someone accountable when, in some sense, they may have been unlucky to be born the way they are? For example, a psychopath doesn’t choose to be born that way, but if a psychopath causes severe harm, you don’t want to be around them,” says Williams.“But do we really need to punish them? Will it help them? Will it help anyone? These are complex questions, and I’m not advocating for any particular answer. I just think they’re worth wrestling with.”Inside stars Vincent Miller as Mel Blight, a young man recently transferred from juvenile to adult prison; Guy Pearce as Warren Murfett, an older man who has spent years behind bars and has become estranged from his son; and Cosmo Jarvis as Mark Shepherd, a notorious criminal who, incarcerated since his youth, has turned to Christianity to atone for his sins.Guy Pearce and Charles Williams on the set of Inside. Source: Bonsai Films.Each of these characters have committed terrible acts and are struggling to live with their past. In one early scene, Mel attends a parole meeting, but in a moment of frustration, he picks up a chair and throws it at the window repeatedly.At first, it’s unclear why he does this, but as the film unfolds, we realise that Mel is more terrified of being released than staying locked up. He doesn’t believe he deserves parole or that he has been punished enough. But what, then, constitutes just punishment?The film explores these questions as each character grapples with their past and their future. Williams highlights the moral complexity of the dilemma: “At what age do you hold someone accountable? If a five-year-old shoots a gun, do they understand the consequences? What about a 15-year-old with the mental capacity of a five-year-old due to severe abuse or fetal alcohol syndrome?”“There’s a complicated scale here, and all of these factors feed into the characters. Each character tries to change in their own way,” Williams explains. “Guy’s character, Warren, is pragmatic and existential. He wants to repair his relationship with his son and takes self-help courses. Meanwhile, Cosmo’s character, Mark, seeks redemption through spirituality, trying to leave behind his past self.”The tension and drama intensify when Pearce’s character, Warren, tells Mel to murder Mark. This moment sends ripples through the narrative, presenting alternate histories for each character based on the outcome of the planned murder.Williams masterfully weaves these intricate character arcs into a gripping prison drama. He spent extensive time researching Victorian prisons, even enlisting real prison security guards and former inmates as extras to lend authenticity to the setting.“One of my favorite things about movies is when you’re immersed in a world where the people involved truly know it,” says Williams. “It helps the audience believe in the reality of the film. I spent four years researching Victorian prisons because each state in Australia has slightly different rules.”“I also enjoy working with non-professional actors. They’ve been living their roles their entire lives. There’s an authenticity you can’t get from trained actors. I encourage them to tell me if something doesn’t feel real, and we’ll adjust.”Inside is worth watching just for the three stellar performances - Pearce and newcomer Vincent Miller are perfectly matched to their roles. But it’s Cosmo Jarvis’ performance as Mark that truly stands out. Jarvis transforms into his character, a complex, guilt-ridden man who desperately wants to be good but just can’t seem to get there, communicated expertly through Jarvis’ eyes and his subtle shifts in facial expression.A still from Inside with Cosmo Jarvis (top) and Vincent Miller (bottom). Source: Bonsai Films.Beyond the performances, Inside features an entertaining script, stunning cinematography, and raises many questions. What is a just punishment for a criminal? Can someone truly change? And if so, does the guilt of their past actions ever fade?“These are fascinating questions,” Williams says. “They branch out into broader themes about how we deal with the people we become. We all wrestle with behaviors we’re not proud of. Why can’t we change those things? And when we do, we often wonder: What changed? Did I change, or was this always going to happen? These questions lead to interesting human behaviour, and that’s where great characters come from.”Inside is now in cinemas. Click here for showtimes.

In the lead-up to the Kiama Icons and Artists’ Orry-Kelly-themed event scheduled for July 26, 2025, The Bugle is planning a series of articles to share the story of Orry-Kelly and his impact on the world. If you missed the first article, you can find it here.There’s no mention of the first time Kiama costume designer Orry-Kelly met Bette Davis in his memoir Women I’ve Undressed, which makes it seem as if they’d known each other forever, a great indication of their relationship.The first mention in his memoir is a throwaway sentence where Orry writes, “Warners wanted to get the clothes underway for her forthcoming picture The Rich Are Always With Us, which would also feature an up and coming actress called Bette Davis.”The Rich Are Always With Us was one of Orry’s first jobs as a costume designer at Warner Brothers Studios, and it was only a year later that he became head of the wardrobe department. But it was the 1938 film Jezebel, which led to Davis’s first Oscar, that truly marked the start of their winning combination.In Jezebel, Davis, as Julie Marsden, wears a striking red gown designed by Orry to a ball, shocking the other attendees in an era when women were expected to wear only white.Since the film was shot in black and white, Orry had to create the gown in grey so that it would appear red on screen. This early example shows how Orry’s designs were to become pivotal plot points in major Hollywood films.The two worked together on over 30 films, but the one most people, including Kelly, believe is their best work together is the 1942 classic Now, Voyager, in which Bette Davis plays a repressed woman who gains independence.Bette Davis in Now, Voyager. Source: Women I've Undressed.Lesley Chow writes in a CNN article, “Kelly’s gowns are key to this dramatic transformation, as Davis appears in a series of stunning, minimalist black outfits which showcase her newfound elegance and strength.”“A master of silhouette, Kelly preferred a lean, linear shape to the frills and puff-ball sleeves popular at MGM, and he knew how to give Davis’s figure the illusion of length.”Even though the film was a success, Kelly recalls how Davis was in a foul mood during the fittings for the film. But on the final day, she suddenly came out of it.“When the fitting was over, she turned to me and said, Kelly, I’ve been a devil this last week, haven’t I? I’ve been almost out of my mind; my sister Barbara has been terribly ill,” writes Kelly.“That’s the way Bette was with everyone. It made up for everything. It didn’t matter if I’d jumped in my sleep all week, or that I was hitting the bottle,I didn’t need an excuse for that. In the end, she was always so fair and considerate.”In 1944, Kelly left Warner Brothers, but Bette Davis still tried to get the studio to hire him exclusively for her films. She had grown so attached to him.Costume designer Deborah Nadoolman Landis, as reported in the Sydney Morning Herald, once said, “Personalities are created in the fitting room. Icons are created in the fitting room. That’s a relationship from the knickers outward. From the inside out, Orry-Kelly helped Bette Davis create her people.”Another photo of Bette Davis in Now, Voyager. Source: Women I've Undressed.Beyond their professional partnership, Kelly and Davis were also good friends and remained close even after he left the studio.Kiama Historical Society president Sue Eggins, a researcher on Orry-Kelly’s life, says, “They had a very good relationship. He dressed her for 20 years, even after he left the studio, Warner Bros. Bette had it written into her contract.”It seems as though they were almost two peas in a pod: Bette, a woman trying to make it in Hollywood, and Orry, a gay man navigating the same industry. They both had to be passionate, stubborn, and brave.Orry says of Bette, “She was a loyal friend and a really nice person. Often I jumped in my sleep. And I saw little men jump on the set, and others drop their hammers from catwalks during a battle between Bette and her director. But she had a right. If it weren’t for her, this man who was once a dialogue director might have remained a dialogue director!”For those eager to get involved or stay updated on the event, the Kiama Icons and Artists group is active on Facebook.

At just 12 years old, Kiama Public School student Leonardo Murray has won the prestigious 2024 Travel Photographer of the Year (TPOTY) Award in the category for photographers aged 14 and under.TPOTY is an international photography competition, run by photographers for photographers, and is open to both amateur and professional photographers worldwide. Leonardo is thrilled to have received this recognition.“I am very grateful and proud of myself,” says Leonardo. “This is such an amazing milestone, and I’m honoured to be recognised as one of the best travel photographers under 14 in the world.”The photos submitted for the competition were all taken during a trip Leonardo took with his father, Ignacio - also a professional photographer - to the Namib Desert in Africa.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.One of the judges for TPOTY, Jeremy Hoare, wrote of Leonardo’s images: “Beautiful landscapes capturing the majesty of the Namib Desert. For someone so young to see and capture the near abstract shapes and rhythms in this set shows a sense of image perception that is remarkable. At 12 years old, these show a good creative eye and use of light balancing the natural light and in-camera technique.”A standout image from Leonardo’s collection features a vast golden sand dune cutting diagonally through the frame, with a tiny human figure standing at the top.Part of of 12-year-old Leonardo Murray's award winning collection of photos depicting the Namib Desert.“We had to climb the highest sand dune in Namibia to capture the amazing view,” Leonardo recalls. “It wasn’t too difficult for my brother and me, but my dad, who was carrying the camera gear, didn’t think it was so easy!”Leonardo explains how one of his favourite photos came about: “I waited for my dad to catch up, but my brother went ahead. I took a photo of him in the distance - he’s the tiny figure on the dune.”Leonardo’s passion for landscape photography and his deep connection to the natural environment come through in his work.“Since I was little, my mum has taken me hiking and camping in remote places, so I’ve always loved being in nature. I feel really comfortable in the wild, and I want to show others how amazing these places are,” he says.In addition to photography, Leonardo has been developing his bush survival skills with the Kiama Scouts.While he’s passionate about photography, Leonardo keeps his future options open.“I’ve always loved creative arts and the outdoors. Sometimes I see something and just want to capture it. Photography will always be a hobby of mine, but I’m also interested in exploring other things,” he says.The Bugle congratulates Leonardo on his outstanding achievement and looks forward to seeing where his creativity takes him next! Hopefully we can feature some of his future local work.

Gerringong local Lauren Mahar and her husband, Jordon, are bringing Ulster American, a thought-provoking play by Irish playwright David Ireland, to the Wollongong Workshop Theatre from February 21 to March 8.Ulster American revolves around a tense conversation between three characters: an American actor, an English director, and a playwright from Northern Ireland, who are attempting to stage a new play. The play takes a dark turn as they quickly discover, each character has different intentions for the play.Lauren, who grew up in Gerringong, is producing the play, while Jordon makes his directorial debut with this production. The couple was inspired to bring the play to the Illawarra after seeing it performed in London.“We were fortunate enough to see Ulster American in London with a powerhouse cast featuring Louisa Harland, Woody Harrelson, and Andy Serkis,” says Jordon. “But beyond the incredible performances, it was our introduction to David Ireland’s work.”Ireland has become one of the most celebrated playwrights in recent years, with Ulster American garnering attention for its sharp, timely commentary on issues such as the importance of history, the significance of language, and the often-contentious debates we engage in today.“I think the two male characters in the play are trying to appear very woke and politically correct,” says Lauren. “But it’s through their actions that we see who they truly are, and that theme really comes through in the play.”The play also delves into the complex history of Ireland, particularly the identity struggle faced by those in Northern Ireland, who often decide to identify as British rather than Irish. This exploration of group identity was one of the aspects that first drew Jordon to the play.“One of the most fascinating elements of this play is the concept of group identity,” says Jordon. “The character from Northern Ireland is caught in this tension between her Irish heritage and the British culture she grew up with - learning British history, watching British television, and seeing herself as British.”“But then there’s the baggage that comes with that identity when we discuss the political and physical conflict between the UVF, the IRA, and the British Army. It raises the question: How far are you willing to go to defend the group identity you've chosen?”The promotional poster for Ulster American. Source: Wollongong Workshop Theatre.Ulster American is a play that forces its audience to reflect deeply, and both Jordon and Lauren believe in the transformative power of theatre to prompt self examination.“Theatre is important because it holds a mirror up to the audience,” says Jordon. “It gives us a chance to watch aspects of ourselves and people we know reflected on stage.”“It encourages us to really think about what we like or dislike about characters,” Lauren adds. “Why does a character rub us the wrong way? Why did something they said offend us? Theatre gives us the space to question our own beliefs and values.”The couple hopes to bring a taste of the theatre’s magic to the Illawarra, a region often far from major cultural hubs in New South Wales.“There’s no theatre in Kiama, so if you want to enjoy live theatre, you often have to travel to Wollongong,” says Jordon. “This is a chance to showcase local talent - Lauren grew up in Gerringong, and she’s passionate about bringing quality theatre to her community.”Ulster American opens on February 21 at the Wollongong Workshop Theatre. Tickets are available for purchase here.

Gerringong based landscape photographer Nathan Miller will present Eternal Moments, his new photography exhibition, at the Old Fire Station from February 20 to 26.A dairy farmer by trade, Miller explains that the name of the exhibition was inspired by one of the core reasons he began taking photos in the first place.“What inspired me to become a photographer were the unseen moments I’d experience while milking early in the morning- those crisp, clear mornings when the sky is breathtakingly beautiful. I felt compelled to capture those moments,” says Miller.“The name Eternal Moments reflects this: it’s about capturing a fleeting moment that few people witness and preserving it forever.”One of Nathan Millers wonderful photos. Photos Supplied.Miller, who has been taking photos for 20 years, took on a personal challenge in 2024 to take a photo every day for an entire year. He has a particular passion for capturing the natural landscape, hoping his work will remind people of the everyday beauty we often overlook.“I enjoy showcasing the beauty of our local landscape. We don’t always take the time to appreciate it, and I hope that through my photography, people will not only reflect on its beauty but also think about the importance of protecting it,” says Miller.As you view Miller’s stunning landscapes - each one a snapshot of beauty that might otherwise have passed unnoticed - you’ll likely notice they are all taken in Kiama and its surroundings.“Kiama is my home. I grew up here and have spent my life surrounded by these landscapes. They’re so unique, not just to Australia, but to the world. There’s really nowhere else like it,” says Miller.One of Nathan Millers wonderful photos. Photos Supplied.The Eternal Moments exhibition marks Miller’s 12th solo exhibition at the Old Fire Station. He says what he enjoys most about his work is hearing the personal stories it evokes in others.“I love meeting people and hearing their stories, especially when they share how my photography makes them feel about a place. Everyone’s experience is different, and it’s fascinating to see how people connect with the work,” says Miller.Eternal Moments opens on February 20, so be sure to head down and experience the beauty of Kiama through Nathan’s eyes. And while you're there, take the opportunity to chat with Nathan about any stories his photographs inspire.

SevenMarks Gallery came alive on February 8 as art lovers gathered for the opening night of Framing Space, the latest exhibition by renowned Australian sculptor Philip Spelman.Spelman’s bold and vibrant sculptures filled the gallery, transforming the space with geometric forms and striking compositions of positive and negative space. Guests explored his unique approach to abstraction, where familiar objects—tables, vases, and chairs—are reimagined into dynamic three-dimensional works.“There’s internal space—negative spaces captured within the work—and then there are the positive elements within those spaces,” Spelman shared, reflecting on his creative process.Attendees engaged in lively discussions about the interpretations of his pieces, a testament to the thought-provoking nature of his work.SevenMarks Gallery praised Spelman’s ability to reshape the gallery landscape, stating: “Phil’s vibrant sculptures engage with both natural and defined spaces, balancing, tumbling, and floating to create dynamic compositions.”Framing Space runs until March 15—don’t miss the chance to experience it firsthand.

Alana Valentine’s new play Nucleus is all about the nuclear energy debate, which is quite timely considering what is going on in the country at the moment. But when she began working on it six years ago, she had no idea the debate would resurface.“I was working on this for about six years,” says Valentine. “In fact, I had a public reading at the Shoalhaven Art Centre in 2022 which some of your readers might've come to. It wasn't the same play but it was based on some of that research I'd done.“I put all that in an archive box and wrote a different play which became Nucleus but in truth I've been working on it for years and I didn't know that they were going to revive the nuclear power debate, but in the end I like that theatre can have its finger on the zeitgeist.”Nucleus follows the lives of a man and a woman on opposite sides of the nuclear debate, exploring their lives over nearly 30 years. The play is inspired by the real-life story of the proposed nuclear power plant in Jervis Bay.“I have a deep passion for Australian history,” says Valentine. “I really believe that if we understand our past, we can better shape our future. I’m a resident of Jervis Bay, so I’ve swum at Murray’s Beach many times. I knew that the car park there had been the site of a failed attempt to build a nuclear power station on the headland in 1969.“I started talking to activists who had been involved during that time - not just with the Jervis Bay project. I met some amazing people in the Shoalhaven area who made the kind of life that we live now possible.”Nucleus Promotional Poster. Source: Griffin Theatre Company.Valentine has been a playwright for many years, often focusing on verbatim theatre, where scripts are based on real people's words. Her most famous works include Paramatta Girls, which explores the experiences of three Indigenous women in a Parramatta Girls Home, and Run Rabbit Run, which focuses on the South Sydney Rabbitohs.However, Nucleus is fictional - though rooted in extensive research and interviews about nuclear energy activists on both sides - because Valentine wanted the creative freedom to tell a richer story.“When I work with real people and their lives, I want to portray them with integrity, making sure they feel they’ve been represented properly,” she says. “Similarly, I wanted to depict both sides of the nuclear energy debate with integrity. But Nucleus is also a deeply personal story. “The nuclear debate serves as a metaphor, pushing these two characters to confront the legacy of their relationship. The play unfolds in a series of reveals, and fiction allowed me to give more depth to the characters and make the story more engaging, as it’s just the two of them talking.”While Valentine aims to fairly represent both sides of the debate, she makes it clear that the play isn’t going to make your mind up for you.“My whole life has been based on the idea that people have their own opinions and that they have their own brains and what the theatre should do is complicate the issue and present the human face of this story,” says Valentine.The play is structured to draw you into the debate through the relationship between the two characters. As their lives become increasingly intertwined, the debate falls away and you’re left with a complex, but human, relationship between two people.It is refreshing to see at a time when heated debates online often obscure the human side of things, Nucleus reminds us that it’s possible to disagree respectfully, without compromising your beliefs.“You can disagree with someone and still be civil. It doesn’t mean abandoning your opinions; it just means listening and explaining why you believe what you do,” Valentine says.Nucleus opens at the Griffin Theatre Company in Darlinghurst on 14 February and runs until 15 March and you can buy tickets here: https://welcome.griffintheatre.com.au/overview/4505.

The Shoalhaven Entertainment Centre has unveiled its highly anticipated 2025 season, promising a dynamic mix of theatre, music, dance, and family-friendly performances. The lineup showcases a diverse array of world-class productions, ensuring something for every arts enthusiast.Among the theatre highlights is Macbeth by Sport for Jove, a bold adaptation of Shakespeare’s classic tragedy, and 1984 by Shake & Stir Theatre Company, an immersive retelling of George Orwell’s dystopian masterpiece. The director is a Kiama local, George Banders, so one not to be missed!  Other must-see productions include Shore Break, a moving solo performance by Chris Pitman, and A Place in the Sultan’s Kitchen, an innovative theatrical experience blending storytelling and live cooking.Music lovers will be treated to performances by the Sydney Symphony Orchestra, presenting works by Beethoven and Schubert, as well as an intimate solo concert by ARIA Award-winning artist Lior. Dance enthusiasts can look forward to the Victorian State Ballet’s enchanting production of The Nutcracker.For families, Josephine Wants to Dance, based on the well received children’s book, will delight young audiences, while The Alphabet of Awesome Science promises an interactive and educational spectacle. A special highlight is A Boy Called Sailboat, featuring a screening of the film with live music by the Grigoryan Brothers.Acting Venue Manager Shane Spencer expressed enthusiasm for the upcoming season, emphasising the venue’s dedication to delivering exceptional cultural experiences. “The Shoalhaven Entertainment Centre’s 2025 Season continues our commitment to quality, offering something for all tastes and ages,” he said.Tickets and full program details are available via the Shoalhaven Entertainment Centre website or at the Box Office. Don’t miss out on a year of extraordinary entertainment in the heart of Nowra!

Greg Martin Vale, a well-known local artist, has been exhibiting at The Old Fire Station in Kiama, showcasing his latest works.Recently, Greg won the Jean Hanson Memorial Award at the Kiama Show, along with “one or two” first prizes. However, he insists the real value of the show isn’t the awards but the exposure and connections it brings. One such example is a customer who, after seeing his work at the show four years ago, recently reached out to purchase a canvas print.Greg also made an impact in an unexpected category at the Kiama Show - cleaning up in the plant section!Every February and October (usually over the long weekend), Greg holds an exhibition at The Old Fire Station. Again, for him, it’s about visibility and reaching a wider audience.But beyond his own work, Greg is passionate about the broader arts scene in Kiama. He believes the town desperately needs a designated year-round art gallery to boost tourism and support local creatives. He noted that Mayor Neil Reilly has shown interest in making a dedicated space at the council chambers, - which never came to fruition. Maybe in the future developments!"Tourism in Kiama is lopsided," Greg said. "Creatives need to be celebrated, and artists need spaces that attract visitors." He also highlighted the strong local arts community, praising initiatives like the Kiama Arts Society’s exhibition at Kiama Leagues Club in July.Greg also stressed the need for a theatre or multi-purpose creative space, where artists across disciplines could come together, collaborate, and showcase their talents. Kiama Arts Society has an exhibition at Kiama Leagues Club in July which is great for creatives and for the community.For now, visitors can enjoy his and other artists work revolving throughout the year at The Old Fire Station, gaining a glimpse into Kiama’s thriving creative scene.