The MV SIGNA has reached a significant milestone on its way to the Australian Wooden Boat Festival, with the crew successfully arriving in St Helens on the northeast coast of Tasmania after 38 and 3/4 hours at sea. The crew departed Bermagui at 6am on Wednesday, 29 January, and made it to St Helens on Thursday, 30 January, at 8:45pm local time.While the weather was generally manageable, the crew faced some challenges, including sloppy seas from 6am on Thursday and strong currents that slowed their progress. Despite these setbacks, they reached St Helens - though, due to their late arrival, they were unable to be guided into the shallow waters of the port. Instead, they spent the night at a swing mooring.Sandra Hansen, wife of the project’s leader John Hansen, shared the update via Facebook, saying, “It was a long journey, and they had a drink or two to celebrate before getting some much-needed rest.”The following morning, Friday, 31 January, the crew made their way into St Helens at 10am greeted by a stunning, clear day. John described the location as “beautiful” and mentioned they were looking forward to a well-earned break.John reflected on the long stretch at sea, saying, “It’s a bloody long way, and it was totally black out there at night. We had to dodge a lot of oil rigs, but thank God for technology - it’s been a lifesaver out here.”With no set timetable for their return journey, the crew is now focusing on taking shorter hops and enjoying the journey at their own pace. “We’ll take it easy for a bit, maybe do some fishing tomorrow, and then head to Wine Glass Bay and Bruny Island before making our way to Hobart,” says John.The view of St Helens from the SIGNA, must have been a great sight! Source: Sandra Hansen.The next leg of the journey is entirely dependent on the weather. The crew may spend an extra day in St Helens to relax and fish before continuing south. After that, their plan is to head to Wine Glass Bay and Bruny Island, where they have a mooring arranged. The final destination is Hobart, where the MV SIGNA is due to arrive at Constitution Dock by Thursday, 6 February, at 11am to register for the Australian Wooden Boat Festival.Stay tuned for further updates as the SIGNA crew makes their way to Hobart!

For the third consecutive year, Shellharbour Council took home the coveted title at the annual Lifeguard Challenge, held on Thursday, 30 January at Kiama Surf Beach.From 7pm Thursday night, teams of lifeguards from Wollongong, Kiama, Shellharbour, and Shoalhaven faced off in the highly anticipated competition. Despite the fierce waves and dwindling daylight, the lifeguards, aged between 17 and 70, demonstrated incredible resilience as they navigated a 600-meter course around a buoy and back.Some of the competitors on the start line. Source: Veronica BardsleyEach team consisted of six competitors, with the race structured like a relay. Race organiser Blair Day explained the different legs of the race:“We start with nipper boards - the foam boards - and then move to longboards, which are the rescue boards lifeguards use to save people. After that, we have a swimmer, followed by two swimmers with rescue tubes - another tool we use to rescue people. The race ends with a runner,” says Day.Shellharbour’s A team took first place, completing the course in around 19 minutes. Shellharbour’s C team secured second, while Wollongong’s C team claimed third. Day says there were a couple of upsets due to the rough conditions.This year's event marks three consecutive years since Day revived the competition, which originally began in 2006.“It started in 2006 but stopped in 2012. I moved away from Kiama for a while, but after returning a few years ago, I decided to bring it back in 2023,” says Day. “So, this is the third year of the revived challenge.”The coveted trophy. Source: Veronica BardsleyDay created the event as a way for lifeguards to come together at the end of the busy summer season to celebrate their hard work. Given the challenging summer Kiama had experienced, including three drownings, the event held even greater significance.“The idea was to bring everyone together after a hectic summer. It was a pretty sad summer for some of the people that work in Kiama - so it felt especially important to gather everyone from different councils because we don’t get many opportunities to do that,” says Day.Crew from Culburra. Source: Veronica BardsleyDay also emphasised the importance of encouraging young people to become lifeguards. “It’s vital for the future of our community, and it’s an incredibly rewarding and fun job,” he says. “I’ve been doing it for 20 years now. I’ve traveled the world with it, and it’s one of the few jobs where you get paid to stay fit and train.”He added, “Every day is different. You’ll have busy days, quiet days, but you’re always surrounded by like-minded people who are passionate about their health and fitness. That was clear at the challenge, with competitors ranging from 17 to almost 70 years old.”A competitors getting ready to hit the water. Source: Veronica BardsleyLooking ahead, Day hopes to expand the event in the future, with plans to include more councils and build on the fun, competitive spirit that makes the Lifeguard Challenge such a unique and meaningful tradition.

By Stephanie LittleThe Kiama Show once again demonstrated its strong local connections and commitment to showcasing the versatility of ex-racehorses, with a special event dedicated to Off The Track Thoroughbreds. A highlight of the weekend was the remarkable performance of Scallopini, proving there is indeed life after racing for these beautiful animals.Scallopini’s journey is nothing short of inspiring. After an illustrious racing career spanning seven years, from age two to nine, he amassed over one million dollars in prize money and secured thirteen wins, including at Group and Listed level. Bred from the legendary sire Snitzel, his name is a nod to his racing pedigree and his quality as a competitor. Sold for $200,000 as a yearling and managed by leading syndicators Proven Thoroughbreds, Scallopini was a force on the track.When the time came for retirement, his owners took every precaution to ensure he found the perfect home. After thorough vetting, the reins were handed over to Isabella Tyson, a veterinary student with a passion for retraining and rehoming ex-racehorses. Just twelve months later, Scallopini entered the show-ring at the Kiama Show and performed like a seasoned professional, winning his class and impressing judges and spectators alike.Local professional photographer Stephanie Little, who works with Racing Australia, was on hand to capture the moment. She praised the Kiama Show Society for their efforts in promoting second careers for Off The Track Thoroughbreds. “It’s incredible to see the work that goes into ensuring these horses have bright futures beyond racing,” Stephanie said. “Scallopini’s success is a testament to the dedication of his former owners, Isabella’s care, and the wonderful opportunities provided by our local show.”The Kiama Show’s support for Off The Track Thoroughbreds not only highlights the adaptability of these animals but also the deep connection between the equestrian and racing communities. Events like these reinforce the message that retired racehorses can go on to achieve greatness in new disciplines, ensuring they enjoy long, fulfilling lives beyond the racetrack.With such a promising start to his second career, there’s no doubt that Scallopini’s future in the show-ring will be just as impressive as his time on the track.

Kevin Sullivan and the Sulli-Vans had an unforgettable few days in Tamworth during the Tamworth Country Music Festival. They performed the National Anthem to a packed stadium crowd and took home the award for Best Independent Country Band at the Independent Country Music Association Awards.The family band, made up of Kevin, his wife Belinda (their road manager), and their children KJ, Jet, and Cha-Cha, were thrilled to receive the award. “It was amazing. It was the first time we’d won an award as a band. They even gave each of us a trophy with the Sulli-Vans and our individual names engraved on it. Our son Jett, who’s 9, was so excited,” says Kevin. “Recognition like this is really rewarding. We put in so many miles and so much hard work, so to be acknowledged in the industry means a lot.”During their nearly two week stay in Tamworth, the band performed at a variety of events, including a sold out show called Music for McGrath at Tamworth Town Hall, which supported the McGrath Foundation.However, the most memorable performance came at the Australian Bushmen’s Campdraft and Rodeo Association (ABCRA) National Rodeo Finals. “We got to sing a few songs, and the National Anthem, on the back of a truck, right in the middle of this massive stadium. It was a first for us, and it was awesome!” Kevin says.Kevin also released his new album, Threeways, on June 28, 2024. The album spent 10 weeks in the top 10 of the ARIA Country Albums chart and ended up in 9th place overall for 2024. “When we got to Tamworth, I did a radio interview, and someone in the industry told me my album was in the top 10 best-selling country albums for 2024. It was the first time I’d heard that, because they only publicised the top 5. My album was ranked 8th,” Kevin explains.He continues, “I asked if there was anyone ahead of us I’d know, and he said, Probably not - have you heard of a guy named Keith Urban? Keith Urban was in front of us, and I thought, to be in the top 10 as a small independent artist from Gerringong is just amazing.”Adding to the excitement, Kevin won a Brumby Award at Tamworth for High Country Snows, a song from Threeways that he co-wrote with Bill Chambers, the father of country music legend Kasey Chambers. The song earned the award for Best Collaboration of the Year.Although their schedule was packed with performances, Kevin says their road manager makes sure they carve out time for fun. “No matter where we are, she always makes sure we have at least one day to see the sights or participate in something fun in the town. We make sure to have a little downtime,” he says.And the fun doesn’t stop there. The Sullivan family’s next stops include Queensland for another show, followed by Tasmania for more performances and some recording sessions.The Sulli-Vans singing the National Anthem. Source: Kevin Sullivan

Kiama Surf Beach saw a season high of 21 rescues in one day, a sobering reminder of the ocean’s unpredictable nature. Between 12 and 2 pm, when the tide was changing, flash rips caught swimmers off guard, leading to repeated incidents despite the surf appearing calm.With over 150 swimmers in the water and more than 400 people on the beach, Kiama Surf Life Saving Club’s patrolling members worked tirelessly to ensure everyone made it home safely. Thanks to their vigilance, all rescues had positive outcomes, with each swimmer guided safely back to shore. Club Captain Natasha Osmond-Dreyer explained that these kinds of days are a reminder of the critical role of preparation and teamwork.Patrolling the beach involves more than reacting to emergencies. Osmond-Dreyer shared how every patrol begins by assessing the strengths of each team member, assigning the strongest swimmer to water rescues, while others take on roles such as first aid and resuscitation. This preparation allows the team to act swiftly and effectively.On the day of the rescues, the team carefully monitored swimmers in groups, continuously counting heads after waves and scanning for subtle signs of distress, such as someone drifting further out or struggling against a current.While swimming between the flags is the safest option, Osmond-Dreyer stressed that swimmers must still be aware of their own competency. “Even if you are in the flagged area, you need to be honest about your ability. If you are not confident in the surf, do not go out too far. Stay close to shore where you can stand,” she said.Most of the rescues on the day occurred within the flags but involved swimmers who lacked the skills to handle deeper water.Lifesavers did not wait for a raised hand before taking action. Osmond-Dreyer explained that patrol members could see people struggling before they had a chance to call for help.“We were proactive. We rescued them before they even had time to signal for assistance. By the time we reached them, they were already in trouble. If we had waited for them to raise their hands, the outcome could have been very different,” she said.Photographs and footage from beach cameras also play a vital role in monitoring conditions. These cameras, part of a national coastal monitoring system, allow lifesavers to assess beach and surf conditions throughout the day. The images provide critical information on rip currents, wave patterns, and how weather conditions impact the safety of swimmers.Osmond-Dreyer explained that these visuals are essential for understanding the dynamics of the ocean and for planning patrols effectively.Photographs and footage from beach cameras also play a vital role in monitoring conditions.She added that the photographs are also valuable for public education and training. “We share these images on our Facebook page to show how deceptively calm the water can look when dangerous rips are present. They’re also useful for training purposes, helping us review how we responded to rescues and what we could do better in the future,” she said.While the lifesavers were able to guide all swimmers to safety, some individuals needed to be rescued multiple times, highlighting the importance of understanding what to do in a rip.Osmond-Dreyer emphasised that the most important thing is to avoid panicking. Floating on your back to conserve energy is critical, and raising one arm straight in the air is a clear signal to lifesavers that you need help. She explained that rips are not going to carry you all the way to New Zealand, andt fighting against them will only exhaust you.“Floating is your best friend,” she said, adding that waiting for assistance or swimming at an angle to the rip’s direction will improve your chances of staying safe.She also stressed the importance of swimming between the red and yellow flags, where patrols monitor the conditions most closely. “We position our team to cover this zone because it is the safest place to swim,” Osmond-Dreyer said. “If you are unsure about the conditions, always talk to the lifesavers on duty. We are here to share local knowledge about hazards and rip conditions, and we would much rather give you advice upfront than have to rescue you later.”The 21 rescues at Surf Beach are a reminder of the vital role of both patrol teams and personal responsibility. Osmond-Dreyer’s advice is simple but life-saving: respect the ocean, swim at patrolled beaches, stay calm if caught in a rip, and always speak to the lifesavers.

A recent survey by the NSW Government revealed the most common names for licensed hotels across the state in 2025, with familiar names like Royal Hotel and Commercial Hotel topping the list. These pubs, scattered across New South Wales, have long been staples of community life. Closer to home, Kiama once had its fair share of pubs with similar names – though only The Grand Hotel and Tory’s remain today. Are you like me and remember the Brighton Hotel? The Grand Hotel and Tory’s have survived while others have faded into memory. Photos Kiama Library What happened to the others? Why have these two endured while so many others disappeared?Pubs were once central to Kiama’s daily life. They were places where people could gather after a hard day’s work, share a laugh, or even quietly enjoy a drink without judgement. They weren’t just buildings, they were places of connection, with names like the Imperial Hotel or Railway Hotel conjuring images of a different time.The Grand Hotel and Tory’s have survived while others have faded into memory. Is it their location, their character, or perhaps something intangible that keeps them standing?These two pubs now serve as living relics of a time when Kiama’s streets were dotted with places to pull up a stool and share in the town’s stories.We’re calling on the community to help us remember the names and stories of Kiama’s lost pubs. Were they places for celebration, or just a quiet refuge?If you have memories, photos, or even theories about why The Grand and Tory’s have outlasted the rest, we’d love to hear them.Kiama Library has the back story of Tory's Hotel. Here is a little snippetWe all know the iconic 'Tory's Hotel' in the centre of Kiama, but did you know that it is the oldest continuously operating business in Kiama? The licence was appointed to Irishman Jimmy Barton and his wife Elizabeth on 6 April 1853, originally for 'The Fermanagh'. (Two other inns in town predated the Fermanagh, although they have not survived.)

Crooked River at Gerroa is one of the area’s most popular spots for fishing, kayaking, and bird watching. However, its recent closure to the ocean has sparked debate among locals, with some taking matters into their own hands to reopen it. While their efforts may be well-meaning, experts warn that such actions could do more harm than good.Crooked River is part of an Intermittently Closed and Open Lake and Lagoon (ICOLL) system. These systems alternate between being open or closed to the sea depending on natural conditions. When rainfall is heavy, water levels in the river rise, breaking through the sand barrier at the entrance. This creates a channel and allows the river to flow freely into the ocean. When tides and waves push sand back into the entrance, the channel gradually closes again. Studies show that Crooked River spends around 15% of the time closed, with periods of being open lasting anywhere from one week to five years.Recent attempts by community members to reopen Crooked River involved shovels and possibly machinery, but the resulting partial opening was ineffective. Local resident Warren Holder explained, “The slower outflow didn’t dredge enough sand out to sea. The river remains shallow, and much of the sand is still there.” The sand that remains in the river creates slow water movement, making it harder for the river to stay open. This disrupts the natural balance of sand redistribution, which replenishes beaches and raises the sand height above the high tide mark. Without this process, sand is more likely to wash back into the river, leading to further closures.There are also environmental risks associated with premature openings. Improper actions can disturb acid sulphate soils, which release harmful substances into the water. This can cause fish kills, damage marine ecosystems, and leave the water unsuitable for recreation.Kiama Council has a policy to allow Crooked River to open naturally unless there are extenuating circumstances. This policy aligns with state guidelines, which prioritise natural openings to protect fish habitats and water quality. The Council’s policy also recognises that flooding is not a significant risk for permanent dwellings near the river. While monitoring continues, the Council has no plans to interfere unless conditions become extreme.Crooked River’s natural cycles are essential for maintaining its ecosystem and protecting the surrounding environment. Intervening at the wrong time can create more long-term issues than it solves. Holder added, “People need to understand that this is a natural process. We’ve seen it dozens of times - if you let nature take its course, the river will eventually correct itself.”The best thing the community can do is to support evidence-based management and trust the natural process. Kiama Council is working within established guidelines, and local groups like Landcare are excellent resources for understanding the complexities of ecosystems like Crooked River. By allowing nature to take its course and avoiding unnecessary interference, we can ensure that Crooked River remains a vibrant and healthy part of our community for years to come.

The first-ever Group 5 Judith Green Award was proudly presented to Macs Rubain at the Kiama Show on Friday. This prestigious award, named in honour of Judith Green OBE OAM, recognises young people excelling in the agricultural field and supports their career and education in the industry. Macs Rubain, who grew up on a property and has experience in the beef industry, discovered a passion for dairy farming after helping a local stud at the Sydney Royal Easter Show a few years ago. “I quickly found a passion for the dairy industry and began competing in junior judging at local qualifiers. I was lucky enough to win the state final and compete at the national finals in Launceston. Although I was unsuccessful in winning, I was asked to judge some local shows in my region. This year, I won the state final again and look forward to competing at the national finals in Melbourne,” Rubain shared. Rubain’s journey reflects the values championed by Judith Green, a tireless advocate for agricultural shows and youth involvement. Her legacy, supported by contributions from local show societies and individuals, continues to inspire young agricultural leaders like Rubain to pursue excellence in their fields. The award presentation was a highlight of the Kiama Show, marking a significant milestone for Rubain and the South Coast agricultural community.

The Kiama Show Society proudly presented the prestigious Agricultural Shows Award medal to John Downes, recognising his exceptional contributions to the Show movement and his tireless dedication to the community. The award was presented by John Bennett, President of the Royal Agricultural Society of NSW (RAS), during the 2025 Kiama Show, with Kiama Show Society President Guy Stearn joining the ceremony to honour John’s achievements.John Downes and with his RAS of NSW Medal The Agricultural Shows Award medal, introduced by the RAS, celebrates individuals who have made significant contributions to agricultural shows across NSW. Every show society is invited to nominate a worthy recipient each year, with the medal symbolising not only excellence in advancing agriculture but also in strengthening community connections. This year, the Kiama Show Society’s choice was clear: John Downes, whose lifetime of volunteering has left an indelible mark on the Show and the Kiama community.For John, the Kiama Show has been a central part of his life for over 50 years. He first became involved in the woodchopping competitions as a young man when there was a need for more support.“There was only one young bloke in the woodchopping back then,” John recalls. “So I put my hand up to help. Most of the others were in their seventies, so it just made sense to step in and support.”Since then, John’s role has grown significantly. He became a key figure in organising events, assisting spectators, and contributing to the smooth running of the Show. Whether answering questions from attendees or helping coordinate activities, John has been the friendly and reliable face of the Kiama Show for decades.His ability to connect with the community has been a hallmark of his service, making him a beloved figure among attendees and volunteers alike.John’s dedication doesn’t stop at the Show Society. A volunteer with the Rural Fire Service (RFS) for over 50 years, he has played a vital role in protecting the local area and fostering community resilience. His service to the RFS is widely admired, with many calling him a local legend for his unwavering commitment.The Kiama Show holds a special place in John’s heart, and his family shares his passion. Over the years, the Downes family has worked together to support the Show, from showing cattle to assisting with woodchopping events. “It’s seeing how things come together, how people rally around to make something happen,” John says about his love for volunteering.This recognition from the RAS and the Kiama Show Society is a testament to John’s incredible legacy. As he accepted the medal, surrounded by Show organisers, his family and supporters, it was clear that his contributions have shaped not only the Kiama Show but the spirit of the community itself.

For the Downes family, the Kiama Show is more than an annual event, it is a legacy of community involvement, hard work, and cherished memories passed down through generations.Father John Downes and son Matt Downes share a deep commitment to keeping the show’s woodchopping tradition alive, a passion that began decades ago and continues to thrive today.Now, with three generations of Downes working as stewards in the woodchopping events, the family’s connection to the show is stronger than ever.Matt, John and Craig DownesJohn Downes, now 80, first became involved in the Kiama Show more than 50 years ago.“There was only one young bloke in the woodchopping back then,” he recalls. “So I put my hand up to help. Most of the others were in their seventies, so it just made sense to step in and support.”His role quickly expanded, from assisting with organising events to being the friendly face talking to spectators during competitions.“It’s about keeping people engaged, answering their questions, and sharing the excitement of the sport,” John says. “Of course, there’s plenty of argy-bargy at the monthly meetings, but by the time show day comes around, everyone knows why they’re there, and it just works.”Matt Downes, following in his father’s footsteps, started helping at the show as a teenager. Now 45, he has spent 30 years volunteering as a steward for the woodchopping events. “It started as just helping Dad, but over time, it became part of our family tradition,”Matt shares. “Showtime comes around, and you just know you’re going to pitch in.”The Downes family’s dedication has been pivotal in securing and maintaining the prestigious Pat Gallagher Memorial Australian 325mm Underhand Championship at the Kiama Show.The event, which boasts a prize pool of over $6,000 and is sponsored by Pat Gallagher son Terry, is one of the highlights of the woodchopping calendar.“Once you’ve got a national title like this, you do everything you can to hold onto it,” Matt says. “It’s about funding and organisation, and we’re proud to have hosted it for the past three years.”The connection between the Downes family and the show goes beyond woodchopping. Growing up on a farm in Jamberoo, they were also involved in showing cattle.“Cattle on Friday, woodchopping on Saturday, that’s how we balanced it,” Matt laughs. “It was a family effort, and we always found a way to make it work.”John’s contributions to the community extend beyond the Kiama Show. A Rural Fire Service (RFS) volunteer for over 50 years, he is regarded as a local legend. “You can’t get rid of him,” Matt jokes. “Once he commits, he doesn’t stop.”For John, the rewards of volunteering are clear. “It’s seeing how things come together, how people rally around to make something happen,” he says.And while the work can be demanding, it is moments like sunny show days after weeks of rain that remind him why he keeps showing up.John Downes inspiring generations of woodchopping stewards. L to R Matt (son) Isla Downes (granddaughter) Jahmalia Downes (granddaughter) John (patriarch) Craig (son) Courtney Marsh (granddaughter) Ben King (nephew)The Downes family’s story is one of dedication, resilience, and a deep love for their community.As the next Kiama Show approaches, the woodchopping arena will once again be bustling with excitement, thanks in no small part to the efforts of this remarkable father-and-son duo, who, no doubt, will weather plenty of argy-bargy to get it all done.

Reid Park in Jamberoo was alive with community spirit on Australia Day, as Kiama welcomed its newest citizens in a ceremony that was as heartfelt as it was inclusive. Backed by the Jamberoo Red Cross and Jamberoo Rural Fire Service, the event captured what makes this region special – a commitment to connection and a sense of belonging.Mayor Cameron McDonald led the Citizenship Ceremony, speaking directly to the significance of the occasion. “Becoming a citizen is about more than just words,” he said. “It’s about joining a community that values kindness, respect, and connection. Today, you’re part of our shared story.” His message reflected the warm and inclusive tone of the day.Aunty Jodie Stewart’s Welcome to Country added depth and perspective to the event. Her thoughtful and unifying message grounded the ceremony in respect for Indigenous heritage while embracing the diversity of stories that shape modern Australia. She urged all Australians to reflect on the challenges we’ve faced, the resilience that unites us, and the shared responsibility to continue building a better nation.Aunty Jodie Stewart urged all Australians to reflect on the challenges we’ve faced, the resilience that unites us, and the shared responsibility to continue building a better nation.Her words clearly struck a chord. They celebrated what brings us together, from the ancient connection of Indigenous Australians to the land, to the contributions of migrants who continue to enrich the country’s story. It was a call to kindness, respect, and shared responsibility, values that resonated strongly with the audience.This wasn’t just about formalities. It was a meaningful celebration of citizenship and community, reminding us all of what makes Kiama, and Australia, such a unique place to belong.The ceremony acknowledged our new Australian citizens:Louise Anna HallingtonEllen Catherine IsemanTonia Christ NikopoulosBhagya Anuradha Manike EkanayakeWolfgang Johann ReinhardA very proud Bhagya Ekanayake receives her Australia Day certiificate from Mayor McDonald As the Mayor noted, “This is what Australia Day is about – recognising our shared history, embracing our present, and looking to the future together.”

At Kiama Surf Lifesaving Club, a new generation of young athletes is making waves, both in the surf and on the competitive stage. Under the guidance of head board coach Peter Gallagher, these young members are building skills, confidence, and camaraderie while enjoying all the excitement that surf lifesaving has to offer.“Surf lifesaving isn’t just about competition,” Peter explains. “It’s about being part of a team, learning valuable skills, and building lifelong friendships. If they want to compete, I’m here to support them, but it’s the sense of belonging and achievement that matters most.”The Kiama Surf Lifesaving Club boasts a group of outstanding young athletes who excel both in the water and as part of a team. The girls, including Hannah and Charlotte Griffin, Poppy Nelson, and Chloe Barnes, bring a mix of natural talent, determination, and enthusiasm to their training and competitions. Each of them has embraced the challenges of surf lifesaving, thriving in the club’s supportive and encouraging environment. In the junior boys’ ranks, Finnlay Smee and Fergus Coughlan share a passion for paddling and endurance events, showcasing remarkable skill and dedication. Together, these rising stars embody the spirit of teamwork and resilience that defines the club.For those who enjoy the thrill of competition, Kiama Surf Lifesaving Club offers plenty of opportunities. Events like the Dean Mercer Dash, a challenging 5km paddle, are highlights of the year, while some members are already in training for long-distance events like the Ocean Racing Series.The club’s training program is dynamic and varied, with board paddling, swim sessions, and fitness exercises such as planks and chin-ups. “We focus on all-around fitness, teamwork, and having fun,” Peter says. “It’s about helping each person reach their potential, whatever their goals may be.”Beyond the competitive scene, Kiama Surf Lifesaving Club is a hub of community and connection. Social activities like pizza nights, barbecues, and camps bring members together, fostering friendships that last a lifetime.Peter is especially proud of the club’s ability to create a positive environment for young people. “This is a place where kids can grow into confident, responsible adults while having the time of their lives,” he explains.Surf lifesaving offers young people a unique mix of adventure, skill-building, and community connections. Whether competing, training, or simply being part of a supportive team, Kiama’s young lifesavers are on a path of personal growth and achievement.For those looking for excitement, belonging, and purpose, Kiama Surf Lifesaving Club is the perfect place to dive in and experience all that the ocean and community have to offer.

In response to the recent swimwear ban in the Blue Mountains, Kiama is throwing open its metaphorical, and literal, beach towels to everyone, no matter what they choose to wear. The message? Whether you're rocking a full body wetsuit or a daring G-string, you'll be welcomed here with open arms and sand between your toes. "We're not here to police your wardrobe," said one cheeky spokesperson. "We're here to make sure everyone enjoys Kiama's stunning coastline, friendly locals, and vibrant culture. The only thing we're banning is bad vibes." Cr Matt Brown, Chair of Destination Kiama, was clear about his stance. "I do not support telling women, or anyone else, what is now acceptable swimwear. I would like all visitors and locals to feel comfortable in their choice of swimwear, whether that be fully enclosed or hardly enclosed. Hijab or G string, or even a man bikini. As long as it is not offensive, then why should anyone have an issue?” Cr Brown went on to say, “Society needs to be open and welcoming, especially at our beaches. If someone’s clothing, or lack of it, causes distress, I suggest looking the other way.” The move to openly welcome visitors comes after backlash to the Blue Mountains City Council’s decision to ban G-strings in public pools. While the Blue Mountains wrestle with their modesty standards, Kiama is opting to embrace its reputation as a relaxed, inclusive destination where everyone is free to be themselves. "Whether you're strutting down Blowhole Point or lounging on Seven Mile Beach, we want everyone to feel comfortable and confident," a local café owner chimed in. "Frankly, we don't care what you're wearing, just bring sunscreen and swim between the flags." Kiama’s approach has already struck a chord on social media, with many praising the area for celebrating diversity and body confidence.The playful campaign slogan circulating online? "Leave the mountains, find the waves!" So pack your swimsuit of choice and head south, because Kiama promises something better than just breathtaking views, it promises a good time, no matter how much (or how little) you're wearing. 

On Wednesday, 22 January, the MV SIGNA finally set off for Hobart after three years of restoration effort led by John Hansen. Three days later, it safely arrived in Bermagui, but the voyage was not without its drama.The historic MV SIGNA and its crew, led by John Hansen, left early on Wednesday morning, and for the first few hours, it seemed like smooth sailing. However, trouble soon began.On social media, John’s wife, Sandra Hansen, said, “The starboard engine began to overheat at around 10:30 am which meant backing off from 1700 rpm to around 1400 to ensure the engine didn’t overheat.”This slowed the boat and crew considerably as they faced 3-3.5 metre swells and a 47 km/h southerly wind. Despite the setbacks, they reached Batemans Bay Marina by 4:30 pm.Upon further inspection, they found the cause of the overheating was a blockage in the heat exchanger on top of the gearbox, caused by debris collected from the water. To clear the blockage, they had to stay another night in Batemans Bay.On 24 January, they were able to leave Batemans Bay Marina and arrive in Bermagui by 12:30 pm.Sandra says, “The highlight was their first marlin sighting. They had rods and lures out - the marlin chased one and they sighted his fin about 12 inches out of the water.”In an interview with Nick Rheinberger on ABC, John said of the SIGNA, “The fella who designed the boat should be proud because the boat just performed magnificently.”The plan is to reach Eden on Sunday, 26 January, where they will meet with the Marine Police and Marine Rescue to discuss the best way to navigate Bass Strait.The Bugle will continue to provide updates on the rest of the SIGNA's journey to the Australian Wooden Boat Festival in Hobart.The crew had initially set a goal to raise $10,000 to fund the voyage but are still a bit short of their target. If you’d like to contribute, you can make a last-minute donation by calling The Bugle at 0412 415 101 during business hours (9 AM - 5 PM, Monday to Friday).

This afternoon, MP Gareth Ward presented Kiama Electorate Bravery Awards to six members of the Kiama Surf Life Saving Club (SLSC) in recognition of their life-saving actions on Christmas Day.Mr. Ward presented Bravery Awards to Harry Britton and Ed Birchall at the Kiama SLSC clubhouse. The other four members - Charlie, Brad, Dave, and Brian - were absent due to prior commitments, but their awards were accepted on their behalf by the Kiama SLSC.“Heroes don’t necessarily wear capes. Whether they’re just people in the water at the time or lifesavers on patrol, these individuals have saved lives,” says Mr. Ward.“The people who perform heroic acts like this are often so humble that they shy away from the attention and awards, as you can see today. But it’s important to recognise them for what they’ve done in saving lives.”On Christmas Day, four people became trapped in a rip current, and the six lifesavers who received awards today sprang into action to save them.“It was a challenging day - waves were about 4 to 5 feet, and the rip currents were pulling in both directions. Some girls got out of their depth and began to panic. They looked distressed. These young men were the first to respond,” says Ed Birchall.“At first, the girls thought they had it under control, but the boys stayed close by, monitoring the situation. A little later, the girls were pulled into the rip on the southern end. I went out with the rescue tube to help, but by the time I got there, these boys had already done most of the work.”One of the first responders, Harry Britton, said the rescue came naturally to him. “I don’t really think about it too much; it comes naturally.” Reflecting on the lesson people should take from the experience, he added, “Swim between the flags, and if the surf is heavy, make sure you can touch the bottom.”Mr. Ward also took the opportunity to acknowledge the ongoing efforts of surf lifesaving clubs across the state, particularly during the busy summer months.“I want to thank Kiama Surf Life Saving Club, and all our lifesaving clubs, for their incredible work. They volunteer their time not only when someone is in trouble but also in the extensive training that prepares them for these rescues. It’s a huge commitment,” Mr. Ward concluded.

Terry Gallagher’s connection to the Pat Gallagher Memorial Australian 325mm Underhand Championship runs deep, rooted in both family legacy and community pride. The event, which carries his late father’s name, honours Pat Gallagher’s significant contributions to the timber industry in the Illawarra region.Pat owned a timber yard in Bombo Quarry for over 30 years, supplying industrial timber to coal mines and the surrounding areas. After Pat’s passing in 1990, Terry wanted to ensure his father’s legacy lived on and decided to sponsor a woodchopping event in his honour.For years, Terry has supported the Pat Gallagher Memorial at the Kiama Show, pouring his passion into making it one of the standout events of the woodchopping calendar. His generous donation of $2,500 for first place (part of a total prize pool exceeding $6,000) not only elevates the competition but also secures its position as an Australian Championship event. By meeting the Axemen’s Association's funding requirements and consistent lobbying by event steward Matt Downes, Kiama has been able to host this national title every year since securing it, making it a cornerstone of the show’s woodchopping program.Terry’s sponsorship reflects his belief in preserving traditions and celebrating the skills of Australia’s best axemen. The event draws competitors from across the country, including high-profile names like Laurence O’Toole and Brad Delosa, and brings national attention to the Kiama Show.For Terry, it’s not just about prize money, it’s about fostering community spirit and ensuring that both the sport and his father’s memory remain part of the local fabric.In Terry’s own words, “This event is about honouring my father’s legacy and giving back to a community that meant so much to him. Seeing the calibre of competitors, we attract and the excitement it brings to the crowd, it’s something I’ll always be proud to support.”Thanks to Terry’s unwavering dedication, the Pat Gallagher Memorial Australian 325mm Underhand Championship has become a celebrated tradition, a testament to family, community, and the enduring power of legacy.

Kiama’s MV SIGNA isn’t the only local boat restored and selected to appear at the Australian Wooden Boat Festival this year. The other, Wayfarer II, is also a local gem, having been painstakingly restored by Kiama’s Rick Scott-Murphy.At 79 years old, Rick has spent the last three years working tirelessly on Wayfarer II at Shellharbour Marina. In preparation for the festival, he has already sailed the boat all the way to Tasmania. The festival will be held from February 7-10, 2025, where both of Kiama's boats will be on display.“I bought it in 2021 as a project to restore it to its original condition. Over the last few years, I've made significant progress,” Rick says. “I live in Kiama, and when the Shellharbour Marina opened, it seemed like the perfect time to restore an old timber boat. It’s been at Shell Cove for the last two years, and just recently, I completed the journey down to Tasmania in preparation for the festival.”A seasoned sailor, Rick has always had a passion for boats and the sea. The marina’s opening made it possible for him to work on Wayfarer II regularly while maintaining easy access to the boat. Rick Scott-Murphy on the Wayfarer II. Source: Rick Scott-Murphy“I’m getting older, and it’s harder to get on and off boats that aren’t on a floating marina. Having the boat secured at Shellharbour, just 10 minutes from home, made all the difference.”Originally built in 1979 from a full New Zealand Kauri tree known for being used in construction for centuries. The Wayfarer II made its way from New Zealand to Port Cygnet in Tasmania before Rick purchased it without even seeing it in person.“I bought the boat during Covid, so I couldn't even see it. I had a marine surveyor who did a fabulous job with the marine survey and on the strength of that I bought the boat. I've never done that before in my life, but once they opened the borders I flew down to see what depth of folly I’d caused and it turned out to be everything I had hoped for,” says Rick.The restoration work has been extensive. While the hull was in good shape, the deck needed replacement, and Rick, with help of three skilled workers, tackled a long list of upgrades.“I replaced the standing rigging, added a new furler for the genoa, refurbished the electrics, installed new instruments, and upgraded the dinghy, safety lines, and davits. The boat is now seaworthy and ready for adventure,” says Rick.Rick in the drivers seat of the Wayfarer II. Source: Rick Scott-MurphyThe project has been a labor of love. Rick emphasises that while the craftsmanship of older boats is charming, it’s the sailing that truly fuels his passion.“I feel that my spirit is connected to the ocean. I've spent so many years sailing that when I step on a boat, unfurl the sails and feel the wind take over - it powers me. You can go anywhere in the world with the power of the wind and the water. It’s the most amazing feeling. I still get the same feeling that I got as a six year-old when I first sat in a small sailing dinghy and It's just an amazing feeling,” says Rick.Adding another layer of excitement, Rick is set to meet the original builder of Wayfarer II, Bruce Martin, in Tasmania. "I'm looking forward to showing Bruce his creation after all these years and seeing his reaction to how it’s been restored. I hope he’ll be as pleased as I am."The inside of the Wayfarer II. Source: Rick Scott-MurphyRick would also like to thank Robby Baard, Nino Ferraro, and Cos Kapousis for their invaluable help during the restoration process at Shellharbour Marina. All of them were young men who responded to a Facebook post Rick made on the Community Page, offering help in exchange for sailing lessons.The Bugle wishes both Wayfarer II and MV SIGNA the best of luck at the Australian Wooden Boat Festival. Both boats are sure to be crowd favorites, showcasing not only remarkable craftsmanship but the enduring spirit of Kiama’s boating community.

The returning boomerang is one of the most famous objects from the Indigenous Australian culture. ‘Marvellous’ George John Noble, whose Aboriginal name was Ooloogan, was a brilliant exponent of the art of the returning boomerang. For a time he lived at Minnamurra and toured the countryside performing at various venues. Here are CliveEmery’s memories of meeting the famous man at the Nowra Show in 1925.In 1925 Dad took Mother and I to see the Nowra Show. Dad enjoyed the local shows, and would meander among the exhibitors. He seemed to know most of them and greeted men dressed in suits and hats with waistcoats adorned with silver chains. A lot smoked pipes, or had the bowl of one protruding from their vest pocket.There was music and colour everywhere, and Dad wanted to watch the ring events, where some sixty horses performed before the judges and men in the ring wore dustcoats with ribbons hanging from their arms. After the judging they handed the ribbons to the judge and he fastened them round the neck of the winning horses. There was movement everywhere, with the ladies raising their ornamental parasols to shield the sun.It was by accident that I noticed an Aboriginal fellow sitting cross-legged on an old blanket just inside the Arris-railed fence circumnavigating the show-ring.Beside him lay an old sugar-bag tied with a frayed hempen rope, and at his feet lay an assortment of boomerangs, shaped and ornamented in a range of colours, mostly ochre and charcoal. The timber was a reddish colour and likely sourced locally. He was probably 50, it was hard to tell. His dark eyes twinkled beneath heavy brows and a bushy beard, now greying, covered the greater part of his face, but not the lines spreading from his eyes.His nose was broad and flat and the veins stood out on the hand that held a clay pipe, brought to his lips from time to time to draw contentedly upon the weed. When he smiled, as he did to the children, his teeth were stained from the tobacco smoke. We were fascinated and he seemed to enjoy our interest and speaking to us kindly. He held out his hand for us to take, but no one was game enough to take hold of it. Our attention turned to a dozen boomerangs lying at his feet. Noting this, he picked one up and offered it to us to hold. It was heavy, crescent-shaped, and bore many strange markings which we didn't understand. One horn of the crescent was longer than the other. We handed it back, not knowing what to say to the old man, but not before one game fellow aimed it at the sky, as if to throw it in the air but did not do so and cheerfully laid it on the pile. This caused the old fellow to smile once more, and murmur a song quite incomprehensible to any of us.Our curiosity satisfied we returned to our respective parents. The Show was in progress on the hot, but pleasant day, and once the mornings judging of livestock was completed exhibitors and spectators alike all enjoyed a picnic lunch. The ring events were still in progress, the horses paraded before the judges while officials with their coloured ribbons moved among the throng. Finally, there was a lull. As it was approaching 1pm it was probably time for Member for Wollondilly Mark Morton to open the Show, Dad said.At that moment I observed the old fellow entering the ring and pointed excitedly to draw my father's attention.'Oh, that's old Marvellous,' he said, 'I believe he's going to give us an exhibition of boomerang throwing later. Keep an eye on him for me, I'd like to see it too. They say he is terrific!'My eyes were glued to the old fellow once more, and I noticed people were leaving their seats and gathering in a rough circle around him. I encouraged Dad to come closer with me to see what was going to happen. He agreed and took my hand and we joined perhaps more than a hundred fellows and kids around the old fellow standing on his blanket amid the pile of boomerangs.  I had not realised how tattered the clothing was until I saw Marvellous standing up and I felt sorry for him, saying to my father ‘it is a pity he did not have some nice clothes to wear’. He reminded me that the blackfellows were mostly dressed like that, and that they did not have any clothing at all when the first white men came to Australia. But he felt sure he would be able to buy some after his boomerang-throwing.For my benefit we moved in quite close to the old chap, who had commenced singing a song, and the only word I could understand was 'Marvellous'. He seemed to repeat it so often I thought he must have been singing about himself.Suddenly he bent down to select a boomerang from the collection while he was applauded for the song. He took up a stance on his blanket and cast the boomerang into the air toward the farthest point of the arena. The gyrations of the object were fascinating - it whirled, rose up, came down within inches of the ground, rose up once more and floated like a bird hovering above the crowd to drop on the blanket at his feet! The applause was tumultuous, and coins of all denominations were showered onto his blanket by the crowd. Dad gave me two shillings to put on the blanket, and I was proud to do so.There was another song about Marvellous before two boomerangs were selected from the collection. Standing there Marvellous hurled each of them into the air. For the next fifteen seconds the crowd stood transfixed as the two objects took different trajectories after their propulsion and seemed to vie with each other in the number of circles and convolutions before returning to the blanket within seconds of each other! There was a roar of approval and the crowd around the ringside joined in.Another shower of coins fell with the others on the blanket, more coins than I had ever seen in my whole life, and I was pleased for him, for he would now be able to buy some nice clothes!His exhibition was now over, for the stewards were recalling the entrants into the arena to continue with the judging, and Marvellous would have to move out.I was sad, I would have liked to have seen him throw his boomerangs once more. He probably did the following day, but we would not be there.He packed his boomerangs into his bag and rolled up his blanket and melted into the crowd. My heart went with him, and hoped I would see him another day. It was never to be!Nowra Show 2025 will be held from February 7-8.

When you think of Terry Gallagher, images of sawdust, timber yards, and woodchopping competitions likely spring to mind. But, as it turns out, this man of grit and grit-saws also has a sweet side, literally. These days, Terry is known not only for his contributions to woodchopping but also for his role as the judge of the Kiama Show’s Great Australian Traditional Lamington Competition.Terry’s journey to becoming the lamington king is as layered as the iconic dessert itself. It all began when long-time lamington judge, Rob McKinnon, decided to hang up his apron after decades of service. Faced with the prospect of a lamington-free legacy, Rob turned to Terry with a simple question, “Will you take over as the lamington judge ?”Terry didn’t hesitate. “Yes” he declared, with one condition, the prize money had to reflect the dessert's importance. Gone were the days of $5 prizes, under Terry's reign, the best lamingtons now command a respectable $30, $40, or even $60. It’s a sweet deal for bakers and a testament to Terry’s commitment to elevating the humble lamington.Best in Show. The Lamingtons that got Terry's tick of approval While Terry’s name is synonymous with community involvement, he’s perhaps best known in the Kiama region as the man behind Westbury Holdings. His projects, including saving the historic Kiama Terrace Cottages from demolition, have played a key role in shaping the town’s landscape. As a businessman, Terry’s ethos has always been to balance growth with community values, a philosophy reflected in his passion for supporting local traditions like the Kiama Show for more than 50 years.And what a tradition it is. The lamington is as Australian as Vegemite and as beloved as the Hills Hoist. Originally invented in Queensland over 100 years ago, rumour has it, to save leftover sponge cake from Christmas from going to waste, the dessert combines practicality with indulgence. Fresh sponge cake is dipped in a rich cocoa mixture, rolled in coconut, and, in more recent years, sometimes split and filled with cream or jam. But for Terry, the lamington is about more than just taste, it’s a piece of culinary heritage that deserves to be protected.Terry explained the intracies of cooking lamingtons like his mother used to make to Cr Melinda Lawton“There’s a charm to tradition,” Terry says. “A lamington isn’t meant to look like something from a patisserie. It’s about simplicity, about family recipes like those my mother made in the 1950s and 60s, and memories of kitchens filled with the smell of chocolate and coconut.”That dedication to tradition hasn’t gone unnoticed. From juniors surprising him with better lamingtons than their parents to fierce debates over the “perfect” cocoa mix or the types of coconut that can be used, Terry has seen it all.Judging day is a serious matter for him, and his meticulous approach ensures that only the best lamingtons receive a coveted blue ribbon.“It’s a wonderful tradition,” he says, “and I’m just happy to play a part in keeping it alive.”As Terry enjoys another year of chocolate-dipped deliberation, he can’t help but smile. Whether it’s seeing his great grandchildren awarding prizes for the woodchopping event named after his father, Pat Gallagher, or judging the perfect lamington, his role at the Kiama Show is all about celebrating the best of the community, and a little sweetness never hurt anyone.