On June 16, violinist Daniel Röhn and pianist Olena Nikulina captivated the audience at the Kiama Anglican Church with a performance entitle ‘Dance!’ featuring the works of Brahms, Schubert, and Tchaikovsky. Pamela Baxter attended and shared her thoughts: “This concert was the third in this year’s Classical Kiama series and the first time this year that Daniel Röhn (the founder of Classical Kiama) has been the star turn. With the theme of ‘Dance’, Daniel managed to provide a fresh insight into what is considered dance music. It would have been too easy to have a programme of ballet ‘bits’ and a waltz or two but this programme tested knowledge and opened the audience to new ideas and appreciation. “The church, with its beautiful acoustics, is now heated, and so for the audience it was both comfortable and relaxing, allowing us to sit back and appreciate all that was on offer.“We had a tango and a gavotte, a waltz and a folk dance, music for poetry and a stately pavane… but there was so much more. With an unbroken performance of over an hour, Daniel and his accompanist (Olena Nikulina on piano) held the audience spellbound. Enough for two curtain calls and a full encore. The audience buzz afterwards was effusive about the range and quality of the performance. Kiama is very fortunate in terms of musical and other events, and Pamela says, “However, for the classical music lover, there has been a gap … a gap now filled by the offerings from Classical Kiama. The variety is astounding.” “The first concert this year was with Adélaïde Ferrière on the Marimba – labelled a percussionist but is so much more. The second concert was the Goldner string quartet followed by the Dance! concert with Daniel.”With three concerts left in the 2024 season including classical guitar, Classical Kiama has found its niche and is providing excellent entertainment to an increasingly loyal audience.The Bugle will bring you notice of the next Classical Kiama offering.

The Shellharbour Rocks Unplugged Festival took place at various venues around Shellharbour with  live music, face painting, dj sets, a mobile zoo, a record fair and a live mural being painted.Although the day was overcast and rainy, people came out in droves and it didn’t spoil the fun.There was live music at cafes throughout the Shellharbour areaA barista at Darley Street Local, Ben Sanjurjo, says the day was a big success.“The artist was underneath the covers outside here, and it was only drizzling a little bit during her performance,” Ben said.“It was still busy as a lot of people prefer to sit out the front of our cafe, and there were lots of people waiting for their takeaway coffees, so it was pretty good,” said Ben.

Frank Sultana's Blues Bash 2, held on Friday, June 15, was a smashing success! The event was a night to remember, filled with electrifying performances and a fantastic atmosphere. Frank Sultana takes to the stageThe venue was packed with enthusiastic fans, all enjoying the soulful blues music in a lively atmosphere. The crowd's energy was palpable as Frank Sultana and his band took the stage where they delivered a powerful performance, captivating the audience with his guitar skills and soulful voice.Harmonica and Guitar HarmonyThe harmonious blend of harmonica and guitar created a mesmerising musical experience. Frank Sultana, accompanied by his talented band, brought the blues to life.

The Fine Wine Festival took Kiama locals by storm this Saturday, selling out the Pavilion Kiama in only 38 days, with a record number of 750 attendees. The festival featured some of the South Coast’s most beloved wineries, local vendors, local artists and a special performance by ARIA award winner Sneaky Sound System.The team behind last year's highly successful Winter Wine Festival has now moved a suburb over, to the sunny shores of Kiama, making The Pavilion Kiama their new festival hub. Joseph Felice, the visionary behind the Winter Wine Festival, A Day On The Hill, Unwind In The Vines, and Stomping of The Grapes, and Brendon Cromber from RNR Productions and audio/pa partner, expressed their excitement about hosting more events at the venue this year and have ambitious plans to grow the festival. It's safe to say, we can look forward to more amazing festivals right on our doorstep.Many local artists graced the stage including Jack Rose, Mark Crotti, Mac Tango, Dos Enos, MLC, Sam Francisco, Brendon & Clay Zane. ARIA award winner Sneaky Sound System was a highlight of the night, electrifying the crowd with their performance. They were the only non-local artists to perform and praised the incredible vibe and support from the local audience.Brendon emphasised that the event was entirely supported by locals—from the produce to the wine to the artists. This brought vitality, tourism, and profit to local workers. Brendon, no stranger to the music scene, also reunited his brotherly band on stage with his brother, Clay Comber, to mark the occasion.Brendon and Joseph are looking forward to expanding their festival in the coming year. In the current landscape of Australia's festival scene, many events have faced cancellations due to a variety of challenges, including economic pressures, logistical issues, and the lingering impacts of the pandemic. It’s clear that Kiama is becoming a beacon of hope for the Australian festival circuit. The dedication of organisers like Brendon and Joseph, combined with the enthusiastic support of the community, promises a bright future for Kiama festivals. So, keep an eye on this space and make sure to secure your tickets early for future events.

The 'Folk By The Sea' festival returns to the Kiama Showground for its tenth year, from September 20-22, featuring a dynamic new lineup curated by newly appointed Festival Director, Neil McCann. Known for his involvement with the Water Runners band and his extensive experience as a folk performer, Neil is set to bring a fresh wave of talent to the annual event.This year's festival will showcase 44 acts performing 100 concerts across nine venues over three days. Neil is enthusiastic about the new generation of folk performers, many of whom are classically trained, elevating the standard of folk music and expanding its audience.Among the standout performers is Eric Avery (Marrawuy), a violinist, vocalist, dancer, and composer from the Ngiyampaa, Yuin, and Gumbangirr people of NSW. Avery's international reputation is growing, thanks to his unique performances that blend violin playing and singing in the Ngiyampaa language."I am so looking forward to seeing Eric perform live," Neil said. "I've only seen him on YouTube, and he is amazing."Other notable acts include Apolline from Victoria, who describe themselves as genre-bending neo-folk with a blend of extraordinary musicianship and alluring voices, and Queensland’s Cigany Weaver, featuring Jo Davie's enchanting vocals accompanied by a fiery violin, dynamic guitars, and a driving rhythm section.The festival also welcomes back past favourites like Indigenous singer-songwriter Shellie Morris from Queensland and Canberra’s diplomat-turned-folk-singer Fred Smith. Kiama resident and respected music critic Bruce Elder once described Smith in the Sydney Morning Herald as “simply the best folk/country musician working in this country…beyond writing some of the finest songs about Australians at war, he has created a repertoire that is wry, literate, witty, powerfully emotional and insightful.”Smith and his band will perform selections from his extensive back catalogue and his new album.“We had literally hundreds of applications from performers, and we feel that we have selected a really exciting cross-section of artists,” Neil said.In addition to the new acts, the festival will feature traditional folk performers and local talent from the Illawarra region. The lineup includes the Carefree Road Band, The Con Artists, the Kiama Sea Shanty Club, the Kiama Pipe Band, and singer Penny Hartgerink.Early bird three-day passes are available for $100 until July 30 at www.folkbythesea.com.au  Don't miss this opportunity to experience the best in contemporary and traditional folk music by the sea.Here is the full festival line-up of musicians – more info can be found on their website: Allan  Stone, Antipodeans, Apolline, Broken Creek, Bruce Watson, Carefree Road Band, Cigany Weaver, Cymbrogi, Eric Avery (Marrawuy), Fred Smith, Glover & Sorrensen, Hedy Blaazer, Isobel Knight, Jessica Allen, John Fegan, Kelly Brouhaha, Kiama Pipe Band, Kiama Sea Shanty Club, Marco and Rusty, Mariah McCarthy, Mike Martin, Penny Hartgerink, Peter Willey, Pirritu, Rare Birdz, Redfern Shanty Club, Rheinberger and Wilson, Robyn Sykes, Shellie Morris, Southern Cross Bush Band and Friends, The Bottlers, The Con Artists, The Don’t Be Too Polite Girls, The Gleaners, The Groove, The Other Noonans, The Pie Eaters, Tribal Jewels Dance Co.

The Bugle attended the highly anticipated “Winter Wine Festival” weekend concert at Crooked River Wines yesterday. Saturday’s headliner was Icehouse, the iconic band that dominated the 80s music scene. As a former fan from that era, it was a nostalgic treat to review this legendary band three decades later. Their enduring talent and energy, even in their late sixties, were evident as they rocked the crowd with timeless hits like "Great Southern Land."After many days of driving rain leading up to the event, the weather gods finally blessed the festival with clear skies and mild temperatures. Though the ground was pretty muddy and many a pair of white sneakers were sacrificed, no one seemed to care. The crowd was clearly enjoying the live music and the ambience of the setting – a phenomenal backdrop of green hills and grapevines.The concert commenced at midday with the supporting acts The Hollywood Waltz, Olivia Coggan, Pallas Haze, Marvell, Ash Grunwald, and Alex Lloyd. Olivia Coggan, a talented performer, was joined on stage by her father, also a musician, who was clearly a proud dad. Pallas Haze got the crowd dancing with a funky rendition of “Staying Alive”. Marvell were an upbeat rock and roll band that enticed many more to the mosh pit. The crowd particularly responded to electric guitar soloist Ash Grunwald who has a big personality and played music that kept the crowd dancing – or toe-tapping if they were over 60! Alex Lloyd kept the crowd engaged, particularly with his rendition of “Hallelujah” and “Amazing”. He also covered ‘Crowded House’ favourite “You better be home soon”, which was well received.Music, as always, serves as a powerful motivator, evoking precise memories and emotions. Many of the ‘oldies’, like this reporter, felt 18 again! It was clear that older audience members relished their favourite classic songs, while younger attendees discovered the magic of Icehouse for the first time. Picnic blankets and foldable chairs dotted the venue, with many enjoying the concert seated, singing along. Those eager to dance found their way to the mosh pit, creating a vibrant and dynamic atmosphere.As expected, the demographic skewed older, reflecting the band’s peak era in the 80s. To gain a fresh perspective, The Bugle asked several young concertgoers about their experience and familiarity with Icehouse's music. Most didn’t know much but were enthusiastic about live music generally and happy to join in.Amid a remarkable lightshow, Icehouse delivered an impressive setlist, starting with “Icehouse,” then “Walls,” “Electric Blue,” “Hey Little Girl,” “Crazy,” “No Promises,” and “Don’t Believe Anymore,” among other smash hits, which received a great response from the audience. There will undoubtedly be a few new younger fans afterward.Reviving live music concerts in the vineyard is a major part of owner Roger Lloyd’s vision. He has ambitious plans for the future of Crooked River Wines, including a wedding and functions centre currently under construction, as well as more concerts of course. However, organising these events involves considerable effort, including fencing the whole concert area, hiring around 20 security guards, ensuring police presence, and providing extra hospitality staff for the VIP area, which, by the way, sold out very quickly! Food vans and a large bar for the general area offered a selection of Crooked River estate wines, beers, and soft drinks.Today’s (Sunday 9th) line up features headliner The Rubens, supported by Daisy Pring, Darling Street, James Burton, Pacific Avenue, and Jack River. Tickets are still available at Crooked River Wines website. You’ll have a great time - but wear your gumboots.

Singer-songwriter country duo Studio8, composed of Luke Johnson and Michelle Morgan, are thrilled to announce the release of their new single "You Got the Moves" and their debut album "Into the New." The official launch event will take place at Yves at The Sebel Kiama, on Saturday, June 16, from 1-4 pm.Currently, Studio8 is midway through their "Into the New" launch tour, which kicked off in Bowral on May 5. The tour has already visited several country towns, including Old Bar, Coffs Harbour, Armidale, and Mudgee. Upcoming stops include Katoomba, Adelong, and the Hunter Valley."Into the New" takes listeners on a heartfelt journey through a range of themes, from rodeos to bushfires, country life to iconic figures like Elvis. Luke and Michelle drew inspiration from their own experiences, including a memorable outback adventure across the Nullarbor, up to the Kimberley, and down through the Red Centre in 2022.The nine-track album showcases Studio8's prowess as country music artists, demonstrating their ability to blend various styles within the genre. From the lively "Red Dirt Rodeo" to poignant ballads like "Back to the Bush" (a tribute to the Tamworth Country Music Festival) and "Ballad of Jim Darcy" (a tribute to the Royal Flying Doctor Service), the album captures a spectrum of emotions and narratives. Other highlights include their bluesy homage to Elvis and their infectious new single, "You Got the Moves" (inspired by Baz Luhrmann’s Elvis movie).These songs were crafted in Luke and Michelle’s backyard studio and refined through performances at prestigious events like the Tamworth Country Music Festival in 2023 and 2024, as well as the Parkes Elvis Festival in January 2024.Recorded at A Sharp Studios in Sydney, the album features Luke on guitar and lead vocals, Michelle on piano and backing vocals, Nick Hatzakos on bass and slide guitar, and Kristos Langker on drums.With its universal themes and musical diversity, "Into the New" promises to resonate not only with country music enthusiasts but also with a broader audience.Stream "You Got the Moves" here: https://ffm.to/yougotthemovesLuke and Michelle would like to acknowledge the support for the tour from Create NSW. The Bugle wishes Studio8 every success and eagerly anticipates the June 16 launch at Yves.

The Gerringong Music Club is excited to present James Fortune and Georgia Lowe, a flute and harp duo, at the Gerringong Town Hall on Sunday, 19th May 2024, from 2 pm to 3.30 pm. Located at 106 Fern Street, Gerringong NSW, the event promises a delightful afternoon of popular opera arias and art songs.Imogen Stewart, the Musical Director of the Gerringong Music Club, shares, "Audiences can expect a program of opera arias, art songs arranged by Georgia Lowe and a recent Australian commission. The concert will be followed by the Club’s Annual General Meeting, where we will discuss exciting plans for the upcoming year. It is an excellent opportunity to connect with fellow members, express your ideas and actively participate in shaping the future of the Gerringong Music Club.”Tickets can be booked online or purchased at the door. Members, children, and students enjoy complimentary access, while visitors can secure their seats for $30. To reserve your spot, visit Gerringong Music Club's website.Founded in 2003, the Gerringong Music Club is dedicated to enriching lives through music. Their commitment to curating an exceptional annual concert program has made them a cornerstone of cultural enrichment in Gerringong. Join them for an afternoon of musical enchantment and community engagement with James Fortune and Georgia Lowe.

A Kind of Hush - The Magic of Karen Carpenter: Anita’s Theatre Thirroul, April 26. The enduring magic of The Carpenters’ music is the combination of Karen Carpenter’s beautiful voice, which had an unusual range of three octaves, and the songs that her brother Richard wrote for her. Unusually, a female singer who decides to sing a Carpenters song must set the key by the lowest note, not the highest. A Kind of Hush - The Magic of Karen Carpenter was billed as a concert rather than a tribute, and clearly that was necessary because none of the headliners could match the range or quality of Karen Carpenter's voice. The show was put together by Katie Noonan, and she was joined on stage by Melinda Schneider, Abby Dobson, newcomer Layla Havana and an ‘all-female’ backing band, which had turned half-male, by this the second last of a 16-show tour. Katie Noonan displayed by far the best trained and controlled voice, but the least suited to the Carpenters’ songs, excelling as she does with precision and control in her highest register and bringing with it her own musical style. Melinda Schneider’s songs by contrast were delivered unceremoniously, completely straight and unadorned but she is such an accomplished performer that I was most relaxed when she was centre stage. Abby Dobson was having a bad night; at least, I choose to believe that because surely she would not have been included in the line-up had she sang that badly all the time. She did mention that she was exhausted and hungry but as an audience member that’s not what I want to hear, implying that the effort she had invested in earlier audiences was impacting on her current performance. At the start the number of notes she missed was jarring to the ear but she did warm up towards the end, singing an unexpectedly sweet version of “The Rainbow Connection.” Ironically, 15-year-old Layla Havana was the only one of the four singers, who hit the mark without fail, with her beautifully clear warm voice. She can only get better as her voice and her confidence matures. The banter between the three headliners was full of in-jokes and shared knowledge, which actively excluded the audience while we assume that their intention was to do the opposite, to include us in their private world. It did not help to be told that half the promised ‘all-girl’ band was absent because they got a better offer. At the end, Noonan gave a speech about how important it is to support independent musicians but in context it sounded more like an apology that everything was a bit amateurish. The audience was generous; however, and eagerly participated in the curated singalong opportunities (“On top of the World” and “They Long To Be (Close to You)”), which was well suited to the community hall vibe of Anita’s Theatre.It was an enjoyable evening but in the end the pips that got stuck in my teeth ended up detracting from the sweetness of the fruit. 

Frank Sultana, a Kiama local and award-winning jazz and blues artist, is coming through with another event for music lovers. BluesBash 2, featuring artists like ‘Chase the sun’ and ‘hat fitz & cara.’ Of course, Frank and his band will be playing at Kiama bowling club on June 15 and 16. Frank has achieved a quick and prosperous career in the blues genre. Drawing inspiration from iconic figures like Skip James and Robert Johnson, he chose Kiama as his home six years ago, finding the perfect backdrop to fuel his creativity and compose music. It was in this town that he recorded his 10th album, 'Have Band, Will Travel,' right in the heart of Kiama at his home studio.In January 2023, Frank won the solo/duo category at the International Blues Challenge in Memphis, Tennessee. Since his 2011 debut album 'Blues from the Lost Motel,' Frank has authored a remarkable discography, accumulating four EPs and nine albums.Additionally, Frank is anticipating new projects, including the upcoming release of his album "Realist" in June. But it doesn't end there, leaving no musical stone unturned, he has developed a musical centred around songs of protest, alongside his partner, Madison. The show encapsulates songs of protest and the music that brought change to the world, while also foreshadowing the strides we have to go through to bring about positive change. Frank shared that performing in a luxurious theatre was a stark contrast to his usual venues.Ultimately, Frank's goal transcends entertainment. He aims to touch people's hearts and minds through the power of his music. His songs ooze with authenticity and passion. Frank's performances are not just about music; they are experiences that evoke emotions, provoke thoughts, and inspire change. To listen to Frank Sultana and keep up with his gigs, chuck a follow at: linktr.ee/franksultanamusic. Tickets to BluesBash can be found at: www.trybooking.com/events.

Who would have thought that an iconic band could be right within our grasp? Unlocking The Doors, hailing from Wollongong, is just a skip and a step away! Recently, this author had the opportunity to witness their performance at the Airlie Beach Hotel, even sharing a ride on the airport shuttle bus with the band, fostering instant South Coast camaraderie!The band, comprising of Richie, Mick, Sandy, and Lee, has crafted a distinctive group paying homage to Jim Morrison’s legendary band of yesteryear. Richie, adorned in his signature leather pants and belt, sporting Jim's moves, could easily be mistaken for a mature version of the iconic frontman. His stage presence and moves authentically channel the spirit of the late, great Jim Morrison.Having performed together for the past six years, Unlocking The Doors is widely regarded as one of the most genuine Australian tribute acts, capturing the energy, mayhem, and psychedelia of the late 60s, bringing Jim’s music and poetry vividly to life. Unlocking The Doors roadie, Paul, a local from Kiama, plays an essential role in ensuring their magic reaches the stage. He is a regular in Kiama with his mother still residing in the area."We aim to showcase the brilliance of The Doors and the captivating stage presence of Jim Morrison," says Rich, also known as 'Jim,' a lifelong admirer of The Doors who delivers a heartfelt performance, embodying the enigmatic allure once possessed by the band's iconic frontman. At a turning point in his life, Rich decided to pursue his music passion and has not looked back!One distinctive trait of The Doors was their performance without a bass player, a role adeptly filled by Sandy on organ and keyboard. She masterfully reproduces the authentic live sound of Unlocking the Doors, dedicating herself to emulating Ray Manzarek's dual keyboard wizardry, seamlessly blending hypnotic bass fills with stabbing syncopation and signature melodies.Drawing on his background in classical guitar and rock, Mick skilfully manoeuvres his Gibson SG standard, employing finger-picking techniques to replicate Robbie Krieger's beautiful legato tone. From the ethereal tremolo of 'Riders on the Storm' to the raw intensity of '5 to 1,' Mick pays homage to Krieger's distinctive sound, defying categorisation.Completing the lineup on drums is Lee, who channels John Densmore's unique fusion of jazz, rock, and Latin beats, an integral component of The Doors' iconic sound. Lee faithfully recreates Densmore's original style, providing the essential backbeat crucial for honouring the band's impressive catalogue of classics.More than 50 years since their debut album, The Doors remain a cultural phenomenon, continuing to captivate audiences with their timeless music and provocative lyrics. Unlocking The Doors transports us back to an era when 'The Lizard King' reigned supreme, introducing a new generation to the mesmerising allure of The Doors and helping new listeners break on through to the other side.So next step - we need to open some doors to get the group down to perform in Kiama so we can all enjoy a trip down memory lane! 

In the heart of Kiama's Community Radio scene, a new voice has emerged, bringing with it a wealth of diverse experiences and a passion for the airwaves. Peter Sullivan, a recent addition to our area and Kiama Community Radio, boasts a journey that spans from the microscope to the bonsai garden, with stops at biochemistry, genetics, naturopathy, and even dispute resolution along the way.Born in Manly, Sydney, Peter's upbringing was steeped in the hospitality industry, thanks to his father's role as a hotelier. It was his formative years in Wagga Wagga, surrounded by two siblings, that laid the foundation for his eclectic interests and curious mind.Venturing to Canberra for university studies in microbiology and genetics, Peter found himself immersed in a world of microscopic exploration and meticulous experiments. "Patience," he emphasises, "was key in unravelling the mysteries of microbes and bacteria." It was here that he honed the invaluable skill of meticulous attention to detail, a trait that would serve him well in his future endeavours.Peter's introduction to the world of radio was a journey into the melodies of pop and easy listening, where the dulcet tones of Casey Kasem held sway. With admiration for the American DJ's global broadcasts, Peter reminisces, "We would sit on the beach in Wagga, tuning in to the top 40 on our transistors. I guess the younger generations would have no idea what that meant."His university days were filled with the vibrant sounds of live performances, where the likes of Ralph McTell's "Streets of London," Maria Muldaur's soulful "Midnight at the Oasis," Don McLean's timeless "American Pie," and Janis Ian's poignant "At Seventeen" resonated deeply. Amongst the rich tapestry of Australian music, names like Richard Marks, Sherbet, and an abundance of Aussie rock from the '60s and '70s added to the soundtrack of his youth.Reflecting on his personal style during those rebellious times, Peter recalls with a chuckle, "Yes, I sported shoulder-length locks, though mine tended to curl at the ends, perhaps less cool than intended. Clad in a lumberjack coat, torn jeans, tie-dye shirts, I exuded an air of rugged discontent." During an era marked by protest and societal upheaval, Peter didn't shy away from voicing his dissent, participating in demonstrations against the sacking of the Whitlam government, a stance that brought lectures to a standstill. "I believe it's a rite of passage to embrace a bit of rebellion during your formative years," he muses, "ultimately paving the way to becoming a responsible citizen."During his tenure at the Australian National University, Peter delved into the intricate dynamics of marine biology, focusing on the yellowfin and skipjack tuna and their genetic interactions within the ocean’s currents encircling Australia and New Zealand. Amidst the bustling activity of tuna trawlers along the coast, he meticulously sampled, froze, and analysed specimens, discovering that despite their cohabitation within the same current, these tuna populations remained distinct species, segregated by the nuances of their migratory patterns. This discovery echoed in his subsequent research on rabbits in Urana, where he explored population genetics and the biological intricacies of interbreeding. In his work on the Wallaroos of the Atherton Tablelands he concluded that they also did not interbreed. A major highway effectively prevented interbreeding between the highway and mountain populations, with different skull size, teeth and eye socket measurements showing the differences. It all sounds a little CSI!Peter met Barbara during his university days and that marked the beginning of a lifelong journey together. They have been blessed with three daughters and seven grandchildren, bringing endless joy and laughter into their lives.Peter’s professional trajectory took him through various avenues, from his tenure at ANU to roles in defence science and technology, where he navigated the intricacies of human resources and IT as a business analyst. It was during this time that he honed his skills in dispute resolution, delving into mediation and conflict resolution.Transitioning into a second career in naturopathy ignited a passion for holistic healing, fuelled by an avid interest in iridology and herbal medicine. Under the tutelage of esteemed naturopath Dorothy Hall, he immersed himself in courses, embracing a plethora of "ologies," from astrology to Bach flowers. Though his endeavour to establish a health centre was met with love and enthusiasm, the harsh realities of entrepreneurship led him to reassess, realising his preference was for hands-on involvement rather than administrative duties.Peter’s next focus was on Lifeline, where he volunteered in warehouse operations, and later at Lifeline’s second-hand bookshop, Book Lovers Lane where he managed the music.Retirement three years ago gave Peter time for his bonsai collection, also volunteering at the National Bonsai and Penjing collection at the National Arboretum. Post-retirement last January, Kiama drew him in; he liked the proximity to Sydney. He knew Kiama had a community radio, and there was a Bonsai group in the area!  “The draw to Kiama was real but I had been established in Canberra for over fifty years. Life here is so relaxed, and it is a different climate – much cooler in Canberra and very cold winters. I was beginning to feel the cold in my bones.”In Canberra, Peter worked for Radio Artsound for five years and Queanbeyan FM for four. He got involved with Artsound because they invited seniors (over 55) into broadcasting. He trained with Gabriela, who also does the training at KCR. His own blues program followed.BLUES IN THE NIGHTJoin Peter on Tuesday nights for a soulful journey of “Blues in the Night! “Get your dose of Australian and international blues, R&B, soul, funk, and a sprinkle of jazz, all in one place! From established legends to emerging talents, Peter's got you covered, with a special focus on artists from 2000 to now. But that's not all! Peter will also be taking a trip back in time, diving into the history of blues with some classic tunes from the 1900s. Don't miss out! Tune in every Tuesday from 7-9 pm on Kiama Community Radio, where every Tuesday is Bluesday!

On Thursday 11 April, the electric Liam Cooper brought his show, King of the Keys, to the Shoalhaven Performing Arts Centre. The interactive show gave the audience the chance to vote for who they thought was the King of the Keys. Read on to hear who won!Liam’s infectious energy had the audience singing and dancing to old favourites. Billy Joel, Stevie Wonder, Elton John, Freddy Mercury, Ray Charles and many more. With over 40 songs in the set, the band was as tight as Liam’s jeans. My personal favourite was Liam’s rendition of Isn’t She Lovely, which he dedicated to his little fur baby, Millie. His powerful and nuanced vocals helped with flawless transitions through clean belts and controlled falsettos. The versatility enabled him to tackle notoriously challenging tracks like Take On Me and Crocodile Rock, daring even to jump the octave on the last note of ‘Bohemian Rhapsody,’ as if it isn't challenging enough already!In the spirit of Freddie Mercury’s (alleged) famous quote "Do what you want with my music, just don't make it boring", Liam embraced creativity together with his guitarist, Noah, who stood upon the piano as if it were a stage during his stunning Bohemian Rhapsody guitar solo. The Beyonce effect was in full swing, as Liam brought out a leaf blower to get Noah’s long locks spectacularly blowing in the wind.The band was phenomenal with an especially strong horn section. The trumpetist, Angus, deserves a special shout-out, as he had some show stopping solos. Liam himself showed off his multi talented musical skills on harmonica, kazoo, keytar and of course piano.Liam, obviously a well seasoned performer, reacted calmly and humorously to the pyrotechnics not turning off and seamlessly let the backstage crew know to unplug the fire hazard. Not only did Liam put on a fabulous show, but he did it all in heels. So, who won the grand title of King of The Keys? Drumroll please … Elton John! Liam closed the show with Don't Let the Sun Go Down on Me and I'm Still Standing as a tribute to the ‘Rocket Man’. The standing ovation from the crowd was well deserved. 

It was standing room only at Kiama Anglican Church for the latest successful instalment of the Classical Kiama Concert series, performed by Goldner String Quartet on 7 April 2024. With approximately 120 people in attendance, this sell-out show marked one of the final performances for the distinguished Goldner String Quartet. The musicians announced their disbandment late last year after collaborating since 1995. Each having performed with prestigious companies such as Australian Chamber Orchestra and Sydney Symphony Orchestra, the quartet is comprised of Dene Olding and Dimity Hall on violin, violist Irina Morozova and cellist Julian Smiles. Hall and Smiles are a married couple, as are Olding and Morozova.PerformersPerforming a “potpourri of quartet excerpts”, as described by band member Dene Olding, the quartet moved seamlessly through works of varying energies from classical composers such as Mozart, Beethoven, Tchaikovsky and Schumann, alongside up-and-coming young Australian composer, Harry Sdraulig. Perfectly timed notes from all musicians filled the intimate space with a richness that clearly captivated all in attendance. A heartfelt round of applause upon conclusion inspired an inevitable encore, with the quartet performing a piece by Czech composer, Dvořák, which shone a spotlight particularly on Smiles’ brilliance on the cello.Roslyn, Nick & Anne“The Goldner Quartet were superb. We are really lucky to have had them in Kiama. It was a beautiful program, and the encore was just magical,” says regular attendee of Classical Kiama concerts, Karen Lateo.The energy in the Church that evening was undeniably uplifting. This was felt too by the quartet, who – despite their looming disbandment – would warmly welcome a return to our region in some capacity.“We really enjoyed performing for Classical Kiama. We were thrilled with the capacity audience, which was very welcoming, responsive and appreciative,” says Hall.Natalia & Diana“The location is spectacular, and the Anglican Church is a perfect venue for chamber music. The acoustic is lovely and the ambience warm and intimate. We would gladly return in some form or other and we wish Classical Kiama all the best for their continuing series of concerts.”Remaining Classical Kiama events for 2024 include Daniel Röhn (violin) and Olena Nikulina (piano) on 16 June, Jesse Flowers (guitar) on 18 August, and Simon Tedeschi (piano) and George Washingmachine (jazz violin and vocals) on 6 October. An end of year concert will follow in December, with details to be announced shortly. For further details and bookings, visit the Classical Kiama Facebook page.

The King is coming to town, The King of the Keys that is. Liam Cooper, Australia’s piano man, is bringing his musical spectacular King of the Keys to Shoalhaven Entertainment Centre this April, Thursday the 11th at 7:30pm. Liam Cooper comes along with a personal motive, raising awareness for entertainers’ mental health. In this dazzling show, you can expect to hear sonnets from the greatest pianists of our time, including favourites by Billy Joel, Elton John, Peter Allen, Stevie Wonder, Queen, Ray Charles and many more. “Growing up learning the piano, I’ve always been inspired by the artists in this show – the songwriting, the stories, the sound – it just gets me so excited and it’s a joy to bring that to the stage with some incredibly talented musicians behind me,” Mr Cooper said. The King Of The Keys premiered in 2018, but like many artists, Liam felt the pressure and mental load that comes with the job. In 2023, Liam had planned a 25 show tour around Australia. Unlike many touring artists, Liam had a background in marketing and took the burden of planning, marketing, budgeting and all the work that goes on behind the scenes completely upon himself. “I was fully immersed in preparing for this tour, but I was completely overwhelmed trying to do it on such an intense scale,” Mr Cooper said. “The financial pressures associated with putting on so many shows and the risk of not breaking even, it all became too much. My wife and I had our first baby on the way, and I was still adjusting to performing again after the pandemic.”The show was pulled ten weeks out from opening night. Despite his personal dismay, Liam believes it was the correct decision to put his mental health first. “There was a lot of shame about it. I was so passionate about this tour and so many people were on the project, my band, the venues, those who had bought tickets. To turn around and admit that I couldn’t physically do this, it was really hard to do.” In light of his experiences, Liam is donating a portion of ticket sales to Support Act, an Australian charity that provides crisis relief, mental health and wellbeing support to musicians, managers, crew and music workers across all genres of music. “Support Act helps people in my industry with mental health,” Liam says. “If that service can help others in my position with the stress and anxiety of producing and promoting live entertainment, or musicians and theatre technicians like mine who lost work because of cancellations, I want to support that.”The King of The Keys won’t run like your regular show. After celebrating 15 artists, sharing 40 songs and the inspiring stories behind them, the audience gets their say on which artist is crowned King of the Keys and the final song is dedicated to the audience choice. Liam's dream is to take the tour to Vegas. He invites everyone to attend the show so they can say “we saw it first” before it hits the Entertainment Capital one day. Find more info at tickets at https://kingofthekeys.com/, for more information about Support Act go to https://supportact.org.au/

From April 10th to 15th each year, World Music Therapy Week spotlights the profound impact of music on healing and wellness. But what exactly is music therapy? Simply put, it's the use of music-based activities to achieve non-musical health goals.Dr. Kath Lawson, Kiama’s dedicated music therapist, explains, "Registered Music Therapists are university-trained allied health professionals who work with people of all ages and stages of life. Each session is tailored to the individual or group, and it’s usually heaps of fun."Music therapy is more than just entertainment. "There’s a lot of processing and development going on through the music-making," Dr. Kath emphasises. "Anyone can participate in music therapy, regardless of musical ability. It’s not necessarily about performance, though that can happen if it’s someone’s particular interest."Dr. Kath's experiences highlight the breadth of music therapy's impact. "I’ve worked with pre-school children, families, young adults, and older people,” she says. “I’ve even been part of a research project focusing on songwriting for people with dementia and their care partners. Over a 10-week program, they managed to write 36 songs together!"Music therapy's beauty lies in its therapeutic essence, addressing needs across various life circumstances. Whether supporting individuals with disabilities, aiding rehabilitation, navigating trauma or mental health challenges, or enhancing quality of life in chronic health conditions or palliative care, music therapy offers a versatile approach to enrichment."It’s incredibly special to work with people in this way. Your brain just works differently on music," Dr. Kath says. Today, music therapy is integrated into numerous hospitals, aged care facilities, and community health hubs. Participants in the NDIS scheme often access music therapy as part of their individual plans.To learn more about music therapy's potential to support you or someone you know, visit the Australian Music Therapy Association’s website, or contact Dr. Kath at 0402 101 312. 

Music enthusiasts from near and far gathered in Kiama the weekend of 8 10 March for the annual Jazz and Blues Festival. The three day long event is known for its vibrant atmosphere and jam packed lineup of artists, attracting visitors from all over. The festival is an annual community run festival that is set across various exciting locations in the Kiama local area, including in Gerringong. Attendees were treated to a diverse range of musical styles from smooth jazz to gritty blues rhythms, as talented musicians took to the stage to showcase their skills. The streets of Kiama were abuzz as street performers hogged the limelight across Terralong Street and various other spots like Surf Beach, Bouquiniste, Fillmores and Burnetts on Barney. Tom Harrington at Burnett's on BarneyThroughout the weekend the festival continued to delight audiences with a packed schedule of performances and an array of delicious foods and beverages from local vendors, adding to the overall experience of the weekend. The relaxed and welcoming atmosphere proved to be a highlight and as the festival finishes up Kiama anticipates its return next year.Street performers outside the Old Fire Station had crowds enthralled

As Berry transforms into a kaleidoscope of colours, love, and inclusion, locals and visitors alike are gearing up for a month-long celebration of Mardi Gras. From the lively streets to the colourful events, Berry is painting the town rainbow to commemorate love, diversity, and inclusion.The celebrations also include the ‘Free 2 Choose’ Competition, offering a chance for one lucky couple to win a romantic escape to this charming village. The prize includes a one-night stay in a Deluxe Room at The Berry View and two free experiences, each valued at $300, from a specially curated love-and-luxury-themed itinerary. This is an opportunity to connect with your partner and celebrate the freedom to choose who you love. To enter this competition, participants can find more details and submit their entry here.As the month unfolds, the celebration reaches its peak with the Mardi Gras Recovery Disco Ball on Saturday, 23rd March 2024. Hosted at The Southern Hotel, this event promises a night filled with great music, colourful disco fun, and an abundance of sparkle. The dance floor will come alive with the beats of Berry's very own Electric Ginger, so, if you thought the Mardi Gras season was winding down, think again! Dust off your dancing shoes and join the community for a night of celebration and joy.As Berry paints the town rainbow in celebration of Mardi Gras there's a sense of unity in the air. The Free 2 Choose Competition and the Mardi Gras Recovery Disco Ball are just a glimpse of the excitement that Berry has to offer this month. So, don't miss out on the chance to win a romantic retreat and dance the night away at the disco ball – Berry is calling, and it's a celebration you won't want to miss!

Adélaïde Ferrière held Kiama under her musical spell on Saturday 24 February 2024. The events organiser, Daniel Rohen, welcomed Kiama locals, playfully thanking them for choosing the ‘right’ decision - to be there insead of the rugby! The night consisted of a musical composition of classics, such as Bach, Handel and Debussy and new styles including Blue Smoke, a composition by Michael Burrit remastered for marimba, the first time ever being played in Kiama. Adélaïde, known for her exceptional talent on the marimba, carefully crafted each piece to be compatible with the instrument, adding a new experience for the audience. For compositions I was more familiar with, such as Rhapsody In Blue from Gershwin, it almost felt like a whole new song. The meditative, soft and mellow sounds of the marimba are almost a direct dichotomy from the bright timbre of a piano. Still, Adélaïde played them with conviction, effortlessly navigating the massive instrument with four mallets.A highlight of the evening was the debut of a new arrangement of "Blue Smoke" by Michael Burritt. Those in attendance had the privilege of being among the first in the world and the first in Kiama to savour this rendition. Daniel Rohen expressed pride in the overwhelming community support, evident in the filled church, and eagerly announced the upcoming classical concert on 7 April, featuring the 30th and final tour of Goldner String Quartet. We were very thankful to be able to chat to Adélaïde after her performance. She was ecstatic to be doing her first performances in Australia - and more excited for her holiday here after the tour. She explained to me that the technique of using two mallets in each hand took her ten years to master. Her dedication to her craft is evident in her precision and musicality. Check out these amazing images from the show and keep an eye on our whats on page to stay up to date on upcoming Classical Kiama Concerts.