Kiama is host to a plethora of talented musicians, and local songwriter Dan Challis is no exception. In conversations with Dan, his genuine passion for music and humble demeanour are immediately apparent. Over the years, Dan established a reputation as a stage performer in clubs and at festivals, a difficult feat in a crowded field. Now he has embarked on a new venture - teaching.Dan's decision to delve into teaching was influenced by a valuable lesson from his father: "If you ever want to learn something, teach it." Taking this wisdom to heart, a few months ago he initiated private guitar lessons for anyone interested. He emphasises, "I'm approaching teaching with the mindset that I'm always learning too. I'm not a 'god of guitar'; I'm just sharing the skills and knowledge I've acquired so far."Growing up in Queensland, Dan developed a deep love for music. His inspirations draw from lyrical depth and emotive language, citing influences such as Bob Dylan and James Taylor. However, during his live performances, he notes the audience's preference for jams from the likes of John Denver, Credence, and a few Aussie Classics.Before making Kiama his home, Dan, like many artists, faced the challenges brought by the COVID-19 pandemic. Reflecting on his time in Melbourne, he recalls the impact of lockdowns on his life. Working as a delivery driver while pursuing his dream, he experienced a sudden upheaval when, on a Friday, he lost his job and had ten upcoming gigs cancelled in a single day. This period was marked by a sense of impending doom, a sentiment shared by many during those uncertain times.Nevertheless, the clouds of COVID eventually lifted, leading Dan to Kiama. After settling in, he transitioned to a full-time career in music, both performing and, more recently, teaching. Encouraging his students to bring their goals to lessons, whether focused on acoustic guitar techniques or seeking guidance on songwriting and composition, Dan shares, "I learn through my own mistakes, which helps me identify and address others' mistakes and bad habits."Dan's combination of patience, talent, experience, and humility makes him an exceptional teacher. For those interested in keeping up with his gigs or reaching out for lessons, Dan can be contacted at 0456 063 747 or via email at [email protected]. To stay updated on his activities, you can find him on Facebook or Instagram by searching for Dan Challis Music. 

Classical Kiama Concerts are star studded this year, we don’t even have to leave our backyard for the world's top performers to come to our coastal town. Coming all the way from Paris, Kiama is one of only three places in Australia being graced with the talents of percussionist, Adélaïde Ferrière. Daniel Rohn, the organiser of Classical Kiama Concerts and renowned violinist, is thrilled to be hosting Ferrière and says this show is not to be missed “We are starting out this season with a big splash to kick off the year.”Adélaïde’s accolades are nothing short of impressive. She earned her master's degree with the highest distinctions at the Conservatoire National Supérieur de Musique et de Danse de Paris in 2017 at the young age of 20. Additionally, she studied at the prestigious London Royal College of Music. Notably, she received the award of Revelation Soliste Instrumental at the 24th Victoires de la Musique Classique, making history as the first percussionist nominated for an award at this prestigious event.Rohn says that Percussionist can be a misleading word and Ferrière is far more than that. We can expect to see her renditions of classic composers such as Vivaldi, Bach, Handel, Debussy and more. One of Ferrière’s stand out talents is her ability to play marimba with two mallets in each hand. Rohn says her precision allows her to play complex pieces, usually reserved for pianists. Recognized by 'Le Monde' as 'a phenomenon,' Ferrière's exceptional talent and remarkable achievements have earned her this well-deserved title, all before her 28th birthday. The performance is scheduled at Kiamas Anglican Church on the 24th of February at 5pm, and tickets can be purchased at ‘trybooking.com/CNZBL’. Tickets range from $55.00 to $65.00 and you can keep up to date with upcoming shows on the Classical Kimama Instagram and Facebook. Daniel Rohn has curated a series of four or five more concerts throughout the year, including a special performance on the 7th of April featuring the Goldner String Quartet, celebrating their 30th and final season together. Make sure to mark your calendar as one thing is certain – this season promises a cultural feast that should not be missed. Daniel Rohn and Rory.

Twelve year old Cha Cha Sullivan is making waves in the world of country music with her dad Kevin Sullivan and her two brothers making up the band The Sulli-vans.Cha Cha has secured a significant win at McDonald’s Golden Gig which was held during the Tamworth Country Music Festival this year. The Golden Gig gives young music artists the opportunity to display their talent and kick start their music journey. Coming in second place, Cha Cha was eager to share her plans with her winnings. She has been saving up to purchase a mandolin which she is very excited to start learning. Cha Cha’s journey to music began in the home and from a very young age. Her family hit the road to perform live music all over Australia. She wrote her first song during Covid at the age of eight, called Flower Fields. She was inspired by the view from her verandah that overlooked fields of flowers. Taking a leaf out of dad’s book, Cha Cha began writing and continues to follow her dreams and perform live music with her family. The young artist wowed audiences and judges with her captivating performance, showcasing not only her impeccable singing skills but also her talent as a songwriter. Cha Cha is passionate and motivated, with so much enthusiasm for her work. She juggles a full schedule with school, live performances and her sport commitments. Cha Cha has just embarked on her high school journey where she loves History and PDHPE the most and is very grateful to have such nice teachers. She also represents the South Coast in Oz Tag. She loves travelling the country with her family and seeing all the sights Australia has to offer and she is extremely grateful to have been given the opportunities she has. As she gears up for her next tour to the Northern Territory, Cha Cha is an inspiration to other young artists who want to follow their dreams.

Kiama's iconic Surf Beach was transformed into a sensational stage on Friday night, treating locals to an unforgettable show. The headline act, internationally acclaimed Melvo Baptiste, took a break from his global tour to grace Kiama with his presence. Supported by a lineup of exceptionally talented local artists including Catfish, Sam Fransisco, Clay Zane, and Groove Society, the night promised a musical journey that lived up to its expectations.Despite a last-minute venue change, the crowd seamlessly followed, finding themselves at the Surf Club, which provided a stunning backdrop for the evening's performances. Each artist showcased their extraordinary talents, flawlessly transitioning between sets without missing a beat.Wollongong-based DJ Catfish kicked off the night, setting the tone with infectious electronic funk. Not content with staying behind the decks, Catfish later joined the dancefloor to support local DJ Sam Fransisco. Sam's lively set had the crowd in motion, even sharing the stage with two enthusiastic young children, who added their own flair to the festivities.Next up was Kiama's own multi-talented Clay Zane, whose impressive set ignited the dancefloor. From his achievements as an author and owner of Bouquinest to his skills as a DJ, Clay effortlessly showcased his musical prowess and deep connection with Kiama's local performers. Clay expressed his excitement about Melvo's participation in the event. Melvo, a West London-born DJ, tastemaker, and label head, became an integral part of the Glitterbox radio show after meeting Defected Records' Founder in 2017. Not only did he become a crowd favourite and the face of the show, but he also released his debut single 'Bad Company' in 2020 and established his own label dedicated to nurturing new talent.Known for his eclectic mix of groove, soul, disco, and classic house, Melvo Baptiste's set electrified Kiama's surf beach. The atmosphere transformed into a lively party, complete with flowing drinks, dazzling lights, and infectious dancing. Clay and his team orchestrated a fabulous event, featuring dancers, smoke machines, and dance lights that elevated Kiama's entertainment scene.Despite the looming threat of rain, the show went on without a hitch. Post-performance, Catfish expressed excitement about Kiama's growing DJ community, hoping for more shows on the horizon. Kiama has undoubtedly solidified its position as the place to be for exceptional musical experiences. Watch this space, as the vibrant Kiama DJ community is poised to deliver more unforgettable shows in the future.

The Red Hot Summer Tour, held on Saturday, January 6, 2024, at the Kiama Showground, truly lived up to its name, attracting thousands of locals and visitors on a stunning summers day.Despite headliner Jimmy Barnes being unable to perform due to ongoing recovery from open-heart surgery, the event showcased an expanded lineup of talent. Jon Stevens, accompanied by his entourage, delivered a stellar set featuring Noiseworks and INXS hits, followed by a performance by The Living End before the grand finale. The stage saw outstanding acts from Birds of Tokyo, a crowd-favourite, Pete Murray, Kasey Chambers, and Sam + Sam.The concert, which has faced challenges in the past, including six washouts in Kiama and COVID disruptions, finally enjoyed favourable weather. In March 2020 the event was postponed four times, to October 2020, then March 2022, then to 3 April 2022 and finally ran on 16 October 2022 successfully.Fans remained loyal during this whole process of delay, many remembering the tremendous success of the 18 March 2017 sold-out Red Hot Summer Tour concert at the Showground with John Farnham, James Reyne, Daryl Braithwaite and Shannon Noll.Damien Hatfield and Annabelle Chapman from Palm Beach with Sammy and Alex Coombes (Gerringong). Damien thought Pete Murray set was great and thought it was "unreal" that he would see Ian Moss playing later. The tour returned in 2018 and 2019 before the long hiatus with Covid from 2020 to 2022 finally back last year in October at the Kiama Pavilion. With the intense heat, some attendees left early, even though there was a no-return policy. However, Kiama’s seaside location provided a refreshing sea breeze for those who sought relief. With attendees advised to bring camp chairs, the festival maintained a feel-good, relaxed atmosphere, complete with a lively mosh pit in front of the stage.Sam and Jesse who opted to leave the show early due to the heat posing with Keisha and Dominic from Evolution traffic controlParamedics reported running out of sunscreen, emphasising the need for festival-goers to “be prepared with essentials like sunscreen, water, hats and even tampons”. Red Hot Summer hats became a popular choice among the crowd, proving a boon for the merchandise stall.Event organiser Duane McDonald, expressed his relief at the fantastic weather. After the series of washouts at Kiama it was a great bonus. Sally Kearney, managing the merchandise stall, praised Duane for running a fantastic operation, highlighting the close-knit team's years of collaboration. “We’re a family organisation with team members becoming family as well.”Sally Kearney with Event organiser Duane McDonald and Sallyanne Robertson - a family run festivalThe Red Hot Summer Tour caused the inevitable traffic grid in Kiama main streets. Listening to pre show advice, many visitors opted for train travel, with trains arriving packed to capacity prior to the event, and festival-goers walking down to the Showground from the Kiama Railway Station.The Evolution Traffic Control team however reported smooth patron entry, though they acknowledged there is always traffic chaos post-event when party-goers leave the stadium.Festival goers from Sydney - Darren and Sam with Ningbo Zhang at one of the myriad of food stalls - looking forward to The Living EndFestival-goers shared their standout moments, with mentions of Kasey Chambers' Eminem cover and Pete Murray's exceptional performance. Birds of Tokyo energised the crowd and the whole event rocked. The final act, hosted by Jimmy’s daughter Mahalia Barnes showcased iconic Barnes and Chisel songs sung by Australian artists Jon Stevens (though kiwi born), Chris Cheney, Ian Moss and previous performers, closing the day on a high note. Jimmy Barnes expressed gratitude for the support of his fellow musicians and the unique show they presented.Ryan and Marilyn from Woonoona enjoying the coastal breeze. They loved the Kasey Chapman cover of Eminem's 'Lose Yourself'Despite the challenges of putting on such a huge event, the Red Hot Summer Tour in Kiama proved to be a resounding success, delighting both the event organisers and the enthusiastic crowd in attendance.Craig Mason and Vicki Poulton from Shellharbour were enjoying the concert and got swept away dancing with Birds of TokyoThe Bugle has a festival pack to give away to a lucky winner. Share your most iconic festival photo on our Bugle facebook page for a chance to win.  The Bugle Knows

   Tens of thousands of hard core festival fans turned Kiama Showground into Festival City with the sold out Changing Tides Music Festival on the weekend of 16 and 17 December 2023 bringing a lineup of great acts worthy of any music festival in the world and big numbers of visitors rocking up to enjoying the baking heat of one of the year’s hottest days in true festival tradition of extreme weather. The rules to get in were strict with one local observing someone getting turned away at the gate by security to get their passport. Others commented on the strong police presence including sniffer drug dogs.  Simon Felice is the organiser of the inaugural Changing Tides festival and has a lot of experience in the organization of festivals. His family owned Crooked River Winery for 25 years until two years ago and Simon describes the line up as his dream ticket straight from his own Spotify playlist!The Temper Trap - Changing TidesSimon first started six years ago with his brother Joseph running a whole series of festivals, some based at the Crooked Winery in Gerringong. The vibe of the 18 or older only boutique music and food festival combined the old school feel of classic big festivals like Big Day Out which finished in 2014, with more chill intimate festivals that bring a 2023 vibe to the stage. ‘Changing Tides’ kicked off on Saturday 16 December, with local Wollongong indie- rock band ‘Finding Darcy’, who played a great set, and then the welcome to the country, until the first big headliner G flip came on, whose set was amazing! Soldout ChangingTides festival Kiama ShowgroundG flip (they/them) was so engaged with the crowd and fans, as they were the only act to approach the sea of fans to get in close for their fans to take pictures and say hello. G flip, previously known for their profound drumming, blossomed their talent further and became a singer and musician via social media, streaming daily drumming content on instagram and Tik Tok until they gained over 100,000 fans! By constantly streaming their work, and then changing their profile to be more accommodating to talent scouts, then came the record producers to bring their music to their now massive following, G flip got taken more seriously, and now we have amazing artists on their music journey like G flip arriving in the Kiama LGA in 2023! G Flip up close and personalThe headliners on the big stage in the middle of the Kiama Showground were Wollongong band Dune Rats, Drummer G flip, then Peking Duk. Peking Duk are a crowd mood setting duo of DJs called Adam Hyde and Reuben Styles who started in Canberra and are known for how much fun they have on stage with their high energy dance mixes. They are often described as cheeky and ‘party ready’. Their music can include fun remixes of Aussie classics like ‘I Want You’ by Darren Hayes of Savage Garden fame. After the Duks, came the Jungle Giants, an indie rock band from Brisbane with what they like to call their genre-agnostic sound. The members are Sam Hales, Cesira Aitken, Andrew Dooris, and Kelsan Bijker. Their fans describe them as ‘indie rock royalty’ and they get a lot of airplay on radio stations like Triple J. The Jungle Giants, played the longest set, with their worldwide hit “Feel the Way I do” bringing in crowds from as far as Townsville, with one festival goer saying she traveled from Townsville to see her two favourite artists G Flip, and the Jungle Giants. This hard-core Jungle Giants fan told The Bugle she took two flights, and spent $1,000 “I had a great time and it was worth every cent.” The sets for performers were about 45 minutes apart, giving festival goers time to approach the local vendors, and check out the chill out zones, or VIP areas inside the Kiama Pavilion. Inside were food and drinks stalls, local vendors selling merchandise and even a paint your own surfboard kiosk which was very popular.On the Saturday night the party continued into the warm night with an energy filled dance party with some great vibes from some great female dance music acts like SYCCO, Kita Alexander, and also Dulcie and The Moving Stills. With other headliners coming in and dropping in unexpectedly throughout the night, some outstanding performances were on show the whole night. On Sunday the party continued with acts like PNAU, Royal Blood (from the UK) The Temper Trap and Ziggy Alberts. Sydney’s PNAU shares a band member with Empire of the Sun, and specialise in ‘grab your friends and weep with joy’ dance anthems to uplift the spirit and make some awesome memories for when you are older and the knees don’t work so well! Shade was in hot demand!Other acts on the Sunday in the heat included Leisure, Merci, Mercy,Jacotene, Jack Botts and Felip Baldomir. Leisure are regarded in New Zealand as an electronic supergroup due to each members individual success with previous musical projects. Like all dance festivals they can have a darker side, and measures were taken to make sure all partygoers had a safe as well as a fun time. Hydration stations were set up everywhere for example.Alcohol was strictly on site only for sale, with no wine!!!! and only party style premixers. A mobile breath testing festival unit was set up, who told The Bugle they had covered 6 local festivals this year, including Yours and Owls in Wollongong. Festival goers were encouraged to use the station prior to exiting.For a reading of 0.018, the mobile RBT unit staff gave the advice they would be safe to drive however to keep in mind that number would continue to rise even hours after you finished drinking. The Sniff off campaign which focuses on the use of police drug sniffer dogs at festivals published pics of the dogs at the Kiama Changing Tides festival on their social media. Security tight!Outside the grounds of the Pavilion, you could see many locals enjoying the music, with some locals finding themselves with a view of the performers on the screen from the top of Surf Beach from the southern headland, essentially getting themselves a great night with free music and a view. However, not all the locals were happy with some garden damage at the nearby Kiama Uniting Church attributed to illegal parking with cars driving over the garden to avoid the chain fence stopping people parking. Overall the music and the atmosphere at Changing Tides was an energised and fan fun success, with a great mix of big time festival styles of old and the chill intimate boutique festival by the sea, and Kiama is already excited for the next one. Harlow Events, who organised the Changing Tide event, said on their site they have been developing a boutique music festival style on the South Coast. They said they wanted to create the most boutique music and food festival on the South Coast with the Changing Tides festival in Kiama. The event was clearly a great success, and it looks like the plan to make Kiama a sought-after destination for many more festivals for the future was also a success.The Bugle spoke to a number of Sydney festival goers many who are self confessed festival junkies: " It was a good experience overall. It was my first time seeing all these artists and it was nice to see all Australian artists on the stage." (Camille)"Great small town intimate vibe" (Steph)"Very wholesome festival, some great Australian artists" (Summar)"Truly a lovely festival! The music and the crowd had such a great vibe. Definitely celebrated Australia’s music artists". (Tiana)"Great festival! Loved the location and the small venue so all the facilities were close by. Great food and drink options. Would love it if it's a bit bigger next time though!" (Emily) Overall a superb weekend without any major incidents. Well done to all involved.With the sucess of the many events held here one ask to ask the question - is the future of Kiama to be a Festival Town??   

Renowned concert violinist Daniel Röhn recently concluded the year with two engaging performances at the Anglican Church on the headland. Daniel, a virtuoso in his own right, captivated the audience by seamlessly playing both the violin and the piano, presenting a thoughtfully curated selection of musical works that showcased his exceptional talent.Kiama is privileged to host a musician of Daniel’s international stature, making his local residency a truly fortunate circumstance. With a career spanning the globe, Daniel is not only widely recognised but also held in high esteem in the world of classical music. Beyond his musical prowess, he entertained the audience with his storytelling, offering insights into the background of each piece and why he chose to perform it.Among the standout moments for this reporter was Daniel's emotive rendition of the Tango (Por una Cabeza) by Gardel-Hadelich, a modern classic immortalised in the Al Pacino movie "Scent of a Woman." Daniel skilfully transported the audience to the scene of the dance, demonstrating his ability to evoke powerful emotions through his music. He shared his affinity for "speaking in movies," shedding light on the often-overlooked presence of classical music in cinematic experiences.Expressing his admiration for the legendary composer Johann Sebastian Bach, Daniel took the audience on a reflective journey playing the Adagio, Fuga Allegro, Siciliana, and Presto of Sonata no. 1 in G Minor BWV 1001. He described the fugue piece as "themed and mathematically perfect," showcasing his flawless execution and timing—all performed entirely from memory – not a sheet of musical score in sight.Adding a touch of fun for the audience was the lively 'Louisiana Blues Strut,' by Perkinson, a toe-tapping interlude that resonated with many.Personally, the experience was not only a feast for the soul through beautiful music but also a discovery of a movie recommendation: "The Red Violin." Daniel played five 'caprices' from the film, each narrating a distinct story, further enriching the concert experience.Looking ahead, Daniel Röhn revealed exciting plans for the upcoming year, announcing six Classical Kiama concerts starting on February 24, the first to feature percussionist Adélaïde Ferrière. Announcements, details and dates for future concerts can be tracked on the "Classical Kiama" Facebook page, and The Bugle will continue to reliably list on our "What’s On."

Creating a music festival from scratch is a herculean task for anyone, but creating a festival that’s inclusive of people of all ages and walks of life is another challenge entirely. That’s just what the Clearly Music, Art and Wellness Festival managed to pull off on 10-11 November.Clearly provided the perfect atmosphere for someone experiencing their first music festival. Australian music festivals need to strike the right balance between being inclusive to younger audiences while allowing adults to let their hair down with a drink or two, and Clearly got this balance perfect. Designated drinking areas meant rowdy behaviour never spilled over onto the dance floor, and kids could happily dance with their parents near by. The festival was headlined by Australian music royalty Peter Garrett of Midnight Oil fame, who brought his solo project Peter Garrett and The Alter Egos to Kiama. Garrett told audiences at the Clearer Workshop that he wouldn’t be dancing like he did 25 years ago. That didn’t last long, however.Garrett held the audience of mostly younger punters in his hand as he belted out tunes most would be unfamiliar with if you haven’t delved into his solo work. That didn’t matter to fans though, as punters young and old shared the dance floor with each other to chants of “Peter” throughout the entire set.It’s no secret many were hoping Garrett would play a few Midnight Oil hits, and he did not disappoint, ending the set with I Don’t Want To Be The One & Blue Sky Mine to send the audience home happy.Even with a lineup of some of Australia’s biggest artists, Clearly still managed to maintain a very “Kiama” feel, and it wasn’t just surf rock. There were plenty of local businesses selling their wares at market stalls and local food trucks from the region serving delicious delicacies.Festival punters have a tendency to default to self-preservation amid hot and cramped conditions, but Clearly’s message of living well also extended to enjoying the festival itself. Clearly didn’t just feel like any music festival, it was a festival Kiama can be proud to share with the rest of the country.

The Clearly Music, Arts & Wellness Festival kicked off at The Pavilion today with the Clearer Workshops, an integral part of this new festival designed to provide aspiring musicians, performers, songwriters, rappers, producers, and DJs with invaluable industry knowledge and artist development advice. Dom Ferber with Aunty Gwen and Mayor Neil Reilly - photo courtesy Brent BlackburnThe day was opened by Aunty Gwen with a welcome to country and a musically inspired speech from Mayor Neil Reilly and organisers Dom Ferber and Charlee Fraser. The smoking ceremony followed on the Pavilion verandah overlooking Surf Beach. At the heart of the Clearer Workshop is a conference and collaborative learning experience that brings together industry leaders and artists from across the country, including a keynote speech later in the day by Peter Garrett (Frontman of Midnight Oil and Former Federal Government Minister). Panel discussions started with Michael Chugg (Frontier Touring/Chugg Music), interviewed by Lars Brandle (Brag Media) before Chugg crosses the ditch to NZ for the Robbie Williams concerts. The dynamic workshop series showcases a wide range of industry expertise and insight.In a joint statement, Clearly and Clearer founder Dom Furber and founder of Be Here Nowra and the Baseline Happiness Project, Barron Hanson, shared their intentions: "The Clearer workshops will provide emerging artists with a unique opportunity to gain industry insights, build valuable networks, and develop the skills needed to succeed in their careers. Through this exciting initiative, we are committed to supporting the growth of aspiring artists and fostering a sense of well-being and strength within the creative community."Festival set up in progressThe Clearer Workshop will be followed tomorrow by the Clearly Music, Arts & Wellness Festival, which will debut its inaugural event. The festival will feature a three-stage, all-ages music festival in the iconic cliff top position in Kiama that is currently being set up. Headlining the inaugural edition of Clearly, Arts & Wellness Festival on the main stage is a multitude of legendary Australian talent, including iconic singer-songwriter and multi-instrumentalist Xavier Rudd, Australian music legend and frontman of Midnight Oil, Peter Garrett, ARIA-nominated surf and garage rock trio Skeggs, and critically acclaimed singer-songwriters Ruby Fields and Gretta Ray.Co-founder of Clearly Music, Arts & Wellness Festival, Dom Furber, says: “I have always dreamed of delivering a festival of this scale locally since throwing my first event in Sydney Harbour in 2010. I was born in the area, attended primary school in Gerringong and high school in Kiama, so have close ties to the local community. Clearly Music, Arts & Wellness Festival and the Clearer Workshop will provide a platform for emerging and established artists to showcase their talents and connect with audiences from all over. We can't wait to see the positive impact this festival will have on the community this year and in the years to come."Lars Brandle interviewing Michael Chugg at The Pavilion in KiamaFor more information: https://www.clearlyfestival.com/

Folk by the Sea showcased performers at the Kiama Pavilion, Kiama Anglican Church hall, Kiama Rugby Club and Kiama Uniting Church hall on Saturday. One of the highlights of the Kiama Folk by the Sea Festival was The Water Runners on the main stage in the Norfolk room of the Kiama Pavilion. Their current line up has John Littrich on guitar, vocals and harmonica, Danita Harris on violin, and backing vocals Neil McCann on mandolin, banjo, and backing vocals and James Turk on double bass The Water Runners sing a number of songs that tell the local history of the Kiama area, including stories of massacres, murders and mayhem. Aljamia are an interesting meld of songs and instruments from Portugal that blend European medieval music with the golden age of La Convivencia with musical influences for Christianity, Islam and Judaism. Peter Willey at the Kiama Rugby Club performing his version of the hilarious comic classic ‘The Kitchen Tea Tupperware Massacre of 1965.’ Downstairs at the Pavilion in the Saddleback Room, Rusty vs The Redfern Shanty Club had the room singing along to shanty classics with the aid of lyric sheets. They were introduced by local festival organiser legend, Russel Hannah who has been organising local festivals for over 30 years. The Kiama Anglican Hall had a novel live microphone option for new singers, with 2 songs round robin for new voices to try out for the first time the experience of singing at a folk festival. Check out a taster of some of this afternoon's sounds here.

Daisy Pring’s new singleKiama’s love affair with music is well-documented, but we mostly hear from local rock and folk artists. One Gerringong artist is breaking that mould, and is ready to take on the pop world with her brand new single.Daisy Pring is a former Kiama High School student who has been singing and performing her entire life. At just 20 years old, Daisy is gearing up to release her second single, Falling Together, on 10 October.Daisy often hears comparisons between her music and modern pop icon Dua Lipa, but says her music influences range from contemporary pop stars like Ariana Grande, The Weeknd and Raye, to trailblazers like Whitney Houston, Celine Dion and Mariah Carey.Influence from The Weeknd is more obvious on her second single, including thick, low-fidelity synthesisers underlaid with a slick guitar riff. While her first single, Retrograde, has a bouncier, almost disco sound, Falling Together, is a power anthem written about darker themes: the cycle of a toxic relationship. Lyrics like “I can tell it's been messing you up, falling out and in, in out of love” and “don't let the toxins in your veins” hammer this point home.“It’s about toxic relationships from the perspective of someone telling their friend all of the time they’re wasting on something that’s not going anywhere,” Daisy told The Bugle “...and how you get stuck in a back and forth cycle over something that’s not going to last.”Daisy wrote the song at home on her midi piano before taking it to Australian-Japanese music producer Taka Perry who is known for working with the likes of Ruel and Denzel Curry. “Taka started to thicken up the song from the original piano chords up, adding a sick guitar riff in the post chorus which is one of my favourite parts of the track. We then worked on the verses and the chorus keeping the theme of poison and toxins as a metaphor for the toxic relationship the song speaks about.”The single launches on all good music streaming platforms on 10 October, and Daisy is hosting a gig on 12 October at El Horses in Nowra to celebrate, with Kiama’s Denim On Her supporting.Daisy will also perform at the Crooked River Wines’ Dave Ferrit Festival on 2-3 December, headlined by DMA’s and Icehouse.

Get ready to groove, twirl, and tap your feet because National Dance Day is here! It's the day when dance enthusiasts and anyone with a desire to move to the rhythm come together to celebrate the universal language of dance. So dust off your dancing shoes, because on 17 September, it's time to bust a move!Dance has an ancient and captivating history, dating back as far as humankind itself. The earliest depictions of dance can be traced back to cave paintings in India, dating back to 8000 BC. Across the world, from Egyptian rock shelters to Indian temples, dance has been an integral part of culture, rituals, and self-expression.In Europe, the 1600s saw a surge in dance's popularity, with Louis XIV establishing the first official dance school in France, the Royal Academy of Dance. Modern dance, born in the 1800s, rebelled against classical ballet, leading to the evolution of various dance forms, from jazz to hip-hop.The idea of National Dance Day came to life in 2010, thanks to co-founders Nigel Lythgoe, co-creator of "So You Think You Can Dance," and Congresswoman Eleanor Holmes Norton. This day encourages people from all walks of life to express themselves through dance, emphasising the joy of movement and its significance in our lives.So, how can you celebrate National Dance Day? There's no wrong way to get into the groove:Start Dancing: Whether you're a seasoned dancer or a complete novice, just start dancing. It could be a spontaneous living room dance-off, an evening of ballroom elegance, or freestyling at your local dance club. With dance forms like cha-cha, salsa, ballet, or breakdancing, there's a style for everyone.Watch a Dance Film: Need some inspiration? Dive into the world of dance through film. Classics like "Dirty Dancing," "Billy Elliot," "Black Swan," and "Footloose" are just a few options to kickstart your dance fever.Take a Dancing Class: If you're new to dancing or want to refine your skills, sign up for a dance class at your local YMCA, dance studio, or gym. From jazz and tap to hip-hop and contemporary, you'll find a style that suits you.Learn About the Benefits of Dancing: Beyond its joyous nature, dancing offers numerous health benefits. It's a fantastic workout, improving flexibility, balance, coordination, and spatial awareness. It's also great for your heart and lungs, mental health, memory, and self-confidence.See a Dance Show: Support your local dance community by attending a dance performance. From classical ballets to hip-hop festivals, there are countless opportunities to witness the magic of dance firsthand.Remember, National Dance Day is a day for everyone, regardless of age, skill level, or experience, to embrace the sheer delight of dancing. So, let the music guide you, express yourself, and share the joy of dance with the world. Happy National Dance Day!

Gerringong Music Club invites you to enjoy an afternoon of wonderful music with the Zefiro trio on Sunday 17 September at 2pm in Gerringong Town Hall. Zefiro ensemble explores the repertoire for flute, violin and piano in a captivating and energetic program that delights with Gallic charm. Join flautist Suzanne Cowan, violinist Cecilia Bersée and pianist David Vance as they perform music by Gaubert, Ibert, Rabaut and Martinu, along with a new work especially written for the trio by Wollongong Conservatorium’s resident composer, John Spence. Suzanne Cowan currently teaches at The Wollongong Flute Studio, Wollongong Conservatorium of Music, and many other schools with music programs. Most recently Suzanne has played Principal Flute with the Wollongong Symphony Orchestra. Cecilia Bersée is a freelance violinist, teacher and an AMEB examiner. She has played with the SSO, the Australian Chamber Orchestra and predominantly for Opera Australia Orchestra, where she played for more than 20 years. David Vance is an outstanding pianist, music critic, and retired academic from the University of Wollongong. He continues to maintain a busy schedule as an accompanist and chamber musician. This will be a delightful concert. Doors open at Gerringong Town Hall at 1.30pm. Tickets on sale at the concert at $30 for visitors (cash at the door). Members, students and children are free.We would be very grateful if any of our members who would like to help with the afternoon tea could let Jenelle Lumsden know on the day at the concert.Further information about the music programme and Gerringong Music Club membership contact:Bobbie Miller, Music Director ph: 0413 967 385 or email [email protected],or see our blog on GerringongMusicClub.blogspot.com

Most kids who grow up in a small town get the urge to move away to find adventure in the big city. Even when you grow up in one of the most beautiful towns in the country like Kiama, the allure of finding something “bigger” is almost impossible to ignore.This yearning to leave can also cloud your memories and make you forget how good you had it “back in the day” when you were young. This journalist received a pleasant reminder of what it was like growing up in Kiama when I spoke to Jack Reilly, now a Sydney-based musician who grew up in Kiama. If the surname sounds familiar, it’s because Jack is the son of Kiama Mayor Neil Reilly.Like myself, Jack was a part of the Illawarra music scene in his youth before moving to Sydney in his early twenties. With his next album in the works, The Bugle caught up with Jack to discuss what it was like trying to make it as a musician in Kiama during the 2000s.Jack was around 11 when he started seriously listening to music, but it wasn’t until watching a performance at the ARIAs that he decided he wanted to be in a band.“What got me to consider music was Frenzal Rhomb performing at the ARIAs. They played Never Had So Much Fun and it changed my life.”The next day, Jack decided music was his life even though he didn’t actually know how to play an instrument.“It was a few years before I could do anything. I met my friend Ben in high school and we just told everyone we were a band. We would say we’re having band practice but just put on Rollin’ by Limp Bizkit really loud and jump around.”Jack and his mates eventually got their own instruments and started a band called Laceration, which was the beginning of Jack’s live performing career at around 13.It wasn’t easy being a fan of alternative music, or any alternative subculture at all at the time. “I think the South Coast generally speaking is very good, but I just think culturally everyone is kind of cool, and into surfing and sports,” says Jack.“Certainly that’s changing now, but when I was growing up, I was really interested in heavy music and edgy, goth culture, and sensitive guys wearing makeup. It was just a bit weird for a lot of the kids who were going surfing.”Jack says it was this dichotomy among Kiama’s youth that brought young musicians and anyone interested in alternative subcultures together.“It was when the community found each other, there were goth kids, punk kids, kids that were a bit alternative, when they found each other, it was a very good thing.”One of Jack’s memories of playing in bands at the time was how competitive the scene could be at times. “The scene gets kind of big, everyone is really excited and supporting each other, then all the bands feel like they’re really important and put themselves and a lot of egos in the way when people start coming to shows. And it’s hilarious to think about because we’re all in Kiama.”Despite the ups and downs, Jack has fond memories of playing in Kiama, and attributes his current success to the skills and attitude he formed on the South Coast.“In terms of what it was like to play music, my memory of it is that it was generally pretty good. I certainly have a lot of memories of being young, before music I had no way of expressing myself and no sense of community in the town, certainly I went from having nothing to having some.”“The local nature of everything, having to put on shows yourself, organising bills, organising events, making sure they’re as inclusive as possible, they’re all things I’ve learnt in Kiama and have very much tried to keep consistent throughout the rest of my career. The attitude that was formed here has informed everything I’ve done.”New musicJack has been on a hiatus when it comes to releasing music, his last release being in 2020. That being said, he’s gearing up to release a new 10-track album next year, and has just released a cover of Funeral by Phoebe Bridges. Jack says he decided to cover Funeral because hearing Phoebe Bridges made him feel the same way that hearing Frenzal Rhomb did all those years ago. That feeling inspired Jack to return to basics and release his music with a DIY approach.“I just really wanted to alleviate some of the anxiety around releasing music, because having those three years to build something, I got really overwhelmed at the idea of it being right and reintroducing myself to the world in a new way, then I started worrying if people would be into it, and all these really unhelpful thoughts,” says Jack.“I thought the only way to alleviate that pressure of putting out new music was to go back to how it was for me when I first started, so I purposefully didn't put it on Spotify, I put it up for free on Bandcamp and Youtube.”As for the new songs, Jack says there’s a tension between his own desire to express emotions in a raw and honest way while also catering to what people want to hear that permeates throughout his music. As a result, the lyrics of his new music tend to revolve around conflict resolution and being able to have honest conversations despite being scared of the outcome.“A lot of my music has been about feeling lonely and alienated, so I really wrote this record to have some semblance of not feeling so alone anymore, finding people I can spend my life with, and how that’s not always the end of the story,” says Jack.“You still learn and grow when you let people into your life and start having real adult relationships, and with that comes its own set of separate headaches. But it’s mainly about the conflict tension and hopefully the resolution that comes from being able to articulate your feelings.”Jack says that any young people in Kiama that want to be in a band should focus their efforts on doing what they love to do, not just what a potential audience might think about it.“Just try to think about the feeling you had when you felt that you’d feel better if that was expressed. If your focus is just on making work that you’re proud of that you can express yourself honestly through, that’s a really valuable thing.”“The majority of people do not have the inclination to do anything creative whatsoever, so if you have an inclination, you have a responsibility to pay homage to that feeling. So you’re already streets ahead of everyone else if you have that feeling and attempt something.”

In the wake of rave reviews for his recent soloist performance with the Sydney Symphony Orchestra at Sydney Town Hall, new Kiama resident Daniel Roehn and his wife, Kiama's own Ana de la Vega, have organised the first of a series of intimate performances at the Kiama Anglican Church.Daniel Roehn performing at the Sydney Town Hall with the SSO, under the baton of Simone Young.Daniel is the third generation of Germany’s most distinguished violin family, and has built a career as an international soloist. Ana started her career as a flautist in the Kiama Primary School band and has since risen to build a spectacular international career, with hit recordings and performances at the world's leading concert halls.Using Kiama as a base, the couple are keen to use their move to Kiama from Germany as an opportunity to share their music in a series of concerts in regional towns on the South Coast and Highlands."We love the idea of taking classical music to country towns, and making Kiama a focal point for music lovers," says Ana.In this first concert they will play a program of music by Bach, Debussy, Shostakovich, Bizet, Kreisler, Brahms and Mozart, with brilliant young pianist Jeremy So.The one hour concerts will be on Saturday 27 March at 5 pm and 7 pm; and Sunday 28 March at 2 pm.The tickets are available now at the Tourism Office on Blowhole Point for $50 (concession $40).

The Gerringong Music Club is looking forward to the return of the colourful and entertaining Balalaika Orchestra, ten years after they first performed here."This will be a delightful concert," says the Club's Gillian Spooner."They will be performing a very diverse program of traditional Russian folk music and light classics with orchestral performers and singers dressed in attractive folk costumes. "We look forward to again hearing a typical Russian folk orchestra which usually features the Domra, Balalaika, Bayan, Zhaleika, and various other woodwind instruments and percussion."The orchestra - which has played in venues such as the Sydney Opera House, NSW Art Gallery, Riverside Theatre and Sydney Conservatorium of Music - continues to be led by Musical Director, Victor Serghie, who is also the principal arranger.The orchestra's 28 players and singers are a microcosm of the multicultural fabric of Australian society with performers from a diverse range of ethnic origins: Armenian, Belarusian, Chinese, Danish, Indian, Irish, North American, Polish, Serbian and Ukrainian, as well as Australian and Russian.  Sunday 30 October, Gerringong Town Hall, 2pm. Tickets on sale at the door from 1.30pm at $25 for visitors. Students and children are free.

The streets of Kiama will soon be bustling with live music with the Kiama Jazz & Blues Festival returning 10-12 March. This year will see some firsts for the annual affair, including the opening event at Gerringong Town Hall set to include a screening of award winning documentary Keep On Keepin’ On, followed by a Q&A talk with the director Alan Hicks, a Grammy award winning filmmaker.After the movie, guests will be treated with a line-up of jazz performers who will give an epic Clark Terry tribute.“It’s a bit of a red carpet event where you can dust off your fancy clothes and come along,” says festival organiser, Becky Guggisberg.Another first for the festival, and an event Becky highly recommends, is the Sunday Street Party where the Justice Precinct will erupt into an arts precinct, with the Harbour end of Terralong St decorated with seating and food trucks.The main stage will be at Black Beach for festival goers to enjoy live music and eat, drink and dance. All weekend, Kiama will be alive with an array of live music happening across the festival hubs and other venues.“A lot of the shops on Terralong Street are joining forces, and we will activate that street along Jazz Alley again,” says Becky.Her top picks of hubs are Burnetts on Barney (above); the Manning St Top Shops – which will have a concert space set up in the back, perfect for any time of the day; and Filmores where the highly acclaimed artist Barney McAll will perform with his trio on Saturday.“He is also doing a solo piano performance at Ss Peter & Pauls Catholic Church on Sunday. We are really privileged to have him,” Becky says.“We’ve got some next level artists that I expect will just blow people’s minds.“The beauty of this festival is that it appeals to all ages and our town becomes lively and inclusive.“We forget the ho hum of the day-to-day and embrace the beauty, cohesion, creativity and freedom of our village.”Visit kiamajazzandbluesfestival.com.au for more detail and tickets.

This year, the free concert on the last day of the Kiama Jazz & Blues Festival is being held in the Harbour's natural amphitheatre, with Terralong St closed between Manning and Railway Parade.Make sure you pop down to enjoy the program:1pm Cope St ParadeAustraliana, gypsy swing and New Orleans jazz meld to create a style sounding both new and old yet uniquely Australia. Think if Django Reinhardt met Louis Armstrong in a good old country pub.2pm Home Cooking: Tony Allen TributeHome Cooking is a celebration of Tony Oladipo Allen, the drummer who created the steadfast, subtle beat of the Nigerian protest funk known as afrobeat. On the 30th of April 2020 Tony died in Paris at the age of 79 leaving behind a legacy of music that has massively influenced modern funk, soul, hip-hop and even electro dance music. Brian Eno described Tony Allen as “perhaps the greatest drummer who has ever lived” and Fela Kuti with whom Tony played through the 60’s and 70’s once said “without Tony Allen there would be no afrobeat”.3pm Harmony ByrneMelbourne-raised musician Harmony Byrne is something special, and if you don't believe us, ask The Teskey Brothers - she open all of their completely sold-out national dates. Specialising in a subtle folk-backed sound that moves between stripped-back richness to fierce with emotion, the rising musician feels comparable to acts like Angie McMahon and Julia Jacklin in her storytelling-focused songwriting.4pm Daddy Longlegs & the Swamp DonkeysAre you ready? Hang on to your hat and prepare to be blown away. Blues lovers will love these dirty, wacky blues musicians. Giddy up donkeys - game on!! Do not miss Daddy Longlegs - they really are the business!! There are food vans, gelato and even a bar, so grab a picnic blanket and your hat and join in this community event.

Gerringong Music Club has presented concerts of fine music at Gerringong Town Hall for nearly 20 years, but its future is in doubt if the Club can’t fill essential committee positions. There are four more concerts planned for this year with the next one on May 21, however, the Club will need to wind down at the end of the year if volunteers can’t be found to fill for Director and Publicity Officer, says current Director of Music, Bobbie Miller. Both Bobbie and Publicity Officer, Gillian Spooner, indicated at the recent AGM that they are no longer able to continue in their roles, after many years of service.“The Club is in a sound financial position, with nearly 80 members, and each concert attracts good numbers of visitors,” says Bobbie.“The performers range from orchestras to chamber groups and soloists. While the music is mostly classical, the Club has also presented jazz and Latin American concerts. At the end of last year, the Sydney Balalaika Orchestra performed Russian folk music to an enthusiastic audience.”Anna da Silva Chen's talent was supported early by the ClubThe Club has always encouraged young musicians as well as professionals. “Anna da Silva Chen from the Illawarra, who has performed for the Club nearly every year from the age of 11, is now a stellar violinist, in demand around Australia and overseas,” Bobbie says.The Club was started by Gem Buck in 2003 after members of Gerringong CWA raised funds for a good quality piano. At least five concerts have been held every year except for during COVID. Gem, an experienced musician, was well into her 80s when Bobbie Miller took over the position.Gem with her Life Membership Award“I’ve greatly enjoyed planning the concerts, dealing with the musicians and presenting the concerts along with committee members. But I plan to retire at the end of the year, as I now mostly live in Sydney,” says Bobbie.“The Club needs someone who has a strong interest in classical music and who could devote time and energy to plan the Club’s program. “I would work with the person for the next year and could give them a list of the duties of Music Director and ideas for performers, while they settle into the role.” The Club also needs a new Publicity Officer. Gill Spooner has provided publicity for community groups in the area since 1998. She also plans to retire from her role with Gerringong Music Club at the end of this year. The position would suit someone who enjoys a considerable level of computer and creative skills.If you are interested in the positions please contact Bobbie on 0413 967 385 or [email protected] or Gillian on 0422 543 928 or [email protected]. There are four more concerts planned for this year, with the first being Bluescope Steel Youth Orchestra performing classical favourites, May 21, Gerringong Town Hall, 2pm. Doors open 1.30pm. $20 for visitors and free for members, children and students.