By Jett SilvaEvery year, typically in early December, Spotify gives users a chance to reflect on the soundtrack of their lives through Spotify Wrapped—a unique look back at your listening habits from the past year. It's more than just data; it’s a personalised snapshot of who you were, based on the music you played.Using the data it collects throughout the year, Spotify Wrapped reveals your most-played songs, top artists, favorite genres, and total listening time. With eye-catching visuals and interactive content, it turns your listening history into a memorable, audio-visual experience.Spotify Wrapped also provides a global perspective, showcasing worldwide trends in music. For example, in 2024, the top-streamed song was “Espresso” by Sabrina Carpenter, and Taylor Swift was the most-streamed artist. This global view connects you with millions of other listeners, showing how your tastes align with worldwide music trends.For many, Spotify Wrapped is a nostalgic moment—a time capsule capturing the soundtrack of their year. Whether the music represents happy memories or difficult times, it’s a reminder of the experiences that defined the past 12 months.But Spotify Wrapped is more than just a personal reflection; it’s a celebration of music and the role it plays in our lives. It’s a journey that’s shared by millions of people around the world, all connected by the power of music.

It's hard to believe that over 50 years have passed since Trevor White and Jon English first brought the iconic roles of Jesus and Judas to life on the Australian stage in Jesus Christ Superstar. This groundbreaking rock opera, written by Tim Rice and Andrew Lloyd Webber in 1970, has firmly secured its place in musical theatre history and remains beloved by audiences worldwide. As part of its 50th anniversary tour, the show is currently playing at Sydney’s Capitol Theatre until January 26th, before heading to Perth. With its unforgettable music, powerful performances, and timeless themes of power, betrayal, and redemption, the hype around Jesus Christ Superstar is as strong as ever. Michael Paynter’s portrayal of Jesus in this production has completely redefined the role for me. As a lifelong John Farnham fan, (Jesus in the 1992 production), I never thought I'd feel such a deep emotional connection to this performance, but Paynter’s rendition was nothing short of extraordinary. His delivery of "Gethsemane" was so vocally stunning, I found myself in awe, struggling to keep my jaw from hitting the floor. The sheer power and emotion he brought to the song earned him a well-deserved mid-show standing ovation. Michael, if you’re reading this—please, for the love of all things musical—release your version of "Gethsemane" so I can listen to it on repeat! Javon King’s portrayal of Judas was a strikingly clean and nuanced interpretation. His voice was technically flawless, and the emotion he conveyed through his eyes was hauntingly powerful. One of the most memorable moments was the use of liquid silver to symbolise the blood money on his hands, a visual choice that was both haunting and beautifully executed. Unlike previous portrayals of Judas, such as Tim Minchin’s and Jon English’s more rugged, rock-inspired takes, King’s version presented a more polished, almost aristocratic Judas—one who carried the weight of his betrayal with an air of dignified torment. Regardless of which interpretation of Judas you prefer, there’s no denying that King’s vocal performance was absolutely unmatched. I’d like to make a special mention of someone who didn’t have a main role but truly stood out: Darcy Eagle, who played the mob leader and main dancer. Every time she stepped onto the stage, she commanded attention with her expressive facial expressions and impeccably clean movements. Whether portraying a devoted follower of Jesus or leading the chaos of the mob, Eagle transitioned seamlessly between these contrasting roles, maintaining an infectious energy throughout. What impressed me most was her ability to sustain such high energy and precision, especially considering she was dancing full out for most of the show. Her performance added so much depth to the production, proving that sometimes the most memorable moments come from those in supporting roles.The choreography in this production was both modern and wonderfully unconventional, yet it all came together in perfect harmony. There was a unique flow to the movements, with elongated, smooth gestures performed at a quick pace, making full use of the dancers' bodies. Bree Tapoki, the resident choreographer, brought a distinctive style to the piece, blending contemporary elements with creative, bold choices that kept the choreography fresh and engaging. I truly enjoyed seeing her imaginative vision come to life on stage.The costume design was fairly minimalistic, opting for a muted, "Yeezy-inspired" palette of greys and sage, with oversized clothing that gave the characters a somewhat contemporary, yet understated look. However, the one truly show-stopping outfit came courtesy of Reuben Kaye, who played King Herod and delivered the only comedic break in the show. Draped in gold, paired with stilettos and a studded gock strap, Kaye’s larger-than-life presence was hard to miss. His perfectly timed rendition of "King Herod’s Song" was a highlight, with his extravagant costume and bold performance adding a touch of fabulousity to the otherwise intense atmosphere of the show.Mahlia Barnes brought a strikingly different energy to the role of Mary Magdalene, offering a more rugged and raw portrayal than we typically see. While Mary is often depicted with clean, sweet vocals, providing comfort to Jesus, Barnes used her belting range to bring a grittier, more complex dimension to the character. This Mary felt less like the traditional nurturing figure and more like a woman hardened by her past (a prostitute and victim of the societal abuse of her time). I appreciated this fresh take, as it gave a new depth to the role. However, while Barnes powerful vocals were impressive, I did feel there could have been more vocal variation. Showing her raw power was compelling, but I would have liked to hear her dial it back at times to create more dynamic contrast, allowing the quieter moments of Mary’s character to shine through as well.  The staging was haunting and impactful, with a large corrugated metal cross dominating the stage, drawing immediate attention. Unlike previous productions, where scaffolding is often used to create dynamic levels and allow for more interaction between performers, this set opted for a simpler approach. The focus was on a staircase with a platform at the top, reminiscent of the one used in Hamilton last year. While it was visually striking, I did miss the usual complexity of scaffolding that adds depth and movement to the space. The staircase, though effective in its own right, didn’t quite offer the same variety of shapes and levels, but it still worked within the overall mood of the production.The musicians were top-notch, seamlessly sharing the stage with the performers and showcasing their incredible talent. The opening moment was especially memorable, with a single spotlight on the electric guitarist, expertly jamming the iconic Jesus Christ Superstar riff, setting the tone for what was to come. This smooth transition led straight into Javon King’s standout performance of "Heaven on Their Minds," which was nothing short of electrifying. The synergy between the live band and the cast elevated the entire experience, blending the raw power of rock with the emotion of the story.I highly recommend seeing this production, especially as we approach Christmas. It's a thrilling, thought-provoking experience that will stay with you long after the curtain falls, leaving you in awe of the performances, the music, and the emotional depth of the story and portrayal of the characters. 

Kiama’s Music in the Parks event is set to return on Sunday, December 15th, offering an afternoon of live music, family-friendly fun, and community spirit. The free event will run from 2pm to 6pm at the newly refurbished Hindmarsh Park stage, with a diverse line-up of local musical talent.The call for performers this year attracted an overwhelming response, with musicians of all ages, from teenagers to seasoned professionals, eager to take the stage. However, due to the large number of applicants, organiser Charlie Damico said some tough decisions had to be made.“We actually feel terrible that we had to knock back so many people this time around but really hope that we can convince council to keep funding the event into 2025 so that we can get more artists up on that beautiful stage.” Damico said.This year’s line-up includes Jacob Henry, a talented 14-year-old guitarist and drummer from the Sentral Youth Centre, and Benn Gunn, an acclaimed country singer-songwriter. The event will also feature The Swamp Critters, a Blues & Roots band, The Ramoans, a high-energy tribute band playing classic Ramones hits and Unofficial Distilled, singing all the rock classics you know and love.In addition to the music, a professional face painter will be available under the park’s fig tree.While the event is free, organisers encourage visitors from outside Kiama to take the train, as parking can be limited on Sundays. Hindmarsh Park is just a short walk from the station, with coffee shops and ice-cream stands along the way for those wanting to grab a snack before the show.With a diverse range of performers and a relaxed, family-friendly atmosphere, Music in the Parks promises to be a highlight of the summer calendar. The event is open to all, with locals and visitors invited to come along and enjoy a relaxing afternoon in Kiama’s beautiful parklands.

The Water Runners frontman John Littrich is back from an extended break and a “half-lap” of Australia armed with new songs and renewed energy for the Kiama-based bluegrass band’s return to the festival circuit at the 38th annual Illawarra Folk Festival in January.Over the years The Water Runners have performed at many significant festivals around the country, from the National Folk Festival in Canberra to the Peak Festival in the Snowy Mountains, Cygnet in Tasmania and three years at Tamworth’s Country Music Festival.But the Illawarra Folk Festival, to be held at Bulli Showground on January 17-19, has a special place in the band’s heart. After all, it’s home territory – with all but one of the band members calling the Illawarra home - and their shows have always been hugely popular with festival patrons.Littrich (guitar and vocals) and Neil McCann (banjo, mandolin and vocals) live in Kiama, while double bass player James Turk hails from Gerringong. Danita Harris (violin and vocals) grew up in Bowral and now lives just up the road in Campbelltown.  “We love the Illawarra Folk Festival, and the joy of getting our music out there to audiences that have watched us over many years. We are so grateful that Illawarra will be the band’s return to festival performing after a six-month break,” Littrich said. “The festival has such a great line-up and we are very happy to be part of that.”The Water Runners have three spots on the festival program – Friday night, Saturday night and Sunday afternoon.Littrich this year took long service leave from his job as a Law Lecturer at the University of Wollongong, and he and wife Jane headed off around Australia in their trusty VW Kombi Campervan.“We did what they call a half-lap,” Littrich said. “We headed across to Port Augusta, then up through Cooper Pedy, Uluru, Katherine, Kununurra to Broome, then down the West Australian coast, swimming with the whale sharks at Ningaloo Reef, Exmouth, down through Perth to Margaret River and Yallingup, across to Albany and Esperance, then back home across the Nullarbor.“We tried to see as much of the country as possible in the time we had, and doing it in a Kombi meant we lived very simply. It was nice to be free from work and all the other responsibilities you have when you are at home. But I must admit I missed playing with the band, and I’ve certainly come home energised to get back into performing,” he said.Littrich also made sure he came home with some new songs for The Water Runners.“My wife, Jane, set me a target to write a song a day for week, getting me to pick picking a random word from a box to start me off each time. I tried out one of the new songs, based on the word ‘shelter’, at an open mic night at the Caves Hotel at Yallingup. We’ll be performing some of the new songs at the Illawarra Folk Festival. Neil also wrote a couple of new ones while we were away, so we have some fresh songs for the festival.“I think we have enough songs in our back catalogue now that we won’t be repeating songs at our sets,” he said. “And I’m hoping to persuade my wayward son to join us on stage if he is free.”That “wayward son” is Dom, who adds percussion and vocals to The Water Runners, when he is not heading up rap-funk outfit Big Twisty, playing drums with coastal alt-rock band Pacific Avenue, or filming comedy skits for television with The Inspired Unemployed.Meanwhile, McCann, who “filled in his time” while The Water Runners had a break by taking on the role as festival director for Kiama’s Folk By The Sea festival, has indicated he will stay in that role for next year’s festival – to held at the Kiama Pavilion from September 12-14.Watch The Water Runners here: https://youtu.be/0pYb-UMVvqUEarly-bird festival tickets and festival information at www.illawarrafolkfestival.com.au2025 Illawarra Folk Festival line-up:International and National: Andrea Kirwin and Claire Evelynn, Andrew Gurruwiwi Band, Austral, Barbara Giamalvo (USA), Belly Savalas, Black Joak Morris, Brodie Buttons, Broken Creek, Bush Music Club Inc, Cameron Jones , Charley Castle, Ciarán Wynne (IRE), Concrete Sea, Drizabone D, Eric Bogle, Good Tunes Session, Jan Preston's Boogie Circus, Kejafi, Ken Field's Hoot Band, Mal Webb & Kylie Morrigan, Martha Spencer (USA) and Archer, Maypole with Molly, Mitch King, Peter Mace Bush Poet, Peter Willey, Ray Dimakarri Dixon, Redfern Shanty Club, Riff Raff Radical Marching Band, Robyn Sykes, Rocky Bottom Girls, Rough Town (NZ), Saplings, Shellie Morris, Snez, Stonybroke, Sunday Lemonade, Sydney Irish Ceili Dancers, Sydney Scottish Fiddlers, The Ramshackle Army, The Seben Brothers, The Spooky Men's Chorale, The Strides, The Water Runners, Tuck Shop Ladies, Wadaiko Rindo & Noriko Tadano, We Mavericks, William Crighton, Workhorse, Zumpa.Local: Anvil: Queen of the Ribbon Gang, AZ-I-AM, Beatmeisters, Carefree Road Band, Gobsmacked!, Gray Read, Illawarra Nature Stories and Songs, Illawarra Union Singers (IUS), Kiama Sea Shanty Club, Koori Voices, Marco and Rusty, Maurie Mulheron, Meridian, Mother Banshee, Murmur, Mz Mally Moo's Music 4 Minis, Nick Moses, Olivia Coggan, R.A.N.G, Rheinberger & Wilson, Shalani, Shanties and Worksongs, Silver Lotus Tribal Bellydance, Slippery John Sausage & His Bayou Brothers, Smith and the Devil, Somesing Laik Zat, Steampunk Vagabonds, StoryBeats, Super Kenny and Magnificent Manda, Tempo Dance, 'That Summer Feeling' - A Jonathan Richman Tribute, The Butter Trackers, The Con Artists, The Dempsey Brothers, The Femme Fatales, The Midnight Feast, The Other Noonans, The Swingaleles, Yoga – Dru Yoga with Erika Steller and Fiona Davis.

By Carol GoddardFriday 22nd November brought us Revolution: a night of protest songs at the Kazador. And what an intriguing gig it was! Full house, and sheer talent from two fine musicians, Frank Sultana and Adrian Herbert. The audience were taken on a musical protest ride over 60 years, and we saw a different side to Frank Sultana. A deeper, more perplexed, maybe even darker side. He presented songs which were from the 60's, but could have been written today. Frank mused:how has the world gotten into such a deplorable state over the last 60 years? In Frank's gentle way he told us about the songs he was singing, how they came to be, the story behind the lyrics. He was passionate, and inspiring. If the audience were expecting The Blues, it was not to be. But what was so well performed were the protest songs of John Prine, John Lennon, Peter Gabriel, Neil Young, and Pete Seeger. Days gone by, and yet it seems sadly that nothing much has changed. Frank played two guitars, his 2nd one homemade! Apparently for ease of travelling. Adrian Herbert accompanied him with the most eclectic, wonderful, magical percussion. A pleasure to listen to, and to watch! Lucky me in the front row. Pete Seegers If I Had A Hammer brought the house down. We all clapped, sang, we were in the moment - audience participation at its finest. Tamara Campbell and Dave Evans have given Kiama a monumental gift with both the Kiss festival, and the Kazador. Frank called for a little revolution of our own: let's keep this going. He called Kazador every 6 months and was given rapturous applause. Let's see what future magic can happen. Let's make it happen.

Adults and kids alike came together to enjoy the annual One Music Festival at Kiama Pavilion and showground on Saturday, November 16. One Music Festival is an interdenominational music and arts festival for people of all ages, run by local churches in partnership with Scripture Union. The festival, now in its third year, aims to bring together people of different ages and backgrounds to celebrate Jesus through live music, arts, hope, and community. Musician Anna BeadenThe festival featured musicians, comedians, speakers, lawn games, food and drinks and gave festivalgoers the chance to create connections with friends, both new and old.Mother Nature turned on perfect weather for the outdoor activities, which included a visit from Shoalhaven Zoo animals and arts and crafts. Live music was held across two venues, indoors at the Pavilion Stage and outdoors at the Lighthouse Stage. Entertainment included Jarryd Hoffman, Sam Hornshaw, Ben Pakula, Seraph Music, River Movement, Aslandia, Zoe Elliot, Hope Resounds, Anna Beadon, Amity Gilmore, and Fern Johnston, as well as guest speaker Grant Wilson and comedian Uncle Nath.

Music In The Park will take place on the Hindmarsh Park stage on Sunday December 15th, from 2pm to 6pm. This free event will feature a mix of local talent, ranging from grassroots performers to professional acts, including The Swamp Critters and The Ramoans.The event is being organised by Charlie D'Amico who has worked across NSW in the live sound industry for over 35 years. As an audio technician and licensed electrician, D'Amico has done lots of corporate work as well as putting on his own events.  His concerts in Hindmarsh Park include Australia Day Events, Music in the Park, Tsunami Fundraising Concert and Farm Aid Drought Fundraisers, where he was honoured by receiving a Healthy Cities Illawarra Award for two Farm Aid concerts in Kiama and Wollongong.In a nice synergy, D'Amico was the first and last person to use the old Hindmarsh Park Stage, and now will be the first to use the newly renovated stage. After a few years' break, D'Amico is keen to resurrect the ‘Music in the Park’ initiative on the new Hindmarsh Park stage. “Council has provided the community with a fantastic new playground and stage. I had some input into the technical side of the stage set up and I am determined that this great new facility be used to its fullest potential” he said. D'Amico also wants to encourage other groups, schools or performers, to utilise the new stage. “When I have been putting on events I have paid up to $5000 to have decent staging constructed so we are very lucky in Kiama to have this amazing stage at our disposal.” he said.In a post covid world, people like Charlie D'Amico are working hard to give local artists the chance to perform. D'Amico said “Times are particularly tough for musicians at present and this event will give a paid performance opportunity to some of our local acts.”D'Amico hopes next year will see the event happen again, and on a regular basis. “Kiama has always had a reputation as a musical community and when this event was held in the past it was very much appreciated by the local musos and audiences” he said.Music in the Park is proudly supported by Kiama Municipal Council, The Bugle, and D’AmicoSound. The event is funded through a small Cultural Grant from Kiama Council, and D’Amico hopes that, with continued support, the event can grow and secure a greater level funding in future years so that it is a viable option for organisers and performers..There will also be a spot for a band from the Youth Centre. Any performers interested in future events please email Charlie at [email protected] LGA is certainly lucky with the calibre of shows, music and entertainment on our shore! 

Winners of the 2024 Sydney Blues Challenge, Nathan Beretta and Kiama local Dan Sullivan, are raising money to compete in the 2025 International Blues Challenge in Memphis, USA.The Duo, Beretta & Sullivan, are holding a fundraiser at Kiama Bowling Club on Friday 6 December at 7:30pm with live music, raffles, and prizes, before they travel to the International Blues Challenge (IBC). The IBC is being held from January 7 to 11 2025, and is run every year in Memphis, it’s a showcase of blues music and talent, and a great opportunity for musicians. “We went in the Sydney Blues Challenge and the winners get sponsored and sent over there as a representative of the Sydney Blues Society,” says Dan. “We got talked into going into this challenge and we went up and won it luckily enough, and it all just sort of developed from there.” The last time Dan competed in the Sydney Blues Challenge was at least ten years ago, next year will be his third time at the IBC. “It’s gonna be great, but we’ll just be taking it as it comes, we won’t be getting too wound up about it, because you’re sort of playing against the whole world,” says Dan. Dan is no stranger to getting involved in the community, previously he was heavily involved in the Kiama Jazz Club and Kiama Jazz Festival. “Some of the people I met through the Kiama Jazz Club were huge influences,” he says. Dan has been working with the Kiama Bowling club for over ten years and says they’ve always helped him, with hosting the fundraiser being a great support.  “A big thanks to Kiama Bowling Club for taking it on … they just dropped everything to help me out and put this night on,” he says. Some of Australia’s biggest blues acts will be at the fundraiser, including Ray Beadle and Frank Sultana. Tickets for the fundraiser can be found at South Coast Tickets.

Dear Members and FriendsWe are excited to share details of our upcoming concert featuring the Southland Choir at Gerringong Town Hall at 2pm on Sunday 17 November 2024.Southland is an occasional performing choir from New South Wales, formed by friends with diverse musical backgrounds who love choral singing and travel. They’ve toured internationally since 2012, performing in places like Budapest, Iceland, and the iconic Palau de la Musica Catalana in Barcelona. As they mainly perform overseas, Southland’s repertoire focuses on 20th and 21st-century Australian composers, bringing uniquely Australian harmonies, styles, and traditional songs to audiences abroad.As a special treat, the concert will include an opening act by some talented local performers. We won’t spoil the surprise, but it’s sure to be a heartwarming start to a wonderful afternoon of music.We look forward to seeing you there to support Southland and celebrate the joy of live music together! Secure your tickets today at https://www.gerringongmusicclub.com.au.Members, children and students are free. Visitors $30.

The ‘Crones in Cabaret’ are still kicking. Jazz Kicking that is! Proving they are still in their prime with their show ‘We’re Not Dead Yet,’ coming to Kiama at 1:30 PM on November 19th at The Kiama Leagues Club. Created by the Older Women’s Network Theatre Group, the performance aims to shine a light on critical issues affecting older women, tackling topics like phone scams, homelessness, ageing, and dementia through a blend of songs, sketches, poems, comedy and puppetry.Julie McDonald, the coordinator of the South Illawarra Older Women’s Network (SIOWN), which was established this year, shares the group's mission: “It's really about empowering older women, social connections, reducing isolation, friendship, learning things like that… it's about women supporting other women,”The OWN NSW theatre group was founded in 1987 when a group of older women recognised that, as Fiona Ninnes, assistant director and performer, put it, “older women were just basically invisible.” They took their message to Parliament House, presenting original songs and sketches to raise awareness of the issues faced by older women.During the pandemic, the group was unable to meet face-to-face for seven months, but they adapted by learning to use Zoom and began crafting new material. By the end of that period, the show had come together, leading to a successful performance at the 2023 Adelaide Fringe Festival, where ‘Not Dead Yet!’ won the ‘Best Cabaret Award.’ Fiona and Julie are particularly passionate about addressing the rising concern of homelessness among older women. One song in the show, reworked to the tune of "I Still Call Australia Home," becomes "I Still Call My Mazda Home," reflecting that many women are sleeping in their cars. Fiona states, “In an affluent society, it's outrageous that so many women are homeless…and they're invisible.”According to the Mercy Foundation, census data reveals a troubling trend: older women are the fastest-growing demographic experiencing homelessness in Australia. The 2016 Census indicated a staggering 31% increase in the number of women over 55 facing homelessness. This trend continued in the 2021 Census, which recorded a further 6.6% increase, bringing the total then to 7,325 women over 55 experiencing homelessness.Research highlights that many women in this age group have never faced homelessness before. Various systemic and compounding factors contribute to the financial and housing insecurity of women over 55. Many have limited superannuation, often working part-time or casually throughout their careers, and taking time out of the workforce to care for family. This has left them particularly exposed to the ongoing impacts of the gender pay gap, an increasingly unaffordable private rental market, and age discrimination.This group has faced lifelong discrimination in numerous forms. Many were compelled to resign from their jobs upon marriage or pregnancy, and were barred from securing home mortgages until the 1970s. Today, age discrimination complicates their search for employment.All profits from the show will be directed toward supporting older women at risk of homelessness. The Kiama Leagues Club has generously donated their venue, and tickets are available for just $15.For those interested in getting involved, SIOWN holds monthly meetings on the third Friday of each month from 2 to 4 PM at St. Peter and Paul’s, email at [email protected] for more information. The Older Women’s Network Theatre Group meets in Newtown every Tuesday, with some members travelling from as far as Nowra, you can find their website here. SIOWN’s monthly meetings feature a diverse array of speakers, covering topics from cyber security to local wildlife, dementia, and health, all while building social connections among members.“Anyone can join,” says Fiona. “We do sing songs, but you don’t have to be a singer. We welcome those who prefer spoken word, puppetry, or poetry.” She adds, “This is a group where you’re never too old to join!”To book your tickets, click the link here. For more information about the Illawarra Older Women’s Network and Theatre group, click here. Don’t miss out on a show that promises to have you laughing, crying, and everything in between—remember, “Don’t write us off. We’re not dead yet!”If you're looking for support with any issues raised in this show, reach out to Lifeline on 13 11 14 or Beyond Blue 1300 224 636.

It’s hard to believe it’s been ten years since Yours and Owls Festival first began in a small art cafe in Wollongong, transforming from a one-stage beach party into a multi-stage staple on Australia’s festival calendar.Returning next March in Wollongong, the two day festival will feature headliners such as; Ireland’s Fontaines D.C, the dynamic Denzel Curry, indie favourites, The Kooks as well as Grammy nominated Goo Goo Dolls. Yours and Owls is celebrating their tenth birthday in style with an exciting lineup blending a mix of international and local acts, some crowd favourites and some local legends.   In addition to the headliners, Yours and Owls is set to feature an array of talent including Elderbrook, Hockey Dad, and Honey Dijon, with more to be announced. Spread over two days and four stages, experience a vibrant atmosphere filled with music, local arts, and delicious food right by the beach in Wollongong. Yours and Owls 2025 will be a 16+ event, attendees aged 16-17 are required to be accompanied by a parent or guardian. Pre-sale tickets go live at 9am AEDT on 29 October followed by general tickets sales at 9am on 30 October. Sign up here for presale to get tickets at first-release prices. 

The Smith Street Band will be coming to The Pavilion on Friday 1st November as a part of their Odds & Ends Tour. We were lucky enough to get Wil Wagner, lead singer, to answer some of our questions about their 15 years together as a band. Wil wrote the bands two most recent albums “Don’t Waste Your Anger” and “Life After Football” each written with a dichotomy of a more ‘sad orchestral’ vibe for one and a faster pop vibe for the other. Their influences have changed over the years from folk to punk to hiphop and the vast influences show in each album. “We all have very varied music tastes and I can hear our influences change when I listen back to older stuff.” Their seventh album doesn't yet have a release date but Wils is working hard writing two albums worth of ‘fun and fresh’ hits, only to pick his top 12 at the end. Maybe we will hear the ‘vault tracks’ later down the line!  Even with their music evolving over the years, Wil reports a pretty consistent fan base “The people that connect with our music seem to really connect with it!.” They've seen tattoos of their lyrics, been involved in proposals and vows and even had a proposal at one of their recent shows in Brisbane, Wil calling the experience ‘surreal’.Work life balance can be difficult for anyone, especially a touring musician. Wil welcomed his first daughter a year ago and says she's made a huge change in the dynamic around touring and home life. “I’d always been someone that loved being away and never really got homesick but that’s absolutely changed now! The hardest thing has been finding the time and necessary head space to write - I feel like I’m in Dad Mode all the time and it’s hard to switch from that to angsty song writer mode!” The band also supports each other to ensure they are all well taken care of when on the road. “We’ve been together so long and are such old friends at this point we all understand what each other needs to stay sane on the road!” On keeping his mental health a priority, Wil says “For me it’s getting enough sleep and not partying every night, if I can do that and get a good balance of time spent with the touring party and time spent by myself, I’m normally pretty ok! Also getting older helps. I have put so much time and work into being able to balance my music life and my mental health and I really feel like I’m in a good place at the moment.”Although predicting the future of the music world is anyone's guess, Wil hopes the band will continue to make music 10 years from now adding, “most of us have kids now and I really love how involved they already are, I hope in 10 years they are running round backstage and causing a ruckus!”In the odds and ends tour they will be coming to smaller towns and cities that are outside of the usual tour circuit. This was important for the band to reach these places that often get missed out on for live music, also adding “The crowds are also great when you get out of the major cities, enthusiastic and loud!”Over their 15 years together, lead singer Wil Wagner found difficulty choosing a highlight but said ‘It’s very special, we’re so lucky to have been able to do this for so long. We’ve been able to see so much of the world and play at some pretty incredible venues and festivals!.... It’s been a hell of a ride so far!” As for their future legacy, he hopes for people to know their music as “honest, passionate and loud. And best heard live.” You can find out for yourself by getting your tickets at Moshtix for $55 general admission to see this Melbourn rock outfit, The Smith Street Band right on our doorstep. Check out the Smith Street Band on social media and your favourite music streaming platforms.

The annual Opera in the Valley returns on Saturday, 2nd November at the Jamberoo School of Arts. An esteemed local event, the production features not only world-class performances but also a delectable spread of canapés and cakes provided by the dedicated ladies of the CWA. It’s a wonderful event not to be missed. For tickets, contact Elders Real Estate in Jamberoo—hopefully, there are still some available!This year, maestro Glenn Amer has assembled an outstanding lineup, including newcomers Catherine Bouchier (soprano) and Gennardi Dubinski (baritone), alongside returning performers Michaela Leisk (mezzo-soprano) and Matthew Reardon (tenor). Leisk, who sang soprano in last year’s event, is set to showcase her versatility once again.Catherine Bouchier, an Australian soprano, graduated from the Sydney Conservatorium of Music with a Bachelor of Music and Diploma of Opera. She has performed extensively across the UK, France, and Switzerland, with standout roles including Micaela in Carmen, Desdemona in Otello, and Leonora in Il Traviata. Recently, she appeared in Opera Australia’s Petit La Bohème as Mimi, and The Love for Three Oranges as Nicoletta.Michaela Leisk holds a Bachelor of Music with Honours in vocal performance from the Royal College of Music, London. Her diverse roles include Calisto in Daphnis and Chloe with Pacific Opera and Rose Pickles in Cloudstreet. Leisk also toured with The Phantom of the Opera and sang with the renowned 7 Sopranos. Last year’s audience was left in awe by her performance at Opera in the Valley.Matthew Reardon is a graduate of WAAPA and The Dame Nellie Melba Opera Trust Program. He has studied under legendary mezzo-soprano Marilyn Horne in California and completed a Master’s of Opera at the Wales International Academy of Voice. His notable performances include Pinkerton in Madame Butterfly, Don José in Carmen, and a debut in Pecan Summer, Australia’s first Indigenous opera. Recently, Reardon performed the tenor solo in The Verdi Requiem at the Adelaide Festival.Gennardi Dubinski, born in Russia, was a soloist with the State Theatre of Operetta and Moscow State Concert. Since moving to Australia, Dubinski has added numerous credits to his name, including roles with Opera Queensland and Opera Australia. His repertoire includes Sarastro in The Magic Flute, Ramfis in Aida, and Bartolo in Le Nozze di Figaro.As a fan of last year’s event, I’m eagerly awaiting this year’s Opera in the Valley. Don’t miss your chance to enjoy an unforgettable night of music and community. See you there! 

By Carol GoddardThe recent October Long Weekend brought the sunshine,the visitors, and the latest Classical Kiama Concert to our beautiful town, but this concert was different. It was the first concert by Classical Kiama totally devoted to Jazz.Christ Church Kiama was the venue, and it's great acoustics, in addition to the beauty of the space with its leadlight windows and gorgeous timber work, make it so welcoming for performers and audience alike.The concert was due to start at 5pm, but eager music lovers were jockeying for position way earlier - such was the popularity of the musicians and their program.Simon Tedeschi, no stranger to performing in Kiama, was joined by George Washingmachine, to present some of the fabulous tunes made famous by the likes of George Gershwin, Cole Porter, Irving Berlin and “Fats” Waller.Simon played his piano, and George played his violin and also sang, with the panache, the style and the groove of the exceptional musicians they are.And the patter! And the jokes! Wonderful. George in fact told us the story of how he got his surname. I sat riveted; I’ve always wondered. He told us. The audience broke down with laughter. It shall remain secret to all of us who attended.Being a lifetime jazz fan, and an admirer of both these consummate performers, I was not disappointed. Simon Tedeschi, George Washingmachine and Kiama Classical -thank you for a glorious 90 minutes of wonderful, wonderful entertainment.

Woods-Ray Theatricals Inc promises magic this October school holidays with the Broadway adaptation of Rodgers and Hammerstein's Cinderella. Running from October 3th to October 6th at the IMB Theatre, Illawarra Performing Arts Centre, the production will feature 29 talented local performers.Originally created for television, Cinderella was the only musical Rodgers and Hammerstein wrote specifically for the screen, with Julie Andrews in the title role. The stage version brings a fresh twist to the classic tale. Ella (played by Jocelyn Bray) is more than just a “pretty face with the right size shoe,” she’s a spirited, soulful character who fights for her dreams and inspires Prince Topher (Lachlan Pearce) to see the world in a new light.Woods-Ray Theatricals Inc is an Illawarra based amateur musical society, aiming to bring high quality shows to stage and offering opportunities for the community to be involved in the arts. They are excited to bring this production to life, following the success of previous shows such as Disney’s Frozen Jr., The Wedding Singer, and Shrek: The Musical.The show runs with matinee and evening performances over the weekend. Tickets are available at IPAC.org.au or the PAC Box Office at 32 Burelli Street, Wollongong. 

Kiama Illawarra Pride Choir (KIPC) proudly brings a musical voice to the LGBTQI+ community and their allies in the Shoalhaven and Illawarra region. The choir requires no auditioning, but a positive belief that everybody deserves to be celebrated! It all began in 2021, singing through the COVID lockdowns. Since then they've gone on to perform at many spots, this year at Blackheath Choral Festival, The Servo at Port Kembla and Coledale Markets. Though they say that some of their favourite gigs have included singing at Pride events for ACON, Rainbow South Coast and the Trans and Friends Festivals at the University of Wollongong.Their music repertoire has a broad range, from pop to contemporary and a little classical in the mix. Through their songs, their message is strong and true, that “the power of singing has the ability to build a community and promote wellbeing in mind and body.” Locals interested in joining can find them rehearsing on Monday nights. Rehearsals alternate between Kiama and Wollongong:1st, 3rd, and 5th Mondays: 7pm - 8:30pm, Kiama Uniting Church, 19 Bong Bong St, Kiama2nd and 4th Mondays: 7:30pm - 9pm, Phoenix Theatre Community Hall, 24 Bridge St, Coniston.Your first rehearsal is free, and new members are always welcome! For more information, contact Tonina at 0421 011 242 or email [email protected].

Folk by the Sea was a fantastic event once again, offering something for everyone. From Eric Avery's hauntingly beautiful violin melodies to Fred Smith Band's hilarious history lessons and Redfern Shanty Club's soulful sing-alongs, the variety was impressive.Running over the weekend of 20 - 22 nd September, the event featured a full schedule of artists. Musicians from across Australia gathered in Kiama, and many praised the town for being a great host.Cigany Weaver and Fred SmithBrisbane's ‘Cigany Weaver’ showcased their versatility across genres, from performing their upbeat original song "Paprika," as well as parisian tunes and plenty of jazz. Their leading lady Jo Davie’s, was unfortunately unable to attend, so their violinist, Gareth Mewes lead the band beautifully whilst they all played off each other showing how well attuned they are as a unit. They also jumped in to accompany other artists during the running of the event. Eric Avery painted beautiful musical pictures for the audience with his violin and vocal talents, performing primarily in the Ngiyampaa language and using a loop pedal to create stunning, layered sounds. If you haven’t seen him live, it’s a must. Eric Avery performing at The Pavilion, KiamaThe Fred Smith Band added a comedic touch with songs about historical figures and current events, including a crowd favourite "What Could Go Wrong?" about Donald Trump, enhanced by a PowerPoint presentation of relevant moments.Mikelangelo was the headlining act, performing multiple times over the event. His tribute to Shane MacGowan,’The Fairytale of Shane MacGowan, was a favourite and had people dancing. He was joined onstage with members of Cigany Weaver and The Gleaners, adding to the vibes and showcasing their amazing musical talent and connection to other musicians. Broken CreekThe Pavilion offered shade from the sun over the weekend and there was pizza, coffee, drinks and more available from local vendor trucks. It all finished off with a fun filled night at Kiama Bowlo. Other performers included Broken Creek, Kiama Pipe Band, The Con Artists, Peter Willey, Kelly Brouhaha, Apolline, and more. Check out these event photos, and if you missed it, be sure to catch next year’s edition!Headliner Mikelangelo

Cin Cin Wine Bar in Tingira Crescent has quickly become a vibrant hub for local talent since opening late last year. With its art-adorned walls and acoustic Sunday sessions, the bar is now set to foster the next wave of local songwriting talent.Starting Wednesday, September 18 at 7pm, and continuing every 1st and 3rd Wednesday of the month, Cin Cin will be the hub for acoustic singer-songwriter nights, hosted by the talented duo David Crouch and Dan Challis. These sessions offer both emerging and seasoned artists a platform that goes beyond the typical open mic, giving them a chance to share a taste of their music in an intimate, supportive environment.David Crouch, aka "Crouchy", has a rich musical history. A member of 'The Grand Tuesday Band,' Crouchy first gained local fame in the '80s with his band 'Rats Tango,' drawing huge crowds at Tory's. His career later took him to the U.S., where he performed alongside the band members of Miles Davis and Herbie Hancock, and more. Now back in his hometown of Kiama, Crouchy is ready to share his experience with the next generation of local musicians.Dan Challis is another local favourite, boasting previous collaborations with artists like Frank Sultana and Dan Kelly. Dan's passion for songwriting is evident in his performances, where his skill with guitar and vocals shines. “Songwriting was my first love,” says Dan. “There’s something special about a songwriter telling their own stories through music.”Both Dan and Dave are excited to support local songwriting talent. Dan says, “The local area is home to many acoustic artists with a thoughtful and nuanced approach. We hope this will be an opportunity to foster and nurture those talents.”Their sessions will not only offer a stage for new performers but also provide mentorship, with the duo offering advice, insights, and opportunities for collaboration. For those needing extra support, Dan and Dave are available to offer backing guitar.Cin Cin owner Michael Bowden, though not a musician himself, is a passionate supporter of the arts. His vision for the bar is to create a space where emerging talent can thrive and where quality acoustic and folk artists can showcase their work in a quality setting. He will be enjoying the music while serving wines and cocktails, grazing boards and meze plates, the perfect accompaniment to an acoustic jam. Aspiring performers can contact Dave through his facebook page, Dave Crouch Music, to secure a spot, with the option to perform original songs or covers—as long as the covers come with a unique twist. The vision for these nights is to establish a singer-songwriter hub, where featured artists can showcase their talent, share the stories behind their songs, and build a deeper connection with the audience. See you there!

Indigenous violin maestro and headline act of Folk By The Sea, Kabi Marrawuy Mumbulla - widely known as Eric Avery - has become a cultural icon, blending his rich heritage with exceptional musical talent. Avery captured the nation’s attention as the star of the Optus “It Starts with YES” television commercial, where he portrayed a steelworker who played the violin for his workmates during lunch breaks while secretly dreaming of performing with orchestras.The commercial, filmed at the Port Kembla Steelworks and various other locations, was released in 2022. It tells the inspiring story of a steelworker whose colleagues, moved by his performances of “Working-Class Man” on the violin, decide to film and upload his lunchtime recitals to social media. The clip goes viral, catching the attention of an orchestra that offers him a chance to perform. In true Optus fashion, the steelworker-violinist's response is a resounding “YES.” The final scene shows the violinist stepping onto the stage before a vast audience, ready to fulfill his dream.Avery was a perfect fit for the role. By 2022, he was already an established performer with a series of impressive credits, including collaborations with international stars like celebrated US cellist Yo-Yo Ma and Australian pop icon Tina Arena. He was also a 2021 Myer Creative Fellow and a visiting artist at Bundanon in the Shoalhaven in 2019.Avery, who is a versatile violinist, vocalist, dancer, and composer, hails from the Ngiyampaa, Yuin, and Gumbangirr peoples of New South Wales. His work is deeply connected to his cultural roots, often incorporating his family's custodial songs. His haunting compositions frequently feature the Ngiyampaa language, offering a deeply evocative experience as he sings while playing the violin.Reflecting on his experience filming the commercial, Avery shared that it not only built his confidence in performing before cameras but also allowed him to form lasting friendships with the musicians he met during the production. “I also got to play with an orchestra and made some good friends among the musicians I met doing that ad,” he said.Avery’s journey with the violin began in his early teens. Growing up in the St George area of Sydney, he first picked up a toy violin at age 12. “It was really a toy, but I was able to make notes on it,” he recalled. His mother soon recognised his potential and bought him a proper violin when he was 13. Avery began teaching himself but eventually started lessons at 14, after his mother insisted on formal training. “The teacher described me as a ‘wild horse that needed to be tamed,’” Avery said. “I am not sure that I needed taming, but the lessons gave me much better technical skills and allowed me to really hone my skills and control how I wanted to play.”He further refined his style busking in the Blue Mountains with his father, who played the didgeridoo, while also studying dance for three years. Today, Avery seamlessly blends his musicianship, dance, and singing into his live performances, creating a uniquely immersive experience.Avery is particularly proud of his role in preserving and promoting the languages of his ancestors, especially those of his father's family, the Ngiyampaa people of north-western NSW. “I actually got to listen to my Ngiyampaa ancestors singing in their own language in a recording at the National Library, made in the 1970s by a linguist who was seeking to preserve the language,” he shared. “I now sing those songs—and I was fortunate to perform them at a land rights ceremony at Mt Grenfell, near Cobar, a few years ago. That was a very spiritual experience.”Folk By The Sea Director Neil McCann sees Avery as one of the must-see acts at the festival, where he will perform twice on Saturday, September 21. “I can’t go past Eric Avery as the act that I am most looking forward to seeing perform live. He is a unique performer, and I think he will bring something very special to our festival,” McCann said.In addition to Avery, this year’s Folk By The Sea festival will showcase a diverse array of musical styles among its 44 acts. Other Indigenous performers include the award-winning Shellie Morris from the Northern Territory and Victorian singer-songwriter Pirritu. The festival’s eclectic lineup also features the baritone brilliance of Mikelangelo, who will perform a tribute to The Pogues’ Shane McGowan, and talented young female singer-songwriters like Hedy Blaazer and Isobel Knight. Attendees can also look forward to the energetic sounds of folk bands like Cigány Weaver.For those who enjoy a good laugh, the festival will offer comedy performances from circuit favorites Glover and Sorrensen, comedian and storyteller Peter Willey, and the Illawarra musical comedy duo Rheinberger and Wilson.Kiama, the host town, will be well represented by local talent, including the Kiama Sea Shanty Club, the Kiama Pipe Band, singers Penny Hartgerink and Jessica Allan, and The Carefree Road Band, whose nine members include Kiama residents Louise and Mark Raue and Joel Robards.The Bugle has published the full program for Folk By The Sea as a lift-out in this edition. Save it for September 20-22, so you can see the full line-up of acts. Tickets and additional information for the three-day festival, held at Kiama Showground, are available at www.folkbythesea.com.au.