Since agricultural shows have been a staple of the South Coast for nearly a century, it is fitting to reflect on the impressions and experiences that have been a pleasure to recall. This tribute goes to the administrators and competitors, many of whom, in their hundreds, have contributed to making these shows the successes they are today. While my focus will be on the Kiama Show in general, the show held in 1924 holds particular significance and special memories that I would like to share.The success for these enterprises depended mainly on the acumen and voluntary labour of local citizens - a feature of country living and cooperation that astounded our city cousins who marvelled at their unanimity and dedication - who through their generic and family inheritance maintained that which their forefathers had established down through the years. It is this factor which has been the life's blood of the Show Societies up and down the South Coast, aided by generous donations of local citizens and by firms with country affiliations. This in no small measure assisted management and exchequer alike. Some societies maintain a membership of 600 subscribers.Back in the day when I was first able to form impressions of shows was when cars were only just making their appearance among the local farming fraternity. Mostly they were referred to as tourers, because the hoods were able to be folded back to give an 'open air' journey and lady passengers had to have several hat-pins driven through hair and hat to prevent dislodgement. To be fully dressed it was obligatory for ladies to wear a hat in company and those who allowed their hair to stream may have an unsavoury appellation apply to them. There was not much entertainment in those days, and the show was a gala event for the district. It was a day of great excitement. For the women their second best dress was worn on the first day and their best dress on the second dayThere were few sedan cars, as I recall those fortunate to own a sedan were either wealthy or had a mortgage. Both cars had running boards on either side, but the sedan had glazed windows and a luggage-carrier at the rear with a large container for the carriage of items.1920s cars, while more affordable, still had a long way to go in terms of comfort and technology compared to modern vehicles. They were generally boxy and rugged, designed to handle the rougher roads of the time. Source Thus it was, the Kiama show at the eastern end of Bong Bong Street that horse conveyances of all types graced the approach to the showground, be they spring carts - which carried a load of produce for exhibition, as well as the owners family - sulkies, phaetons, or the more commodious sociable, and the horses that conveyed them were unbuckled and tied to the street fences. Generally, the cars were admitted and allowed ringside positions facing inwards to the showground ring. How one got to the show was of importance. Many rode ponies when the family conveyance was overloaded, or if the pony was to be entered in a contest, and many walked - but to be there was a 'must'. A gala atmosphere pervaded the show meetings of the day, and the thrill of joining with relations and friends for a picnic far exceeded any disability in transportation.The luncheon was usually presided over by Mother. Steamed chickens were carved and apportioned on plates of salads. Sandwiches and scones and cakes and fruit salad followed. Fathers collected hot water for tea-making from boiling copper attendants near the show gates not far from where the old organ-grinder wound his hurdy-gurdy, with a monkey on a chain who harassed those who came close enough for it to run up their clothing.Bottles of Locketts stony ginger-beer were uncorked and the liquid streamed into waiting glasses. The men discussed the merits of the animals on show, and the impartiality or otherwise of the judges. For the farmers, although they were not in a position to feel the looseness on an animal's skin, nor view its escutcheon, nor the brand, nor feel the size on its milk vein, were by experience pretty fair judges of a good producer and gave their approval at times with acclamation the decisions of the judge.  Overall came the ubiquitous monotony of the music of the merry-go-round with the putt-putting of its steam engine, and the bell-ringing of the Monies as they advertised their wares, while from the pagoda in the centre of the ring the announcer trumpeted the events with the aid of a loud-hailer, most likely made by the local tinsmith.The grand Pavilion which had recently undergone its third location, stood serenely on the southern side of the ground with closed doors awaiting the opening of the show, when it was well patronised by hatted ladies and gentlemen with ladies opening decorative parasols to shade their fair skin from the ravages of the sun. Very few gentlemen were found not wearing a three-piece suit with tie and hat, the latter constantly raised on greeting a lady of their acquaintance. Waistcoats were adorned with gold or silver fob-chains depending on the owner's choice or desire, for it was necessary to withdraw a watch to check the time, for wrist watches were not yet in vogue.The Kiama Showground Pavilion in the 1880's Source Kiama Library. Learn about the history of the Kiama Show Pavilion here Watches and sovereign cases and silver wax vesta cases were secreted in the fob pockets of the garment.Shows of the time were held on Fridays and Saturdays, the former being known as 'cattle' day and the latter more attuned to ring events for horses, with trotting events and high-jumping, together with riding events like tent-pegging, flag-racing and trotting contests. The pavilion was usually opened to the public by midday on the first day of the show when the judging of exhibits was concluded, after the president or an important dignitary there on invitation declared the show 'open'. The pavilion doors would be thrust open, and exhibitors enter to examine the results of their entries, with blue tickets being awarded first prize, red second and white third.Kiama Show vegetable display in the 1920's Source Kiama Library If perchance one of the judges had not the foresight to leave before the entry of the public, he may be held accountable for his decision by a disappointed exhibitor who felt his entry should have won a prize, He had to be rescued and quickly ushered into the member's dining-room where ladies and stewards entertained visiting dignitaries and their wives with a right Royal feast on behalf of the President and his Committee.That the Kiama Show of 1924 should come first to my mind may seem just a coincidence, but in reality, there were three great reasons why a five-year-old should remember. It was the year Dad had bought his first car- and Overland 4- and he used it to take us all to the show, which by itself was an adventure. Our Auntie Olive was included, and Dad folded the hood down to make it a real adventure, and as I was seated on her knee, she nearly lost me over the side of Weir's gully as we rounded one of the bends where some years later Paddy Harding and Bill Bergin took a nose-dive and two panel of three rail fence to the bottom of the gully when on the way to Kiama for a license for Paddy. That time, when a big rock was struck at the bottom, Billy shot clean through the canvas hood of the car!1920's Overland 4 Source The second and third reasons were to follow in quick succession. I was a rich man that day, for the pockets of my pants were bulging with copper coins totalling nineteen pence and a half-penny, and later when Dad released me to wander on my own I was told not to go too far away. I found an old waist-coated gentleman in charge of an interesting array of toys who announced 'four shots for sixpence and a prize every time,' repeatedly. He had a numbered dart board with a glass covered box containing small toys and correspondingly numbered, a bucket of Cupie dolls on sticks and some balloons. Observing my interest, he coaxed me closer.'How much money 'ave you got, son?'Proudly I presented my fortune, emptying my pockets onto the glass top. He scooped it up quickly. 'Ah', he said, 'that will just buy this,' presenting me with a shining silver whistle.'Try it,' he encouraged. I did, and it was a beauty! I blew it all the way back to Dad who was waiting for the start of a race; unbeknown to me there was a trot about to begin, and several impatient horses waiting to start, and the judge also had a whistle, and as mine was louder than his, the riders were struggling to hold their mounts each time my whistle was blown. Dad was very annoyed and took it from me and put it in his pocket. I was now a boy who lost his money and his whistle as well! For the rest of the day, I was destitute and wandered among the vendors of ballooned and canary-whistles and celluloid Cupie dolls shaking my head at their entreaties. All that aside, there were plenty of entertainments in and outside the main ring. As an advertising medium for Ziems & Jones, the car salesmen from whom Dad bought his car, and who had a garage in Terralong Street, Ces Abbot, drove a car similar to ours over a hurdle fully four feet high. The experiment being so successful he did it again. I doubt if Dad would have allowed his car to do such a jump for it had cost him four hundred pounds!Dad put me on his shoulders and took me into the boxing tent, where the spruikers were advertising with a loud hailer, drum rolls and bell ringing, that patrons should come to: 'see the little darkie fight, see the 'Yankee' sailor fight, and see the wrestle to a finish!' as shouted from the high board outside between much bell-ringing. Men were jostling to enter. Inside the tent it was hot and stuffy, choking with smoke, and the stench of sweating bodies.The boss was the referee and saw to it that none of the contestants got hurt, and Dad declared it was a put-up affair, saying the only true fight was when two aborigines fought over a girl! The cattle and horse sections of the day were always well represented in all classes, and winners were applauded.Kiama Show has always attracted the best examples of all livestock Source Kiama Library To know the effort that went into the preparation of animals for the show is in retrospect as amazing today as it was then. The pull that the show had on farmers drove them to extremes preparing their exhibits for presentation, when selected animals were pampered for three months prior, receiving the care and attention of a family member. They were fed special ration, bathed daily, rugged and taught to lead, currycombed, horns sand-papered until they shone, tails plaited and combed, special parts of their bodies clipped with heavy hand clippers- especially around the milk vein which must be swollen and tortuous and exposed, and lastly the kloots were dressed until they too, shone like Kauri-gum. There were jobs for all family members, and a lot of it being done with the aid of a hurricane lamp. There were many families exhibiting their chooks and their products to be part of their entries, as well as vegetables and fruit from their garden.  Special trains were run for the transport of cattle to the show, and each railway station had trucking yards erected on a convenient railway track off the main line, and several cattle trucks were left there overnight to be loaded by the exhibitors the next day. To do this meant the cattle had to be driven along the roads leading to the station and enclosed in the yard and loaded. The trucks then would be collected and taken to the respective show stations, to be unloaded and the cattle driven through the town to the showground and assembled for the last preparation in advance of being paraded before the judges.After the show the recovery of exhibited animals had to be repeated, and this was when the hurricane lamp was required for many a herd was milked in the dark following a show! The early breeds of cattle shown were Devon, Shorthorn, Ayrshires, Jersey and Durham, to be followed by Fresian, Illawarra Shorthorn, and Guernsey in latter years. Among the show exhibitors of cattle were names such as: McGill, Grey, Lindsay, McIntosh, Sharpe, Miller, Walker, Chittick, Hindmarsh, Richardson, Dudgeon, Cox, Crawford, O'Keeffe, O'Gorman, Pulsford, this would be extended to over a hundred when the South Coast shows were included. Many of these men showed their cattle at their own respective show, and were successful contributors where prizes were keenly contested. The Sydney Royal Show was a demanding Grand Finale where exhibitors virtually lived with their animals for upwards of nine days to display them in the Grand Parade each day. As the years progressed, and motor transport replaced the rail truck for the carrying of the cattle to the shows it became a great convenience for the exhibitors. The first stock 'crates' as they were called were framed battens around a table-top lorry, with high wooden tailboards that when lowered served as a loading ramp. Obdurate animals had to be pushed and shoved and tugged to ascend these tailboards, and there were a few exciting moments at times, especially when the 'shover' had a beast take a step back onto his boot (with a foot in it) and despite his cries refuse to lift it! This was of course, before each farmer built a loading race and ramp. Others used a convenient high bank, for the Lorinna to back against. The horse events provided a prime attraction to the shows as one would expect, and the grace and beauty of the jumpers, hurdlers, trotters and pacers vied for ovation with the more sedate equine contest in the centre of the ring.Horses attempting the high jump had names like: Echo, Musician, Azara, Euchre, and Mark Radium, were as well known as their riders and owners: McGlinchey, Chitticks, Vances, McGees,, Monteith, Devery, Nelsons, Wheatleys- just to name a few.At the Kiama show Edgar Vance was there with his horse Yellowweed and dog, Crib. Edgar had a mesmeric influence on animals and the three were great entertainers, and brought tears of laughter to the eyes of their beholders.As a team they have been recorded elsewhere.There were those whose indefatigable energy and dedication must be recorded. They were the Presidents, secretaries, the committeemen, the stewards, and most of all the exhibitors, for without them there was no show.All history-makers in their own way. Names like Beatson, Gillam, East, Somerville, Lamond, Cox, Boxsell, Petrie, Knapp, Mottram (with over seventy entries),Horgan, Benny, McClelland, Goodyer, Good, Binks, Emery, Blow, Grey, Bimden, Cullen, Miller, Higginns, Bowden, all spring to mind. A small part of that great passing parade. There were the axemen who flashing blades that thrilled the spectators`- Appo, McCarthy, Blisset, and many others who helped to make the show what it was.Many more have played a self-sacrificing part in the maintenance of the shows in their respective areas, all too numerous to mention. In all there were the ladies, the wives and sisters and mothers who supported their menfolk in everything they did and were often fore and aft in the management of the good ship! With the formation of the junior farmers' Clubs state-wide, and to the South Coast came one George Carse in the year of 1932, who worked through the schools to inaugurate an army of youthful volunteers into clubs in which their main interest already rested, with projects covering a wide field of endeavour connected with the men and women on the land.These youngsters, under George Carse's' successor Arthur Chalmers were to excel beyond measure, and without a doubt he was responsible for the creation of a great band of citizens who would fulfil the obligations to the local societies and ensure the continuity of the work their forebears had begun. With the later formation of the 'Young Farmers'Movement, the Show Societies became the inheritors of this band of young men and women carefully nurtured into their field of endeavour who readily accepted nomination to committees connected with the Show Societies. As the years rolled by and electricity came to the aid of farmers and show Presidents alike, the Societies extended the show to include a night show on Saturday and this was hailed with enthusiasm by the show patrons, and those who would not come during daylight hours flocked in their hundreds to enjoy the new innovation. The cool of the night air and the extra attraction, also entertainment now able to be provided, seemed to awaken the monties from their lethargy, and music and shouting and the ringing of bells accelerated as the evening wore on as they called all and sundry to sample their wares.Sample bags were at first free, for they were in essence an advertising gimmick by the manufacturers, but over time a price was put upon them and their contents reduced. Ice creams were sold for a penny (one cent) of threepence (3 cents) as the case may be, and for Fairy Floss and a virtual armful was sold for threepence! By 1960 with the night show the ring events increased to include flag-races for the nimble-footed ponies, and water-melon races for the agile bare-back riders who had to gallop fifty yards, dismount, pick up a spherical melon (jam melon), mount and ride to the starting point with the melon under one arm. If the melon was dropped, the procedure was repeated. Excited ponies were more interested in the galloping part, and to pause to collect a dropped melon was fraught with thrills and spills along the way!The finals of trotting and harness races were held over for the night events, and the pavilion remained open until 9pm. For the young the merry-go-round and razzle-dazzle spun high and low into the night with queues waiting for rides. Gone now, these simple pieces of entertainment have been replaced by high-tech instruments that whirl at unbelievable speed, and patrons whirled almost to insensibility.The pavilion exhibits have been retained with few exclusions, and to which have been added exhibitions and competitions of Art of high quality.The flower section has always been a winner but is now not confined to local gardeners and rivalry now extends to professionals in this section.The vegetable section has been reduced in quantity and quality; these products can be purchased in local supermarkets quite readily, and so there is no pressure to grow them in home gardens anymore. Perhaps the Junior Farmers movement needs a shot in the arm!As an exhibitor in the agricultural section at local shows and Sydney Royal, it is noticeable that dozens of the varieties of yesteryear have been replaced by marketable hybrids, flavourless, but toughened to withstand the handling of interstate transport. Good varieties have gone with the 'Beacon Light' stove!I have been reminded by my sister Olive that it was the SECOND time I had been to the Kiama Show. She said the first time was when Dad hired James Donnelley's coach well in advance to take the family to the show, because of the popularity of the coach and four-in-hand. She remembers the day very well, for the heavens opened and the district was flooded! She said the horses baulked at the flood over the road at 'Bushbank' and James had to do a bit of coaxing to prevent them turning around and upsetting the coach.She cannot remember what they did as a family at the show, except to crowd under cover from the rain, be it in the protection of the coach or in the pavilion, but everyone was wet through and miserable. All the men wore oilskins and rolled their pants above their shoes, and Dad said it would be the last time he would ever book the coach, or anything in advance, for once you paid your money there was no refund come Hell or High-Water! He said it was as much a gamble as betting on horses!

When Sue Cox’s husband Brian received the offer of a medical partnership in Kiama in 1980, they decided to trial it for six months. The idea was to test the waters and see if they liked the slower pace of coastal life. More than 40 years later, Sue has become an indispensable part of the Kiama Show, not just as the leader of its central Pavilion but as the heart of a tradition that keeps evolving with the community. “It’s not about me,” Sue insists. “It’s the team. Without them, none of this happens.” But even as she deflects attention, her energy and passion are evident. Sue has been a steward in the Pavilion since the 1980s and took over as Chief Pavilion steward during COVID-19, when many older stewards understandably stepped back. “I thought it was important to keep the show on the calendar. I think the show is a great event for our community, young and old,” Sue said. Sue’s own journey began with a knock on the door, metaphorically, anyway. A great networker recruited her, along with a group of friends, to become stewards at the Show. They were all young mothers, juggling the demands of toddlers and babies and they took turns minding each other’s children so they could volunteer. These young mums are now grandmothers (and still stewards!) and some have their daughters actively involved as stewards too. “Some families have been involved for seven generations - an amazing legacy. Looking to the future we are working to preserve that tradition, but we are very keen for newcomers and people in the community who may not have been involved before to come on board. We especially welcome younger people to become involved as it’s a great community event. The Pavilion is a star attraction at the Kiama Show, and with good reason. Compared to many regional shows, Kiama boasts a modern, air conditioned space where creativity and community come to life. But the Pavilion’s success is not just about its shiny exterior, it’s about how it adapts to the times.L to R Top Row James Carr, Therese Doran and Colleen Martin, Henry Bains and his prize winning Scarecrow. Bottom Row Jill Milburn and a very excited ( and adorable ) prize winner in the Kewpie Doll section  “We’re not afraid to try new things,” Sue says and we try to reflect the current interests in the community. We listen to feedback and have updated the Ceramic section, Art section and Pot plant sections The Pavilion’s new classes this year are a perfect example of how the Kiama Show Society embraces community interests. The junior section now provides scarecrow bases donated by the Men’s Shed for children from local schools to decorate as well as a lolly jewellery set category for under-fives. Junior ceramics have introduced a “wheel-thrown article” category, while the junior pot plant section features creative additions like “best-decorated grass head” and “tallest sunflower.” In Adult photography there is now a drone class and an Under 10 section for the very junior photographers Other highlights include the expanded honey section, which now boasts eight classes, reflecting the community’s growing interest in apiculture. The crochet section has introduced a granny square blanket category and several rug categories, baby, bed, and knee or travel rug, to acknowledge the contributions of Bonnie Maywald and her “Wrap with Love” . In crafts, new categories include macramé, diamond dots, and leatherwork, while the painting section now features modern abstract and fluid art.  One of the most exciting additions is the innovative Kia-Bald Prize, Kiama’s take on the iconic Archibald Prize. Open to artists 16 and over, this portrait competition invites entries featuring notable identities from the Kiama locality, from community leaders to sports stars.  “Personally, I’m really looking forward to the entries in this competition,” Sue says. “Seeing what the judge says and the announcement of the People’s Choice winner is going to be a highlight.” Walking through the Pavilion, you see more than exhibits. You see stories. There’s the elderly woman who spent hours admiring every display, quietly marvelling at the work of her community. There’s the boy who enters the scarecrow competition every year, with his grandfather’s expert help. “Not everyone has a grandfather who can build a scarecrow,” Sue laughs, “but he’d love some competition!” And then there are the moments that surprise even seasoned stewards. Some years, the youth entries in baking or crafts are so good, they outshine the adults. “We had to create a special certificate for one young baker because their sponge cake was better than anything the adults had submitted,” Sue recalls with a smile. Running the Pavilion is no small task. Sue and her team of more than 50 stewards and 30 judges start preparing weeks in advance, ensuring everything’s ready for the big day.  Technology has become a key part of the process, streamlining entries and judging. “It’s a reflection of the leadership committee, our president, secretary, and especially our junior vice president, who are always looking for ways to keep things running smoothly,” Sue says. But for all the logistics, it’s the people who matter most. Sue’s hope for the future is simple: to keep the Pavilion growing, to welcome even more participants, and to make sure every generation finds a place in its walls. “The Pavilion is for everyone,” she says. “Whether you’re entering roses, quilts, cakes, art or produce - there’s a space for you here.” As the Kiama Show approaches, Sue is ready for another year of chaos, creativity, and community. And for all her modesty, there’s no doubt the Pavilion will continue to flourish under her watchful eye. “At the end of the day, it’s about bringing people together,” she says. “That’s what makes it all worthwhile.”Visit the website to find out how to submit your entries for the Kiama Show Friday on 24th & Saturday 25th January 2025 

Anglicare has recently opened a new op shop on Terralong Street in Kiama, and it has quickly become a popular spot for the community. Operating for just over four weeks, the store is open seven days a week and offers a welcoming space for locals and visitors. The store’s friendly staff and inviting atmosphere ensure that every visitor feels welcome. Catering to a variety of needs, the shop reflects Anglicare’s commitment to serving those in need and enriching lives. With the growing demand for sustainable, quality, second-hand items, the Anglicare Op Shop is well aligned with current trends. The store is thoughtfully curated, with a great selection of homewares, jewellery, and second-hand clothing for women, men, and children. Buying second-hand items offers a sustainable alternative to the fast-fashion industry and concerns about its climate impact. Beyond its environmental benefits, it’s also a chance to discover unique and quality items at an affordable price.One local employee of the shop, Liz, says the shop is a great addition to Kiama, it not only sells clothing and homewares but also provides resources to people in need. One of those resources is Anglicare’s food pantry, which is available to anyone experiencing financial hardship. Liz explains that anyone needing assistance can come into the shop. They don’t have to be referred from an agency, there are no questions asked. “You could just walk in and say ‘I’ve got too many bills this week and I can’t afford any food’ and we’ll give you a bag of food,” says Liz. While there is a small cost for the food pantry, Anglicare’s Pay It Forward scheme ensures that no one is turned away. If someone can’t afford it, they will provide the service for free. The store is also asking for more locals to join their cause and volunteer to support the running of the shop and contribute to the community. The Kiama Anglicare Op Shop accepts donations, with a simple recommendation that items are given a second thought and they are ‘things that you would give to your friend’.  Whether you are looking for assistance, or to shop, donate or volunteer, the friendly staff are there to help. 

The Kiama School of Performing Arts (KSPA) has officially opened its doors at the Joyce Wheatley Centre, offering a vibrant range of performing arts programs for all ages and abilities. With a mission to inspire creativity and confidence, KSPA aims to make the arts accessible, engaging, and fun for the entire community.Founder Shannon McAlary brings a wealth of expertise to KSPA, holding a Bachelor of Theatre and Performance from Western Sydney University and over 14 years of teaching experience. Shannon has worked with prestigious schools like PLC and St. Catherine’s and guided students through Trinity College London’s acclaimed programs. She has delivered Arts initiatives in remote Indigenous communities and worked with Mission Australia to deliver performing arts programs to Sydney’s homeless community. “KSPA is about more than performance, it’s about growth, confidence, and community,” Shannon says. “I want to create opportunities for people to connect, express themselves, and thrive through the arts.”KSPA offers diverse classes, including acting, improv, public speaking, and audition preparation. Unique programs such as Speak Up and Interview Ready equip students with essential life skills, while extracurricular drama programs are available at Berry, Kiama, Shellharbour, and Gerringong Public Schools. For adults, KSPA’s Improv Insanity promises a playful and dynamic outlet for creativity. “There’s truly something for everyone,” Shannon shares. “Whether it’s building confidence, honing communication skills, or simply having fun, the Arts can transform lives.”This festive season, KSPA students featured on Kiama Community Radio with a recording of A Christmas Carol. The School also continues its Kiama School Holiday Drama Camps, with the next session scheduled for January 13–14.“KSPA is just the beginning,” Shannon says. “I’m excited to be part of Kiama’s creative journey.”For more information or to enrol in KSPA classes please contact [email protected] or Visit their website kiamaschoolofperformingarts.com.au to learn how you can get involved in this inspiring community venture.

In 1926, Kiama-born Orry-Kelly was living in a large studio in Greenwich Village, New York, when he first met Cary Grant, then known as Archie Leach.In Kelly’s memoir, Women I’ve Undressed, he recalls the moment: “One winter evening, through these same black gates walked Archie Leach - later better known as Cary Grant. He was carrying a little two-foot-square shiny black tin box which held all his worldly possessions, and he was wearing a much shinier black suit. He had been locked out of his hall bedroom. I took him in.”At the time, Grant was in poor health, and Orry allowed him to stay with him, supporting him as he pursued his dream of becoming an actor. The two formed a close bond, spending late nights making ties together for their business and even turning their apartment into a speakeasy.Kiama Historical Society president Sue Eggins, who has extensively researched Orry-Kelly’s life, says their relationship from the start was a good indicator of what was to come.“They had lots of fights,” says Eggins. “When Cary first came to live with Orry, he was thin and unwell, and Orry helped him. But they had numerous arguments.”One notable incident occurred when Orry-Kelly, who frequented New York’s arts and social circles, introduced Grant to Minnie Chaplin, wife of Charlie Chaplin’s brother, Sydney. Minnie suggested that Grant should pursue a screen test at Warner Brothers and to help move things along, Orry threw a party for Minnie and invited many of his theatre friends. However, Kelly believed Grant treated the guests disrespectfully, and he called him out for it.“I certainly didn’t think he acted like the horse’s head,” Kelly wrote. “And told him - who did he think he was? Gracie, George, and Jack were my friends, why had he ignored them completely, particularly as he himself was still in red underwear on the Gus Sun Time (Grant was working at the circus at the time)? Or was he? That’s all I remember - wham! A fist flew, my jaw went up, I went down - and out.”Following this outburst, Orry kicked Grant out. However, before Grant even stepped out the door, he turned on, what Orry referred to as, the “Archie Leach charm,” and all was forgiven.The two lived together for nearly nine years, and many believe that Orry, who was openly gay, and Grant were lovers during this time. Eggins notes that several texts refer to their relationship in romantic terms.“There’s a biography of Cary Grant that refers to them as lovers throughout the entire book. Another, by Scotty Bowers, says they were lovers. And there’s one by William A. Mann, which talks about the gay scene between 1900 and 1950, and he also mentions them as lovers,” Eggins says.In the 2015 film Women He’s Undressed by Gillian Armstrong, their relationship is strongly implied. In an interview with Cinephild, Armstrong says, “I interviewed director Vincent Sherman’s son, Eric, in the film, whose parents took over the apartment when Cary and Orry were on the run from the mafia because of the unpaid bills from their speakeasy. I didn’t include this in the film but I asked Eric and he confirmed that the apartment only had one bedroom.”Despite these references, Orry-Kelly never explicitly mentioned a romantic relationship with Grant in his memoir. However, the memoir was not published until 2016 because Cary Grant took out an injunction to prevent its release, which raises questions about what he might have wanted to keep hidden.Grant was also suspected of having a secret relationship with Randolph Scott, which he also tried to conceal, suggesting a pattern of hiding his personal life.In the end, Grant completely cut Orry out of his life after their time together, and the two did not speak for 20 years. When they did meet again, the encounter was not a positive one. However, something of their past connection remained, as when Orry died of liver cancer in 1964, Cary Grant was one of his pallbearers.While their relationship may not have had the typical Hollywood ending Orry would have hoped for, it is remarkable that two artists came together just before they became huge stars in their own rights. Grant would go on to star in the 1932 film Blonde Venus, while Orry would design costumes for the hit film 42nd Street in 1933.Whether they were truly lovers during their time together remains a matter of speculation. However, there is no doubt that for those nine years, despite the frequent arguments, they were best of friends.This is one of many in a series of articles about Kiama’s Orry-Kelly in the lead up to the Orry Kelly gala on 26 July. You can read some of the other articles here, here and here.

The Minns Labor Government has announced that applications for the next round of the Tertiary Health Study Subsidies Program will open on 14 January. The program offers up to $12,000 in financial support for students enrolled in healthcare degrees in New South Wales.In 2025, support will be available for up to 850 nursing students, 400 medical students, and 150 midwifery students. Minister for Health, Ryan Park, expressed his excitement for the continued initiative.“More than 3,900 students across NSW have already benefited from the Government’s $120 million investment in tertiary health study subsidies,” says Park. “I am so pleased that even more students across the state will continue to benefit from this important initiative, which is helping to ease the financial burden on those starting a career in health.”The Minns Labor Government is investing $121.9 million over five years in the program. Successful applicants beginning their degrees will receive $4,000 per year over three years. Additionally, existing students will receive a one-off payment of $8,000 upon securing employment with NSW Health.Aimee Long, a past recipient and current medical student, shared how the subsidy has helped her.“Receiving the Tertiary Health Study Subsidy allowed me to become part of Australia’s largest health system. Being in medicine is quite an expensive undertaking, so it helps me afford necessary resources, whether for university or beyond,” says Long.To be eligible, students must commit to working in the NSW public health system for at least five years. A limited number of subsidies are available, and applications will remain open until all funds are awarded.Subsidies are also available for students pursuing degrees in paramedicine, Aboriginal health, dentistry, oral health therapy, and various allied health professions, including psychology, pharmacy, dietetics, and nuclear medicine.For a full list of eligible workforce groups and locations, visit the NSW Health website here.

Seabed surveys conducted over the Christmas period in the Illawarra and Bass Strait offshore wind zones have sparked concerns about transparency, compliance, and the potential cost to taxpayers. The surveys, carried out by the 7-Oceans research vessel owned by Infinity Oceans, were conducted despite no feasibility licenses being issued for offshore wind development in the region.Responsible Future Illawarra, a group advocating for sustainable and environmentally responsible development, tracked the vessel’s movements using maritime charts. They found that the survey locations closely matched the declared offshore wind zones in Bass Strait and the Illawarra.“If the 7-Oceans vessel is conducting surveys for offshore wind development, it raises important questions about why this is happening before feasibility applications have even been assessed,” says Alex O’Brien of Responsible Future Illawarra.“If this is being done by a developer, they may be acting without the necessary licenses. If it’s the government commissioning the surveys, it contradicts previous statements that the government will not subsidise offshore wind projects.”Despite the concerns, the Department of Climate Change, Energy, the Environment and Water has confirmed that the surveys are not related to the offshore wind initiative.“No feasibility licences have been granted in the Illawarra offshore wind area. The survey work being conducted by 7-Oceans is unrelated to offshore wind,” a department spokesperson said.However, Mr O’Brien remains sceptical. “The Illawarra community deserves transparency and accountability,” Mr O'Brien says. “The lack of communication from the government and local Labor MPs only fuels suspicion and leaves the community with unanswered questions.”Responsible Future Illawarra has attempted to contact Federal Minister for Climate Change and Energy, Chris Bowen and says the silence from local MPs is deepening concerns and leaving the community in the dark about the true purpose of the activity.The Bugle will continue to follow this story and provide updates as they become available.

A newly released consultation summary report reveals that 84% of the 2,400 respondents support the development of a Bulli bypass.The report, based on last year’s submissions, highlights key priorities for improving Bulli: easing traffic congestion, enhancing road network resilience, and boosting road safety to make the area a better place to live.The Minns Labor Government has allocated $20 million to Transport for NSW to investigate the extension of Memorial Drive, which would provide a bypass around the Bulli town centre.Minister for the Illawarra and South Coast Ryan Park expressed his support for the project:“The NSW Government is committed to planning the right infrastructure to improve safety and efficiency across our road network and to support our growing community and its visitors,” says Park.Initial planning for the project began in 2023, with activities including traffic data collection, strategic traffic modelling, early design proposals, and preliminary environmental investigations, in addition to community consultation.Feedback gathered from the community has been summarised in the consultation report and will guide further investigations.Member for Heathcote Maryanne Stuart added, “A range of options are being considered as part of the Bulli bypass investigation. The goal is to improve network resilience and future capacity by providing new detour routes for freight and road users. It is important that we take the time to carry out comprehensive investigations to develop a solution that meets the region’s future needs.”Both Ryan Park and Maryanne Stuart thanked the community for their ongoing support and patience, assuring that the community would be kept informed as the Bulli bypass investigations continue.

It’s the morning after a big night, and you’re nursing a headache that feels like a drum solo gone wrong. The lure of the beach or a quick plunge into a river might seem like the perfect cure for a hangover, but here’s the truth: alcohol and water are a dangerous combination, even when the drinks are from the night before.We’re not just talking about the obvious risks of drunken antics by the pool. Even when you’re technically sober, your body and brain are still under the influence, with impaired reaction times, cloudy judgment, and physical fatigue putting you at greater risk of drowning or injury.Australians love their summer celebrations, and let’s be honest, alcohol is often part of the mix. But the statistics are sobering: alcohol is a leading contributor to drowning deaths in Australia. Hot days, festive spirits, and alcohol-fuelled decisions can quickly turn fun into tragedy.At the beach, alcohol plays a role in 23% of drowning deaths, with average blood alcohol levels sitting at 0.19% – nearly four times the legal driving limit. Rivers present an even greater risk, with 40% of alcohol-related drowning victims recording a blood alcohol concentration of 0.20% or higher.But what about the morning after? While your blood alcohol level may be heading toward zero, your body hasn’t fully recovered. Fatigue, poor coordination, and slow reactions remain, turning seemingly harmless activities like a dip in the ocean or floating down a river into dangerous games of chance.Hangovers aren’t just about pounding headaches and shaky hands. They come with real physiological challenges. Alcohol dilates your blood vessels, giving you a false sense of warmth, which can lead to longer exposure to cold water and an increased risk of hypothermia.Electrolyte imbalances, common after a night of heavy drinking, can cause muscle cramps, making it harder to swim or stay afloat. Add to that reduced blood sugar levels, and you’ll tire faster, making the water an even deadlier place to be.The hangover haze also affects your judgment. You might underestimate the strength of a rip or overestimate your ability to dive into a shallow pool, leading to catastrophic injuries or even unconsciousness – all potential precursors to drowning.What’s the solution?Authorities and organisations regularly highlight the dangers of mixing alcohol with water. But it’s not enough to only consider the risks while drinking. The day after, your body is still recovering, and it’s essential to think twice before heading to the water.Public awareness campaigns often target young people and men, the groups most likely to drown where alcohol is a factor. Beaches may have alcohol-free zones, but rivers and other natural waterways are far less regulated, despite posing similar risks.Royal Life Saving Australia have launched the Make the Right Call – Keep Your Mates Safe Watch the video here https://youtu.be/5Salt-kkGUoWhether it’s skipping the swim after a night out or encouraging friends to stay dry near the water, understanding the lingering effects of alcohol could save lives. Remember, the consequences of carelessness can ripple far beyond a hangover – so let’s make this summer about celebration, not tragedy.This article references content from The Conversation article, "The surprising ways swimming off a hangover can be risky, even if alcohol has left your system", by Amy Peden, Shane Dawson, and Richard Franklin, published on 31 December 2024.

From 29 December 2024 to 4 January 2025, ten locals over the age of 40 rowed in the 50th annual George Bass Marathon - a seven day, 190km surf boat race on the open sea stretching from Batemans Bay to Eden. Boat captain Ian Backhouse says that on day seven they were just hitting their stride.“We rowed down Mollymook on the last day. That was very satisfying and we reckon we were just starting to hit our straps. What might have happened if racing had continued for a few more days?” Says Backhouse.The crew were the first ever Men’s Veteran Crew entry in Kiama Surf Lifesaving Club (SLSC) history and finished the race with a combined total time of 16 hours, 49 minutes and 54 seconds, securing 6th place.“The racing was tight on most legs and a tussle for placings took place daily between Kiama, Cottesloe, Mullaloo, and Mollymook. Often the margins were so close that the lead would change every time we or they had a change of crew. Most days we finished only minutes or seconds apart,” says Backhouse.The crew consisted of 8 rowers - Evan Westlake (56), Ian Backhouse (65), Alan Swan (56), Matthew Barnes (47), Dave Selby (57), Nathan McInerny (41), Martin Walker (51) and Ben George (48) - as well as a sweep - Steven Swain (79) - and super-sub Reece Gregory (41).Backhouse was full of praise for the crew’s commitment. “It was an amazing team effort from all crew members as well as their wives and kids who didn’t see them as much during training for 6 months and then away for a whole week during the summer holidays. I am humbled by this level of commitment,” says Backhouse.In addition to the surf boat race, the George Bass Marathon also features a surf ski event over the same course. Peter Gallagher represented Kiama in the veterans division and emerged victorious, impressively winning every leg with a cumulative time of 15 hours, 2 minutes, and 23 seconds.Peter Gallagher receiving his first place trophy. Source: Ian Backhouse“It was a superb effort from a great bloke and much-admired mentor coach and athlete of Kiama SLSC. He was part of our crew touring party and we enjoyed sharing meals and spending time with him during the week,” says Backhouse.Backhouse says that even though it was challenging - and a lot of the crew have some gnarly blisters and bruises to prove it - it was one of the best weeks of his life.“It was physically demanding and difficult but we achieved our goals by completing the course without injury or damage to any equipment. We were camping with all the other competitors and it was a happy experience sharing time and space with other like-minded people enjoying the sport that they love. It brought our members together for an adventure like no other and we will strengthen us as a club,” says Backhouse.The veterans men's George Bass Marathon crew. Source: Ian BackhouseBackhouse expressed his gratitude to all the organisers of the marathon, the families of the crew members, Kiama SLSC, and their sponsors: Ray White Kiama, Kiama Lions Club, and BOAB Commercial Marine. And he gave a special mention to their support crew.“An integral part of our race was Dave Griffin and his crew Charlotte, George and Hannah Griffin. These guardian angels kept us safe and we spent time recovering from our efforts on board that boat,” says Backhouse.He also encouraged younger members of the community to get involved with the surf club and events like the George Bass Marathon.“All of these people and crews mentioned are qualified and proficient life savers patrolling our local beaches and saving lives. Some are getting close to retirement we need younger members to fill our ranks and keep our beaches safe in the future,” says Backhouse.“We encourage anyone in our community to come down to Kiama SLSC and join us. Get your kids involved, it is a great club. The Surf Bronze can be undertaken at age 15 and is a widely recognised workplace award. Surf Life Saving is one pathway to work in health care, nursing, ambulance paramedics, firefighters, police and lifeguards.”If you want to get involved visit https://kiamaslsc.com.au or email Backhouse at [email protected] Bugle congratulates the veteran crew for completing the gruelling 190km race and especially Peter Gallagher for winning first place.

Wait one more minute, take one more step. This is the message Kiama’s Alex Glover is spruiking as he walks across Australia to raise awareness for men’s mental health and suicide prevention. Alex began his epic journey in January last year, setting off solo with just a tent and air mattress (he’s now onto number six). A year into his walk he has covered almost 15,000km - walking an average of 14 hours a day - eaten more than a thousand bananas and worn through seven pairs of sneakers.Alex Glover arrived in South Australia in early December“The scorching weather in the Top End and across the tip of Western Australia made the bitumen so hot it melted the soles of three pairs of shoes,” says Alex’s partner Sally who has joined him on various legs of his journey.Along with searing heat, Alex has faced rat plagues, relentless rain and uncertainty around his next meal and water source, all while maintaining an incredible daily pace of 50km on average. Alex is not only battling the physical impact of traversing a harsh and unforgiving landscape, he also faces the daily struggle within his own mind, and has had to dig deep to find the resilience and strength needed to keep putting one foot in front of the other.Alex walks into Western AustraliaIt’s the people he meets along the way and the lives he’s touched that keep him going. Alex’s mantra ‘wait one more minute, take one more step’ resonates deeply, reminding people that persistence can lead to unexpected possibilities.“Roadside conversations have become powerful moments,” Alex explains. “It’s often easier for people to open up to a stranger because they can share without the fear of judgment. My journey isn’t just about covering physical kilometres, it’s about creating connections and showing that even in difficult times you can achieve incredible things.” Some stretches have taken him through vast, remote landscapes where it was up to 20 days between towns. Each day he must find food, water and adequate shelter. To avoid the blistering daytime heat Alex walks when the sun goes down, but darkness brings other hazards; snakes, dingoes and bitterly cold desert nights.“Alex has to stay vigilant with every step at night,” says Sally. “During one particularly desperate moment he had to urinate on his feet to warm them up.” Alex & CAtherine at the WA border.It’s a stark reminder of life on the road. Basic comforts, like a shower, became a luxury.Alex expects to clock up close to 17,000km once he returns to Kiama in April.His aim is to encourage those at their lowest point to hold on and seek help, as well as sparking a national conversation about men’s mental health and suicide prevention. “Alex’s journey is a powerful reminder of the strength and resilience needed to face mental health challenges,” says his proud mum Catherine, who has joined him in South Australia. “I am amazed by his determination, his resilience, his problem-solving and how he can just keep going day in and day out.“I’m actually in awe of him, to see how much he’s grown on this journey, the wisdom he’s gained. When he started I don't think I gave him enough credit. I thought he would maybe do the East Coast but that determination is so strong. Sometimes when I'm having a bad day I think of what he must be going through. It makes me realise my problems pale into insignificance.”Alex has not only learned self reliance, but the power of being present. He says the key to rising to the many challenges he has faced is setting himself small daily goals to achieve. “You can only face the hurdles in front of you right now,” says Alex. “One foot in front of the other, making grassroots connections to people from all walks of life.“I’ve been overwhelmed with the kindness that people have showed me along the way. Complete strangers just willing to open their homes for a night, or buy me something to eat, give me water.“That human connection and compassion is what has kept me going.”Alex’s epic journey is a powerful reminder of the importance of supporting one another and the resilience of the human spirit. “Even in our darkest moments there is hope,” says Alex. “Sometimes all it takes is one more step.”You can follow Alex on Facebook: @stridesagainstsuicide and Instagram: @Alex__glover. Alex continues to raise money for suicide prevention through his GoFundMe page which has raised nearly $12,000 to date. You can sponsor him here: https://www.gofundme.com/f/strides-against-suicide

When I was in primary school, I auditioned for the school choir every single year. For five long years, I stood in front of Mr Russell, the choir teacher, nervously giving him my best version of whatever song he asked for. Each year, I was passed over. It took me those five years to realise Mr Russell was never going to select me, no matter how hard I tried.That’s why it was such a delight to sit down for tea with Antoinette Raynal, a legend in our community and someone who passionately believes that everyone can sing. Antoinette’s philosophy flies in the face of the choir rejections I grew up with. In her world, voices are not just accepted but nurtured and celebrated, given the chance to grow and belong.Antoinette greeted me warmly, her cup of tea in hand, and from the moment she began to speak, it was clear that music was more than a career or a hobby for her. It’s her essence. Our conversation unfolded like a melody, and every so often, she would illustrate her thoughts by breaking into song, her voice a mix of joy, warmth, and passion. It was impossible not to smile.Antoinette’s story is extraordinary. After moving to the South Coast without knowing many people, she decided to hold a vocal workshop. That single event blossomed into the Katandra Women’s A Cappella Choir. The name “Katandra” itself is deeply meaningful, originating from a Gurangai word meaning song of the birds. It reflects the harmony and connection that music brings, something Antoinette has infused into every aspect of her choir."Everyone can sing," she told me, her conviction unwavering. "Singing is a skill, not a secret. Once people understand how their voice works, they can take charge of their improvement and confidence builds naturally."Katandra have initiated many major musical community events - The Big Swing, a dance and song evening, South Coast Sings a collaborative choir performance and workshop experience, Songs of Joy, carols events. All proceeds from each Katandra event are donated to local charities. “It’s our way of supporting and appreciating the community we live in.” she says.Over tea, Antoinette shared anecdotes of flash mob performances in museums and restaurants, where her choir spontaneously broke into song. "We’ve sung to waiters at restaurants, in galleries, and even in places like the Australian Art Gallery’s Sky Dome . It’s about bringing joy into unexpected spaces," she said with a twinkle in her eye.But the Katandra choir is about so much more than music. Under Antoinette’s guidance, it has become a thriving community. Members have formed sub-groups like book clubs, walking collectives, and veggie gardening teams. "The choir is a springboard for connection. It’s so rewarding to see friendships blossom and people find their place."She spoke about Kalia, a young woman who joined under the free student sponsorship programme at just 16. Musically inexperienced and unsure of herself, Kalia blossomed under Antoinette’s mentorship and the choir’s encouragement, eventually leading the junior choirs at her own school and gaining early entry into university to study music education. "Seeing her grow into her own voice—it’s so satisfying, her achievement reminds me of the richness music gives to a person on so many levels!” Antoinette said.At one point, I asked her what makes the choir work? She paused thoughtfully before replying, "The music is there, but what makes it work is the sum of us. It’s the trust, the camaraderie, and the generosity we bring to each other. I always remind the choir: I’d be lonely standing up here by myself. This is the power of collaboration."As the interview wrapped up, I reflected on the stark contrast between Antoinette and Mr Russell. Where he dismissed and discouraged, Antoinette inspires and uplifts. She gives everyone who crosses her path hope that their voice matters, that they belong, and that they are capable of more than they ever believed.I may never fully get over Mr Russell and his insistence that I couldn’t sing. That little girl’s hurt will always linger. But spending time with Antoinette gave me something else, a glimpse of what the world could look like if we all had someone like her in our corner. A world where kindness and belief could lift even the most timid of voices. A world where everyone, whether they can sing or not, feels like they belong.

The Kiama Show Pet Show continues to charm locals and visitors alike, with its diverse categories and friendly competition drawing enthusiastic participants of all ages. Long-time steward Mrs Annette Young, now in her 80s, remains at the helm, supported by her son David and a dedicated team of stewards.The Kiama Show Society expresses heartfelt thanks to Jumbo Pets for their generous donation of gift prizes and to the Joske family for sponsoring the coveted Best in Show Pet Trophy.Visit the Kiama Show Schedule here to choose the category that best suits you and your petA crowd favourite every year is the whimsical "Pet Most Like Its Owner" class, which creates plenty of laughs and buzz in both the junior and senior sections.The Pet Show is a treasured part of the Kiama Show’s vibrant legacy, blending tradition with community spirit.

Kiama’s East Beach was closed this morning (9 January) due to the alleged sighting of a 2.5 metre long shark. On top of that, a 1.5 metre stingray was found washed up on the beach with shark bites on it.Source: Ian AltmanBeach lifeguards and Kiama residents helped bury the giant stingray in the sand and gave it a proper burial.The sighting follows the sighting of a 4.5 metre white shark at Callala Bay on 5 January.Source: Ian AltmanThe Bugle urges beachgoers to stay safe, swim between the flags and heed warnings from the lifeguards on duty.

By Dave PeadeThe Gerringong Lions Club is keeping the momentum going with a string of exciting events to kick off 2025. Fresh off the success of what many are calling “The Best Christmas Parade Ever,” the club is gearing up for its annual Motor Fest/Car Show on Saturday, 15 February 2025.Santa on his sleighIn the meantime, they’ll also be hosting the Australia Day Breakfast on 26 January 2025 in the front car park of the Gerringong Bowling Club.Hot Potato Band entertainsChristmas Parade HighlightsThe Christmas Parade was a resounding success, featuring over 30 vibrant floats that showcased the spirit and creativity of the Gerringong community. Local organisations, sporting clubs, and businesses came together to make the event a joyous celebration.The coveted “Best Float” award and a $100 voucher from The Hill went to The Gerringong Bakery for their delightful Gingerbread Float. Other crowd favourites included pipe bands and the energetic Hot Potato Band, which kept the large crowd entertained.Best Parade Float: Gerringong Bakery The Town Crier, Peter Jeffrey, leads the paradeThe day wrapped up with the Lions Christmas raffle, and the lucky winners were:1st Prize: Kiama Holiday Package – Jocelyn Coutts2nd Prize: Gerringong Hardware Package – Kristy from Mt Annan3rd Prize: Gerringong Golf Club Package – John Chambers4th Prize: Core Store and Blue Goose Vouchers – Kate Tophan5th Prize: Two tickets to Ash Grunwald Concert – Michelle HarrisonUpcoming: Motor Fest/Car Show 15 FebThe Motor Fest/Car Show is already shaping up to be another spectacular event, with over 280 entries confirmed at Michael Cronin Oval. Sponsored by Kiama Council, Power FM, Gerringong Automotive, Prized Pieces, Shannon’s Insurance, and Bowden’s Car Care Products, the event promises a thrilling line-up for car enthusiasts.Awards and Prizes:Best in ShowBest Classic CarBest Modified CarThe day’s raffle prizes include:3-night stay at East’s Beach Big 4 Park (valued at $1,190)$300 worth of Bowden’s Car Care Products$200 hamper from Gerringong IGAEvent Details:Entry Fee for Spectators: $5 (Children 12 and under free)Car Entry Fee: $10Proceeds: All funds will support the Lions Childhood Cancer Research Foundation.Contact for Entries:Car clubs or individuals can still enter their vehicles by contacting Stefanie via email at [email protected] or phone at 0410 626 199.Mark your calendars and join the Gerringong Lions Club for a day of community spirit, fun, and classic car admiration!

Tucked away in the heart of Minnamurra is a creative walk that invites visitors to switch off and discover hidden treasures. The ‘discovery trail’ as it has been coined, is a labour of love created by local resident Bob Sinclair, and offers a fresh perspective on a familiar Minnamurra street through Bob’s exceptional creativity and ambition. Frank the EmuThe short walk can be found on the northern end of Railway Avenue, where a stretch of land has been transformed into the lively garden trail, full of charm, humour, and native greenery. “It’s not like it’s a long walk, but there’s a lot of enjoyment that you can get out of there when you look into the garden,” says Bob. The discovery trail has not been an overnight creation, Bob originally started it about 40 years ago when the trees were cleared and the land became scrappy with vegetation. The Council cleared the land and from then on Bob has “slowly been building gardens”, with neighbours joining in over time, creating a community driven display. Rust in piece“With time, I've just developed the garden, and the beauty of it is that the neighbours around me have decided to do up their little area as well,” says Bob.Bob’s section of the trail is anything but ordinary, it’s full of quirks, like Frank, the emu sculpture made from trampoline legs, a baby bath, and palm tree leaves. Or the section with several old surfboards which Bob cheekily calls “the board room”. “I enjoy doing it but it gives a lot of enjoyment to other people as well, that’s the best part,” Bob says.“It’s got to the stage now that people actually drive here, walk through the gardens and they get in their car and drive away.” Thong tree Even fallen trees get a second life here, Bob mentions his ‘one shoe tree’ adorned with a single horse shoe, which fell over and now lies as if it was perfectly placed.“If you tried to cut it down or push it down, you could not land it as well as it did,” says Bob. The trail's charm isn’t just in the gardens but in Bob who created it, the people who have contributed, the community surrounding it, and the visitors who keep the joy alive. Bob credits his neighbours and Kiama Council for their support in keeping the gardens going. The council supplies mulch, which Bob uses to keep the garden tidy, he explains it’s a 'two-way street.'”Thanks to Bob’s dedication, the trail has become a vibrant outdoor walk, with thriving plants like fragrant rock orchids and hidden avocado and mulberry trees. The Minnamurra discovery trail is more than just a garden walk, it’s an invitation to reconnect with community and nature. Bob’s playful take on life shines through with every quirky detail, making the trail an explorative experience for all who wander through it.Next time you’re in Minnamurra, take a detour down Railway Avenue, and enjoy the beauty, heart, and humour of Bob Sinclair’s backyard masterpiece. 

Two local Australia Day events will receive a helping hand, with each to receive a $15,000 Federal Government grant.Federal Member for Gilmore, Fiona Phillips, says Kiama Council’s Jamberoo Australia Day Community Picnic and Jervis Bay Marine Rescue’s famous Australia Day Duck Derby were among 750 events across the nation to receive financial support.“I’m thrilled to have secured funding for these great community events as part of the Albanese Government’s Community Events Grant Program,” Mrs Phillips says. “Delivered by the National Australia Day Council, the program provides support for inclusive events that connect family, friends and community.” “Australia Day is an opportunity to celebrate the freedoms we share, and the diversity and multiculturalism that makes our region and country stronger.” Mrs. Phillips encourages people to come together for a fun day out at these two events, with family and cultural activities planned.“These events are a time to reflect, respect and celebrate our community, culture and wonderful South Coast lifestyle, and I’m so thrilled to offer my support,” says Mrs. PhillipsThe Jamberoo Australia Day Community Picnic is an inclusive event for new citizens and residents of the Kiama Local Government area, with a barbecue, family fun activities, Aboriginal dance, music and craft stalls to be held on Sunday 26 January.The annual Duck Derby at Moona Moona Creek is a fundraiser for Jervis Bay Marine Rescue and will feature the exciting duck race, as well as Aboriginal cultural displays, markets, food stalls and live entertainment.

On 26 July, the Kiama Icons and Artists group will hold, what they hope to be, the first annual Orry-Kelly Gala at The Sebel in Kiama.Orry-Kelly is the Kiama born, three-time Oscar-winning costume designer behind hundreds of Hollywood classics, including Some Like It Hot, Casablanca, and An American in Paris.The event is the brainchild of Cate Menzies, founder of the Kiama Icons and Artists group and owner of Kelly Cottage in Jerrara, a recreation of Orry-Kelly's home. Menzies' discovery of the cottage is a story worth telling.Originally located on Terralong Street, the house was set to be demolished after a developer purchased the property. However, rather than being torn down, the cottage was put up for auction. Menzies' husband, aware of her deep interest in Orry-Kelly and Old Hollywood, thought it would be worth a visit."I was in hospital on the day of the auction," Menzies recalls. "My husband kept asking what time I’d be discharged, and when the doctor gave me the green light, he said, Great, we can make it in time. I thought, Where are we going?"To her surprise, he took her to the auction, where they turned out to be the only bidders. "I thought, What are we going to do with this?"The couple had 30 days to move the historic cottage from Terralong Street to their property in Jerrara, marking the beginning of Menzies' growing passion for Orry-Kelly, which eventually sparked the idea for the Gala in July.After carefully refurbishing the cottage to its original appearance, Menzies had a conversation with a woman who had never heard of Orry-Kelly. "That just made me sad," Menzies says. "It made me think, something needs to be done. I thought about the Elvis Presley festival in Parkes, Elvis never even came to Australia, and how we need to celebrate him regularly to keep his legacy alive. Orry-Kelly started here, he came from an amazing Kiama family, and he deserves to be recognised."So, what did Menzies envision for this celebration? "In my head, I could hear GLAMOUR," Menzies laughs. "It couldn’t just be a talk, it had to be something fabulous, something Orry would have loved."And so, the Orry-Kelly Gala was born. While many details are still being finalised, Menzies promises there will be an exhibition of Orry-Kelly’s work, special guests, dancing, and, most importantly, a dress-up theme to honor his legacy.In December 2024, the Kiama Icons and Artists group held a Sunday Sippers night at The Sebel to attract new members and help organise the celebration. Menzies invites anyone interested to get involved."We’re seeking to grow our membership," Menzies says. "It’s only $2 to join, and if anyone is interested in a leadership role, we’re also looking for a treasurer to join the team."For those eager to get involved or stay updated on the event, the Kiama Icons and Artists group is active on Facebook.

Three teenagers have been charged following an alleged pursuit on the state’s south coast.About 2.45pm on Sunday 5 January 2025, police were notified of an alleged stolen vehicle travelling north on the Princes Highway, Nowra.The car was monitored and about 3.30pm, officers attached to the Traffic and Highway Patrol Command attempted to stop the vehicle on the Princes Highway, Kiama near Spring Creek Drive.When the car allegedly failed to pull over, a pursuit was initiated.The pursuit continued into Kiama Downs, when the vehicle allegedly lost control and mounted the nature strip on Flinders Avenue and continued onto North Kiama Drive, before allegedly hitting a garage door and coming to a stop.The four males, two aged 13,16 and 17 allegedly fled the scene before they were arrested nearby.They were taken to Lake Illawarra Police Station.The 13-year-old male driver was charged with drive conveyance taken without consent of owner, never licensed person drive vehicle on road, drive recklessly/furiously or speed/manner dangerous and police pursuit does not stop drive dangerously.He was granted strict conditional bail to appear before a Children’s Court on Wednesday 5 March 2025.A 13-year-old male passenger was charged with be carried in conveyance taken without consent of owner.He was granted strict conditional bail to appear before a Children’s Court on Tuesday 4 February 2025.A 17-year-old male passenger was charged with be carried in conveyance taken without consent of owner.He was granted strict conditional bail to appear before a Children’s Court on Tuesday 21 January 2025.The 16-year-old male passenger will be dealt with under the Young Offenders Act.Police will allege the car was stolen between 9pm on Saturday 4 January and 3am Sunday 5 January 2025, from a home in Dunmore.